Sentences with phrase «white objects took»

The rear - facing, 8 megapixel camera will do fine with basic snapshots, but colors are off (bright colors look very muted, and white objects took on a decidedly yellow tint in my testing).

Not exact matches

While some still object to cells being taken from animals and used by scientists to grow clean meat in laboratories — and some just don't like the idea of eating a «cultured» steak created by men and women in white coats — others see the lab - grown meat revolution as key to solving the environmental crisis linked to meat eating.

Though the pursuit in Gun Fury takes the team down Mexico way, the picture was shot near Sedona, Arizona (Walsh employing some of John Ford's creative geography), and even if the 3 - D didn't do its part, with multiple objects and even animals surging toward the screen, and a gun - to - the - camera throwback to The Great Train Robbery (1903), the vibrant Technicolor cinematography by Lester White is bold and picturesque in its own right.

Whether it's about toys and gender stereotypes, a New Jersey girl who was tired of seeing books only about white boys and dogs, or discussing a new line of dolls with disabilities, you can provide openings for children to see how bias takes place in media and the everyday objects that they use.

When we had deprived the house of all its items, when the objects had vanished and the colors had faded into eight gray suitcases, like errant genies evaporating into their bottles, my students and I stood against the bare white wall of the dining room and took two photographs.

Taking a picture of a white object unlocks it as printable papercraft.

Playing with forms taken from the Minimalist tradition — Sol LeWitt's white open cubes come to mind — Johnson turns them into a reflection on blackness by breaking the rational structure open and embedding loaded objects within it.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

In his new exhibition at Jay Jopling's White Cube, Theaster Gates takes a turn away from explicit social meaning, and lets the objects speak for themselves.

Typically, this involved the creation of large wooden structures - often taking up an entire wall - which consisted of numerous compartments filled with arrangements of «found» objects, commonly fragments of furniture, painted in flat uniform colours - black, gold or white.

Taking a monochromatic grey palette as its organizing principle and aesthetic theoretical vehicle, this exhibition reveals the emergence of that which subtracts or divides — a polemics of black and white or the search for a middle ground, a shade of grey — in the work of artists from around the globe: including Shiva Ahmadi, Yasima Alaoui, Ayad Alkadhi, Afruz Amighi, Reza Aramesh, Shoja Azari & Shahram Karimi, Bruce High Quality Foundation, Dilip Chobisa, Seth Cameron, Arthur Carter, Noor Ali Chagani, Nick Farhi, Nir Hod, Rachael Lee Hovanian, Joseph Kosuth, Liane Lang, Farideh Lashai, Shirin Neshat, Enoc Perez, and Dan Witz, Grisaille: originally derived from a 19th century term for monochrome painting, especially the portrayal of three dimensional objects in two dimensional form, of which the work of British based Liane Lang in this exhibition approaches the closest contemporary example of this art historical origin, the gris or grisaille is updated in this exhibition to reflect the embattled gesture of not simply the monochromatic, but also any opposition to color as such, in at once its aesthetic and political modes.

Fischer has taken found objects and detritus in a predominantly morose palette of white, brown, black, and silver, and fashioned them into motorized sculptures that

Playing with forms taken from the Minimalist tradition — Sol LeWitt's white open cubes come to mind — Johnson breaks the rational structure open and embeds loaded objects within it, in a sense hijacking or occupying the minimalist trope.

The installation and exhibition design for Wide White Space aim to take on the challenges inherent in presenting any show on graphic design: how to make it possible for visitors to directly engage with the materials on display; how to gather and present a breadth of historical and contemporary pieces, which take the form of both original physical objects and restaged exhibition projects; and how to speak to both peers within the design community and a broader audience.

Another Filipino artist Bernardo Pacquing created a piano without its black - and - white keys, pushing one's conception of an object and its predescribed function.The artist took out the inner piano parts and reconstructed it into the artwork Untitled (2008), arranging them into the shape of a piano with the added use of cotton.

When taken together, the works stridently emphasize the paper itself as object (as it is curled, crumpled and distressed, floating on a field of white gessoed canvas) as much as the implicit condition of easy dissemination and reproducibility critical to propaganda and the explicit message of class and power contained in the imagery.

Expanding the conversation around Nick Cave «s «Made by White for Whites» exhibition of found object mixed - media sculptures on view at the gallery, Phillip J. Merrill, African American memorabilia expert and founder of Nanny Jack & Co., takes the audience on an «artfactual journey.»

But sometimes a little style is needed to entice people to take such basic measures — something designer Rochus Jacob provides with his latest elegantly simple creation.A shortlisted entry in the Incheon International Design Award (IIDA) 2010 competition, Jacob's «water displacement objects» are as straightforward as they sound: white, rounded stone - like pieces of recycled plastic that allow people to take a full bath with 50 percent less water.

I love ~ the spaciousness achieved by sticking to one type of flooring and white for the walls throughout ~ the unfussy windows ~ how art work and objects seem to have designated areas that lend warmth without taking over ~ the blending of sympathetic materials with the outside location ~ the open plan living with different kinds of lighting that highlight and designate different areas.