Sentences with phrase «white neon sign»

A white neon sign of the phone number hung in the gallery space.
Director Sam Mendes keeps the action moving well, and special mention should go to veteran cinematographer Roger Deakins and the art design team, who stage some beautiful sequences like a smackdown in a Shanghai office building silhouetted against a huge, changing blue - and - white neon sign.

Not exact matches

I like the blue and white marquee letter as a stand in for the traditional neon sign, and it adds to the industrial feel of the room.
The tight scripting and inventive style that have marked the Coens» work for decades are all here in their first film, in which cinematographer Barry Sonnenfeld abandons black - and - white chiaroscuro for neon signs and jukebox colors that combine with Carter Burwell's haunting score to lurid and thrilling effect.
Of course, being the only white caucasian, it's kind of like looking for Waldo while he has a big neon sign attached to his head.
In the back room in the Chelsea space, the show also boasts a neon sign and video of a small fox, but her heart seems most invested in the gestural drawings and small bronze sculptures, coated with a chalky white patina that gives them a clunky plaster - of - Paris look.
It was not only that here she used color, where normally she works in black and white, but that in the background blinked a small red neon sign that spelled inouï («unheard of»).
Playboy Makes Foray Into Art — Richard Phillips's Playboy Marfa, a sculptural installation made up of a white neon Playboy sign and a Dodge Charger titled at an 18 - degree angle, is now on view on the roadside of Highway 96 in Marfa, Texas.
Glenn Ligon's neon sign Untitled (I Sell the Shadow to Support the Substance) and William Pope.L's video The Great White Way, 22 miles, 9 years, 1 street, also highlight how the exhibition is also a brilliant visual history of the politics of race.
White Cube will be offering Tracey Emin's fancy neon signs in her handwriting at pounds 6,500 and will display a life - size bronze maquette, by Antony Gormley, taken from his own body, in the form of his monumental Angel of the North, due to spread its wings over Gateshead this month.
A delicate black and white 35 mm film screens next to an aggressive and sexy neon sign but the artist's singular vision never waivers.
Standouts include Carrie Mae Weems» holographic narrative about race, sex, and politics portrayed by ghostly characters on a burlesque stage; The Propeller Group's video that draws parallels between funeral practices in Vietnam and New Orleans, along with the collective's sculptures of tricked - out musical instruments, which were also photographed with members of Louisiana marching bands; Glenn Kaino's installation of water tanks that turn military machines into coral reefs; Jean - Michel Basquiat's paintings and works on paper that reference the cultural legacy of the Mississippi Delta and the South; Camille Henrot's video exploration of the universe by way of the storage rooms of the Smithsonian Institution; Tavares Strachan's 100 - foot long neon sign declaring «You belong here» from a barge on the Mississippi River; and Andrea Fraser's monologue, in which she recreated a heated debate by New Orleans city council members during a 1991 vote to racially integrate the Mardi Gras krewes — changing her voice and expression as she dynamically alternated between speakers, both black and white.
Signs are painted white and neon yellow so that they are easily visible.
Gillian paired a neon PartySkirts sign with no - nonsense minimalist pieces, such as a sleek white Saarinen - style dining table (the counterpart to her sister's black one) and sculptural dining chairs.
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