Sentences with phrase «white objects from»

I pulled a few blue and white objects from my own store (this pagoda candle, these cache pots and this fun ceramic pineapple) and added it to some pieces I already owned (this large bowl, this vase, this box and a few vintage items).

Not exact matches

In the video, a person emerges from a white van parked on a sidewalk waving an object and yelling at a police officer whose gun was drawn.

If, as White - head puts it, the dominant thread «wanders from part to part of the brain, dissociated from the physical material atoms» (PR 167), then those enduring objects can not possibly be material.

A prehension is not so much a relation as a relating, or transition, which carries the object into the makeup of the subject.1 White - head's «feelings» are not states, but» «vectors»; for they feel what is there and transform it into what is here» (Process and Reality 133).2 He was writing a theoretical transcript of the fact that you feel this moment of experience to be your very own, yet derived from a world without.

While some still object to cells being taken from animals and used by scientists to grow clean meat in laboratories — and some just don't like the idea of eating a «cultured» steak created by men and women in white coats — others see the lab - grown meat revolution as key to solving the environmental crisis linked to meat eating.

The white ceramic object had a mug - like handle that Rebecca comfortably slid her hand through to carry it from the kitchen to the dining nook.

Even though Smith is the smaller guy, I kept getting this crazy visual as I watched Smith run that fade route over and over, seeing White doing everything short of hitting Smith with a foreign object, WWE style, to try to prevent him from catching the ball.

The study, «Accretion - induced variability links young stellar objects, white dwarfs, and black holes», which is published in the journal Science Advances, shows how the «flickering» in the visible brightness of young stellar objects (YSOs)-- very young stars in the final stages of formation — is similar to the flickering seen from black holes or white dwarfs as they violently pull matter from their surroundings in a process known as accretion.

Dr Simon Vaughan, Reader in Observational Astronomy at the University of Leicester's Department of Physics and Astronomy, explained: «The seemingly random fluctuations we see from the black holes and white dwarfs look remarkably similar to those from the young stellar objects — it is only the tempo that changes.»

It is possible that the «laws» of perception we have explored so far evolved primarily to deal with shadows and to distinguish them from «real» objects, which would also produce luminance differences in the visual scene as a result of differences in reflectance (for instance, a zebra's stripes or a white cat standing on a black surface).

DaVinci and Helmholtz also suffered from similar delusions of grandeur, when viewing white objects versus black.

It is possible that the «laws» of perception we have explored so far evolved mainly to deal with shadows and to distinguish them from «real» objects, which would also produce luminance differences in the visual scene as a result of differences in reflectance (for instance, a zebra's stripes or a white cat on a black mat).

Specifically, the most energetic iron emission they studied is characteristic of so - called x-ray binary starsduos comprised of a dense stellar object such as a white dwarf star, a neutron star or a black hole that collects matter from a less dense companion, emitting x-rays in the process.

«In order for the asteroids to pass sufficiently close to the white dwarf to be shredded, then eaten, they must be perturbed from the asteroid belt — essentially pushed — by a massive object like a giant planet,» said Farihi.

However, in rare instances, two of these objects orbit each other so closely ---- orbiting every few minutes ---- so that the helium from the lighter of the two gets pulled off by tidal forces and accumulates on the more massive white dwarf.

Citizen scientists are asked to identify dipoles, which are black - and - white objects that seem to flip flop from frame to frame, and «movers,» which are objects that appear to move in a line, changing position in each frame.

While the presence of the calcium - carbonate is still in question, the paper shows strong evidence that the accreted material is almost certainly coming from the outer layers of a planet - like object and that white dwarf stars hold promise in informing on the structure of planets outside of the Solar system.

Included in the category are white dwarfs, and as can be seen from the radically different classification scheme for class D, non-stellar objects are difficult to fit into the MK system.

The diminished star also has a partner star, which may cause objects from the belt to move in the direction of the white dwarf.

The lander is white because the data received from Mars were saturated at this location — that is, the lander was so much brighter than the surrounding terrain that the camera saw it as a white object.

The European X-ray Observatory Satellite (EXOSAT), originally named HELOS, was an X-ray telescope operational from May 1983 until April 1986 and in that time made 1780 observations in the X-ray band of most classes of astronomical object including active galactic nuclei, stellar coronae, cataclysmic variables, white dwarfs, X-ray binaries, clusters of galaxies, and supernova remnants.

This Blu - Ray Dual Format edition from The Criterion Collection boasts a truly beautiful black and white image, with authentic natural film grain, surprisingly good fine object detail, and very little scratches or other anomalies.

Then there's the Ghost, the new villain played by Hannah John - Kamen in a nifty white hooded suit, who's emerged from the Quantum Realm with the ability to phase through walls, objects, and people.

When the Charlotte - Mecklenburg Schools sought to implement a plan last year to address racial isolation, many parents objected, and some local officials, primarily from white suburbs, threatened to open competing charters if the plan went through.

And so, perhaps, when NJEA leaders objected to the selection of Paula White because of her association with DFER, Murphy, who had breached his contract with them, made a promise he could keep, even though that decision makes Repollet look far removed from the loop of state educational leadership, makes Murphy look like Pavlov's dog when confronted with a whiff of dissension from his patron, and makes NJEA look like Pavlov himself, a metamorphosis it may welcome after a humiliating defeat of the $ 5 million campaign to unseat Senate President Steve Sweeney by replacing him with a Trump - supporting climate - change - denying immigration - foe.

Arranged in chronological order, the poems focus on objects ranging from concrete, such as the red wheelbarrow and white chickens in William Carlos Williams» well - known Imagist poem, to abstract, like Lord Byron's elegant and pithy ode to the letter e: «The beginning of eternity, the end of time and space / the beginning of every end, and the end of every place.»

Virtuos upgraded him to a high - resolution digital camera and he built a studio from white boards and a few spotlights; a small circular table with a motor under its base slowly rotates an object while the camera shoots.

Visually, Pokemon Black 2 and Pokemon White 2 maintains the same visuals from Pokemon Black and Pokemon White, set as a 2D top - down RPG like all the previous games, with many 3D objects to give the world a bigger sense of size and depth.

You control a small white square in silhouette - style environments with the main objecting being to get from point A to point B without dying.

For example, using colors such as white (neutral), red (deadly, pain), purple (patrol behaviour), green (speed) and blue (player, good)-- we could give hints on what to expect from the different objects and enemy types in this universe.

The producer, Atsushi Inaba, said that the team wasn't quite sure about making the game black and white, because there were a lot of problems, like differentiating objects from the background, but as the pieces joined together, the excitement began to grow.

Individual collections include: examples of British vernacular culture from Peter Blake; the eclectic contents of two rooms from Hanne Darboven's family home in Hamburg; Damien Hirst's skulls, taxidermy and medical models; Indian paintings from Howard Hodgkin; Dr. Lakra's record covers and scrapbooks, Sol LeWitt's Japanese prints, modernist photographs and music scores; 20th century British postcards and Soviet space dog memorabilia from Martin Parr; Hiroshi Sugimoto's 18th century French and Japanese anatomical prints and books; Andy Warhol's cookie jars; more than 1,000 scarves and other textiles by the American designer Vera Neumann from Pae White; and a collection of thousands of objects assembled by Martin Wong and subsequently acquired by Danh Vo.

This exhibition focuses on a handful of forms and objects that appear and reappear in her work: a torn fragment of a 1958 work titled White Spica, her camera tripod, a hybrid item created from an antique candlestick telephone, flowers, a generic tissue box, or a tiny ceramic cup.

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

In the white - walled, window - interrupted, vaulted - ceiling room that is the Renaissance Society's main gallery, 20 meticulous objects shaped by the longtime Chicagoan jut out from the walls, drop from the ceiling, rest on the floor.

Playing with forms taken from the Minimalist tradition — Sol LeWitt's white open cubes come to mind — Johnson turns them into a reflection on blackness by breaking the rational structure open and embedding loaded objects within it.

And from the museum's holdings come two finely grained, «white writing», monochrome drawings and a drawing of a faceted, vertical object that suggests coloured glass by Tobey, who was smitten by Asian aesthetics and philosophies, and is also the focus of renewed appreciation.

In a modest sized rectangular white walled exhibition space, objects of daily use, artifacts ancient and new, paintings and pots, quilts, and kimonos were arrayed on two tiers, hung from the ceiling, against works hung on wall that were subtly dematerialized by natural light coming from unseen skylights along the edges of the dropped ceiling.

Using the patterns appearing on objects such as a towel or a quilt as models, and tweaking them subtly but crucially in the transition from decorative source to painting, White's gesture of appropriation is set against a meticulous process of adaptation.

The intermediate layer of white, connecting color to canvas, also serves as bridge from painting as composition to painting as an object in the world.

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

For his first solo show, White will exhibit a series of large - scale works derived from patterned textiles, as well as several smaller scale still lifes of household objects.

Margaret Lee (b 1980, Bronx, NY) has organized and exhibited work at numerous venues domestically and internationally including The Windows, Barneys, NY; Concentrations HK: Margaret Lee, curated by Gabriel Ritter, Duddell's x DMA, Hong Kong; Made in L.A, 2014 Hammer Museum Biennial, Los Angeles; 2013 Biennale de Lyon; de, da do... da, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA; Caza, curated by Sofía Hernández Chong Cuy, Bronx Museum, New York; NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami; New Pictures of Common Objects, curated by Christopher Lew, MoMA PS1, New York, and Looking Back, White Columns, New York, amongst others.

Individual collections include: African art and samurai armour owned by Arman; examples of British vernacular culture from Peter Blake; the eclectic contents of two rooms from Hanne Darboven's family home in Hamburg; Edmund de Waal's Japanese netsuke; Damien Hirst's skulls, taxidermy and medical models; Indian paintings from Howard Hodgkin; Dr. Lakra's record covers and scrapbooks, Sol LeWitt's Japanese prints, modernist photographs and music scores; 20th century British postcards and Soviet space dog memorabilia from Martin Parr; Jim Shaw's thrift store paintings; Hiroshi Sugimoto's 18th century French and Japanese anatomical prints and books; Andy Warhol's cookie jars; more than 1,000 scarves and other textiles by the American designer Vera Neumann from Pae White; and a collection of thousands of objects assembled by Martin Wong and subsequently acquired by Danh Vo.

While the earlier forms were created from accessible materials and objects, generally coated in gesso to create hauntingly white forms, the new sculptures are cast bronze with a white patina creating a very similar effect.

Interestingly, White Conduit Projects» press release states that this is «at times using elements from the material world or anthropomorphising objects at hand».

Those thin outlines are white, not bare canvas, because Williams does not derive his image, like a proper formalist, from the art object, but rather from experience.

Only a spoil sport would object that the cultural center lay a mile's walk from a residential center — in a borough whiter at the time than a Robert Ryman painting.

In these works, blue gazing balls, hand blown from glass, have been placed on white plaster sculptures depicting signature examples of antique statues from the Greco - Roman era, including the Farnese Hercules and the Esquiline Venus, along with everyday utilitarian objects encountered in today's suburban landscape, such as rustic mailboxes, a birdbath and an inflatable snowman typically seen outside during Christmas.

For him, silence was a landscape of unintentional sounds experienced between intentional sounds; as such, it was absolutely substantive, inseparable from and interdependent with sound.22 By extension, we might expand our view of the White Paintings, considering them not as inert screens waiting to be activated by life's subtle projections but rather as provocative agents of activity and profoundly physical objects that link our actions and perceptions, making us aware of the same perceptual interdependency that was central to silence for Cage.