Sentences with phrase «white paint effect»

This shabby chic dining table with its distressed white paint effect and wooden top creates an easy - to - live with feel that is friendly rather than informal — just the ticket for Christmas canapes with friends and neighbours.

Not exact matches

The other option would be to make white shells and use colored luster dust or paint them with powder colors dissolved in vodka (vodka evaporates quickly without making the shells too wet), but the effect wouldn't be as bold.

For a more dramatic effect, try painting all of your furniture in a single color, reversing the traditional order of colored walls and white furnishings.

If scientists can get a good handle on exactly how the thermal effects play out, they could steer a threatening asteroid into a safe orbit just by painting parts of its surface black (to absorb heat) or white (to reflect).

Take any old white shirt you are sure you are not going to wear and fake blood or red fabric paint and put the paint on your palms and press your blood palms on the shirt, splat some blood on the shirt to get a blood splatter effect.

I simply spray painted it white, putting painters tape on a few spots to give the two toned effect to it.

I love making black and white a little more fun and interesting with fun patterns — like with this cool painted effect!

According to the ASCP website you can add white chalk paint to clear wax to get the same effect.

The film is handsomely mounted and Lewin uses an interesting cinematic device to great effect: he cuts to full color when the new portrait is first unveiled and when the aged, diseased image of Dorian is revealed after his descent into depravity, which provides a visual shock to the black and white drama and enhances to horror of the grotesque mutation of the painting.

It provides info from Spielberg, Lucas, ILM digital artist Paul Huston, ILM animation supervisor Steve Rawlins, ILM digital model supervisor Dave Fogler, ILM view paint supervisor Steve Walton, ILM digital compositing supervisors Sean MacKenzie and Jay Cooper, visual effects supervisor / aerial unit / unit director Pablo Helman, ILM digital matte supervisor Richard Bluff, Kerner Optical model supervisor Brian Gernand, ILM lead TD supervisor Craig Hammack, ILM associate visual effects supervisor Marshall Krasser, ILM digital production supervisor Jeff White, ILM creature and simulations supervisor Eric Wong, Kerner Optical lead model maker Nicholas A. D'Abo, and ILM visual effects art director Christian Alzmann.

Darren Aronofsky's preoccupation with paranoid, physically grotesque searches for meaning — a curious mix of deep - think and makeup effects that goes back to his black - and - white debut feature, Pi — grimly paints humanity as a species defined by obsessions, addictions, delusions, and self - destruction, its only prophets being madmen.

«Oryx White» is a sophisticated, pearl - effect paint.

The $ 200 Snowflake White Pearl paint is dazzling in the sunshine, although a word of caution — pearl - effect paint can be quite pricey to repair, as it is tricky to match.

Four exterior paint colours are on offer: Corrida Red, Steel Grey, Moon White metallic and Pearl Effect Black Magic (the latter two attracting a $ 500 premium).

Exclusive appearance: Eight paint colors, four different effects Audi offers a choice of eight paint colors — one solid finish, two metallic colors, four pearl - effect finishes and one crystal - effect color: Ibis White, Suzuka Gray, Monza Silver, Misano Red, Sepang Blue, Daytona Gray, Phantom Black and Panther Black.

Options: Spring special edition package including 21 - inch silver painted wheels, 245/40 ZR21 front tires and 275/35 ZR21 rear tires, unique Blue Ray stripe, blue leather appointed interior including white gauge cluster and door panels, RS appearance package, premium floor mats, ZL1 rear spoiler, ground effects, black front grille, Blue Ray hood insert ($ 5,995); dual - mode performance exhaust ($ 895); navigation system ($ 795)

Adding to the appearance, this tester was equipped with the $ 4,300 Tech Package that includes optional LED headlights and taillights as well as a panoramic roof, which adds a contrasting effect to this car's Ceramic White paint job.

We advise you choose any of the following five colours over the Viper Green metallic paint you see here: Candy White, Rising Blue metallic (our choice), Reflex Silver metallic, Deep Black Pearl Effect or Iridium Grey metallic.

From the fat cat Skabenga who sits aloofly on the red carpet outside the hotel, to the lemon scented reception area and the striking black and white floor tiles (funnily enough we had the same tiles in our sunken lounge at home but the effect wasn't quite as striking and as a result they have disappeared under a lick of white road paint!)

We, meaning my husband (with my supervising, lol) built a table out of a pallet, and I've been trying to decide whether a plain old painted white would work better, or a whitewash effect.

establishment power: the British Museum, St George's Church at dawn, a comically abbreviated, golden, phallic Post Office Tower... The portraits, rigorous but loosely, freely painted in delicate white - grey - brown tonalities, also turn crucially on light effects.

Each of the green - and - white paintings in the room has its individual merits, but the massed effect of the nine cleanly demarcated, clear - eyed works, and the generous spacing allotted to the hanging by curator Dana Miller, raise the bar considerably.

And it creates a spatial effect where the white, even though it's not receding endlessly into space, it's nonetheless quite literally just behind the painted passages.

This single, all - white cast of a Halloween mask is inset into the wall but is painted so that it alternates between looking like a cavity and a protrusion — a magical effect to say the least.

Drawing on color theory, she creates paintings that manipulate the 12 tones of the color circle, as well as shades of black, white, and gray, to create disorienting and destabilizing visual effects.

Set into a painted film of white gloss, opalescent hues of the butterflies» gossamer wings produce the effect of a Gothic stained - glass rose window.

He liked the effect, and made it his own, combining the wiped marks with sprayed loops to create complex abstract fields that began to look, squinted at from a distance, like black and white reproductions of paintings by Franz Kline or de Kooning.

The effect of Monroe brilliantly coloured and eternally alive on one side of the painting, with her image degrading in black and white on the other, is icily disturbing.

He achieved this effect by hammering scores of carefully placed nails into elaborate wood supports, stretching the canvas over their protruding heads and then painting it, usually white but also silver, red or black.

As de Kooning had mixed his oil paints into a thick, viscous yet airy consistency and applied them in heavy impasto - laden strokes, Wool veers toward the opposite end of the spectrum, creating a barely - there scrim of a surface that's been leached of all color, save for the effects of black and white.

This sense of dynamism was explored to great effect in the artist's earliest blackand - white paintings, which established the basis of her enduring formal vocabulary.

He painted mostly on Masonite, using a palette knife to prime the surface with layers of white gesso, then applying each color minimally for maximum effect — one coat of pure color, straight from a tube.

The Swiss artist Urs Fischer, known mostly for his sculpture, has also made editioned «paintings» — laser prints of untitled landscapes or interiors that achieve a nearly abstract, cracked - mirror effect with uneven bands of red, white, or black that the artist adds by hand, using a fine paintbrush or felt - tipped marker.

Meticulously painted in shades of black and white, de Oude's piece changes at every glance, an effect that is both dynamic and difficult to take in for long periods of time.

East Gallery: Jennie White Jennie White's paintings of a deforested landscape endeavor to effect language, to be sensual objects articulating emotions and thoughs.

A refinement of Hard Edge Painting, Op - Art was a type of non-objective art which employed black and white geometric patterns to create a variety of optical effects on the viewer's physiology and psychology of perception.

«Exemplary of [The Chicago Effect: Redefining the Middle's] strengths is a brief interlude in the middle of the main gallery marked by a stripe of grey paint that hangs on the walls and floor between two halves of the white cube... Isolated Fictions: A Reenactment, as the sub-show is titled, presents a provocative case study in the generative possibilities between art schools, small galleries, art centers, and other «middle men» of the art economy.»

Since the 1950s, Ryman has used primarily white paint on a square surface — whether canvas, paper, metal, plastic, or wood — while harnessing the nuanced effects of light and shadow to animate his work.

His works surprisingly multiply the spatial effects of white by ranging broadly in modes of paint application, assorted support and surface materials, and repertoire of hanging devices.

This is, in part, thanks to the lurid pink and purple slashes of paint on those white walls, the by - products of her recent paintings, enormous enamel - on - metal works which feature steamy, sexy, dripping images of women, often behind glass — in effect trapped, in reality free.

The result is a subtle perceptual effect: As one holds the comparatively dark column in one's gaze, the brilliant - yellow paint and white canvas converge to form a luminescent halo.

Like actual vision, Quaytman's paintings have a blind spot, whether it be from a light source in the picture, an optical illusion, a trompe l'œil effect, the absence of color in a black and white photograph, or the picture in plan.

One gallery, with an intervention titled Prepared Space, 2014, is blindingly white, thanks to a stark coat of paint that exacerbates the effect of sunlight pouring in from above, an aggression matched

And while it could be argued that the dazzling boom and bust of a few 26 - year - old white male skateboarders - cum - abstract - painters isn't representative of thousands of other emerging artists, the spectacular market failure of that one, tiny group had a much broader cooling effect on the market: With collectors suddenly questioning the value of their not - insignificant investments (no matter how rich you are, watching your $ 100,000 painting go to $ 20,000 in a few months has to be unpleasant), a crisis of confidence resulted in some very good galleries going under.

Jennie White's paintings of a deforested landscape endeavor to effect language, to be sensual objects articulating emotions and thoughs.

Best known for her white paintings, Corse's application of the paint emphasizes the multi-chromatic visual effect created in the contrast between the glass beads and her textural brushwork.

The artist's signature technique of staining an unprimed canvas with diluted paints is employed to dramatic effect here, with added translucent bands of white that glimmer and oscillate as sunlight might play across its surface, while darker greys and browns add depth, richness and dimension.

The effect, in his monochromatic works of this type, is reminiscent of that of Jasper Johns's encaustic White Flag, 1955, and the younger artist's paintings have been read as an inhabitation of modernist forms with monotonous task - based operations that bespeak Binion's personal history of manual labor.

While Bridget Riley was exploring the optical effects of line in her black - and - white works, Whitaker started to investigate the optical effects of colour in paintings of extraordinary daring and technical accomplishment.

Since the 1950s, Ryman has used primarily white paint on a square surface while harnessing the nuanced effects of light and shadow to animate his work.