Sentences with phrase «white oil»

I kept looking at it, trying to get as close as I could, to see the incredible texture of the white on white oil paint.
The canvas receives a coat of white oil paint.
The doors were previously painted in white oil, so I had no choice but to go over oil with oil.
Just a quick note to let you know that I have been using white oil base paint for trim, doors, tables, chairs & cupboards for the last 19 years.
I remember I was using a lot of white oil stick at the time to get a physical, textured surface that became a kind of a representation of white noise.
Now discard the friend white oil and add the mustard oil in the same pan.
These white - on - white oil pastel drawings of endless waves are unframed and unglazed to preserve their immediate sensory qualities.
Murat Akagündüz's exhibition «Vertigo» presents a series of white on white oil paintings depicting some of world's highest mountain peaks as seen on Google Earth, and explores the transformation of the human - nature relationship within the landscape tradition.
Finish white oiled oak interior and Freud lacquer exterior.
The line cutting through the oil paint is never a clean dark path — the stylus makes an edge and the oil paint moves away in its own fashion; also the areas of white oil color have their own character and vary in density resulting from Lee's method of application.
In works like WB - 1627, the dark grey showing through is the specially prepared canvas surface; and the solid, velvety light areas are unmarked portions of carefully applied, rich white oil color.
Instead, it looks as subtle as Franz Kline's huge black - and - white oil next to it.
In spots the grainy white oil paint was rubbed gently when wet, as if a blackboard eraser had passed — and might pass again.
Abstract Oil Painting, Black White Oil Painting, Geometric Art, Large acrylic painting, Minimalist Artwork, Oversized Painting on canvas Art
While the overwhelming white oil paint — thick in application and densely layered — threatens to become solely about frenetic texture, a softer color palette emerges from beneath in increments, beckoning a closer look.
In the first work here — «Untitled # 17» from 1958 — the textured white oil paint recalls abstract Guston, while a faint line of blue fissuring down the surface is reminiscent of Clyfford Still's craggy abstractions.
In his investigation of titanium and zinc white oil paint on canvas, linen, and burlap, the exclusive use of white has more to do with a focus on paint properties and supports and is less about color.
Untitled (Winsor), 1966, Winsor White oil paint on stretched sized linen canvas, 193 x 193 x 8.4 cm, Private Collection, Courtesy Thomas Ammann Fine Art AG, Zürich, © Robert Ryman
A thick white oil ground - probably of household paint - was brushed on to the smooth face of the hardboard to give a hard, textured surface.
Though white oil paint is an ingredient in many of Ryman's works, he takes great care in varying his choices of working surface and of ways to fasten his work to the wall.
However the current trend for limed and chalk white boards can be achieved using a natural white oil applied on site.
16 — «I really want a warm / ivory looking white (like old white oil - based cabinets that have ambered out a bit with age.)
The whole area is fitted with double smoked, white oiled chevron which continues throughout the kitchen and hallway and, in the guest bedroom — where Christina wanted to recreate a Canadian feel reminiscent of her family's log cabin — we fitted the walls with Yaccona oak.
In addition, there is a unique black and white oil pastel portrait of Willem de Kooning, as he looked in 1966, though painted in 2011.
In Stranger # 37, an excerpt from James Baldwin's landmark essay Stranger in the Village is built in high relief in white oil stick against an equally white, gessoed ground.
The couple chose new softwood floorboards, which were sealed and finished with white oil to give them a washed, timeworn feel.
These drawings, heavily layered with red and white oil stick on thick paper, range dramatically in scale from three - inch - high stick figures to enormous multi-panel compositions.
The first kitchen needs to have it cabinetry clean TSP (trisodium phosphate) and then primed and painted with a creamy off white oil based enamel paint.
In her distinctive approach, Shepherd applies fine lines of white oil paint upon monochromatic layers of glossy enamel.
In two dozen paintings at the Phillips Collection, Richard Pousette - Dart worked in black graphite and oil on white oil paint, with bare hints of color.
«Now «n Then» offers various examples of paintings from such histories over a span of sixty years including student works from R.I.S.D. in the late 1950s, a unique collage / combine from his MFA days at Cornell University in 1961, a small series of strictly black and white oil paintings from 2010 which were done between a larger group of imaginary still life paintings and a following group of minimalist color paintings.
Keep the chicken into the refrigerator at least for 2 hours.Now heat the white oil in a deep bottomed vessel and fry the chicken pieces carefully.
Coconut oil is a creamy, white oil that is solid at room temperature.
Ingredients: Purified Water (Aqua), Hydrogenated Polyisobutene, Anemmarrhenae Asphodeloides (Root) Extract, Glycerin, Cyclopentasiloxane, Dimethicone, Macadamia Ternifolia Seed Oil, White Oil, Polysorbate 20, Cellulose Gum, Acrylates / C10 -30 Alkyl Acrylate Cross-Polymer, L - Arginine Ethyl Ester Dihydrochloride, Macelignan, Tocopherol, Acetyl Octapeptide - 3, Retinol, Glucosamine, Phenoxyethanol, Ethylhexylglycerin.
From this animated immersive space one moves to a white room hung with four black - and - white oil - on - cotton rag works labeled Untitled Anxious Drawing.
A wooden rocking chair in ash with a white oil finish by famed British furniture maker Katie Walker is made by steam - bending a continuous band, which forms both the rocker and the chair's frame.
Increasingly she combined Pollock's epic battlefield with the flesh - like leaves of de Kooning's 1948 Painting — but in sepia rather than black enamel and white oil.
In his most ambitious painting to date, a 9 x 15 foot black and white oil painting of a Bengal tiger, Newsom's work rests between heaven and hell: the animal is ethereal, omnipotent, terrifying, and lovable.
Known for producing finely wrought, luminous black and white oil paintings, White's masterfully rendered moments of everyday life bear comparison to the quietude of paintings by the Flemish masters and Lucian Freud's early interiors, whilst the distilled forms that inhabit them reflect a more contemporary, ritualized, minimalist sensibility.
He shows his range in these later works gleefully inventing and exploiting new spaces in the picture plane: 1951's Every Atom Glows: Electrons in Luminous Vibration is a delicate black - and - white oil painting, while his Alabama II, 1969, is a strong protest work — a rectangular field of red in which a triangular wedge evoking bodies marching or a megaphone's amplified language emerges in glossier red on the painting's surface.
After parting ways with his artistic partner in 2001, White turned from installation to painting, dedicating himself to producing the finely wrought, luminous black and white oil paintings for which he is well - known.
Uptown with the old fogies, it might have Jackson Pollock for his black swirls, Rauschenberg for his erasures of de Kooning, Jasper Johns for his white flags, Frank Stella for his black stripes, Robert Ryman for his white oil against canvas and metal bolts, and even Judy Chicago for her white china.
We use the white oil pastel to color over the light blue, making her sweater lighter.
Follow along again, but this time use a white oil pastel and black paper.
Now in the permanent collection of the Museum of Modern Art, the collection of black and white oil paintings drew from ubiquitous photographs of the Baader - Meinhof era.
Offered is a beautiful, 1960s abstract - modern black and white oil - on - canvas painting of Jackie O or Edie Sedgwick.
The majority of the eleven works in this obscenely funny and outrageously well - crafted exhibition are mirrors lovingly coated with primarily black and white oil paints.
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