Not exact matches
I use pencil, black
ink pens, coloured sharpies, coloured Copic markers
and white Posca
pens to finish my illustrations.
Another similarity to that pioneer survival horror classic is the save system, except here instead of
ink ribbons
and typewriters, you'll have to locate felt tip
pens and scrawl your details on
white boards.
The
pen replaced
ink and the touch screen has replaced the blackboard
and chalk by
white board markers or remote controllers.
I have worked in
pen and ink for black
and white but am not sure of gray scales images.
Energetic, humorous cartoon illustrations, rendered in india
ink and felt - tip
pens and set on clean
white backgrounds, convey a lively domestic adventure through the alphabet.
Generally made with
pen and ink on graph paper, Pope.L's Skin Set works from the late 1990s
and into the 2010s offer sharp, sometimes witty critiques of the absurdity of racial stereotypes
and references to skin color (i.e «Black People are the Window
and the Breaking of the Window,» «Blue People Can not Conceive of Themselves,» «
White People Are Angles on Fire»).
From left, Lot 68, «Jerry,» circa 1945 (etching on thick wove paper) by Charles
White and Lot 69, «Untitled (Nude Sitting on a Bed),» circa 1948 (
pen,
ink, pastel
and wash on cream wove paper) by Eldzier Cortor.
She drew the outlines of famous
white men
and filled in their skin with black
ink from a ballpoint
pen (her signature style).
They course through her
white sheets with the width of brushwork, the fluid motion of a
pen,
and a life of their own, which makes sense once you recognize them as blue
ink on drafting film.
Adelman's beautifully compelling drawings show what the right set of hands — not to mention rigorous conceptual systems
and a sufficiently obsessive sensibility — can produce with humble black, blue or
white gel
ink pens.
I simply carry
white paper with me all the time (
and Muji
ink pens!)
White People Are the Cliff
and What Comes After (2001 — 02) From the Skin Set Project (1997 ---RRB-
Ink, felt - tip
pen,
and paint on paper 27.9 × 21.9 cm
We will progress first monochromatically from line, to line & tone, to all tone, using graphite, charcoal, silverpoint,
pen and ink,
and then work in a limited
and full color palette in black
and white charcoal
and red sanguine
and in watercolor, pastel
and / or water - based monotype.
But, I feel, Bronstein's interrogations of institutional power
and space — ever present in his
ink -
and - dip -
pen drawings
and choreographed performances — have evaporated away,
and this (madly) pretty folly in bridal
white leaves you speculating about the commissioning intent.
Chocolate Utopian Underground City with Yellow Inner Structure Station with Square Grid under Construction Safety Chrysalis
and Abandon Square Habitat with
White Expulsion Area
and Central
White Mine Tunnel Transportation Center, 2003,
Ink, watercolor, pencil, colored pencil, felt - tip
pen, synthetic polymer paint,
and gouache on colored paper, 54 1⁄2 x 78 5/8 in.
Best known for her hypnotic, ballpoint
pen ink and charcoal figurative drawings, Odutola's new show begins with a group of works made with
white charcoal on blackboard.
Swwann: This exquisitely rendered drawing is a stunning example of Charles
White's work in
pen and ink.
Reed
pen and India
ink heightened with
white on wove paper.
About the artists
and their work: The late Anthony Ballard, known for his precise
pen -
and -
ink drawings of erotic subjects
and geometrics, has garnered significant critical attention in recent years; Mercedes Kelly's fanciful depictions of canine
and feline subjects have been a crowd - pleasing fixture at the Fair over many seasons; Lawrence Pujol's refreshing country landscapes are becoming increasingly popular with collectors; Angela Rogers's «poppets» --- magical assemblages wrapped in brightly - hued yarn — incorporate intriguing mystical symbolism; Robin Taylor's «Jenny» paintings affectingly portray a young girl so bashful that her face is represented as a mop of bright orange hair; Alyson Vega's intricate fiber works, shown to great acclaim in a 2016 solo exhibition at the prestigious venue
White Columns, surprise
and enchant.
John Ruskin, The Garden of San Miniato near Florence, 1845, watercolor
and pen and black
ink, heightened with
white gouache, over graphite on wove paper laid down on thick,
white paper, Patrons» Permanent Fund, 1991.88.1
Rocket Sam in — «Tis the Season of Giving on Planet X-38», 2005, black
ink and pen over graphite with
white gouache, on Bristol board
Peter Paul Rubens (1577 — 1640), Angel Blowing a Trumpet, Facing Left, ca. 1617 - 20, black chalk,
white chalk with wet brush,
pen and black - brown
ink, squared in black chalk, purchased as the gift of the Fellows with the special assistance of Mr. Walter C. Baker
and Mr.
and Mrs. Carl Stern, The Morgan Library & Museum, 1957.1.
As the artist recalls in her autobiography, Infinity Net, «Deep in the mountains of Nagano, working with letter - size sheets of
white paper, I had found my own unique method of expression:
ink paintings featuring accumulations of tiny dots
and pen drawings of endless
and unbroken chains of graded cellular forms or peculiar structures that resembled magnified sections of plant stalks.»
Anthony van Dyck (1599 — 1641), Diana
and Endymion, ca. 1625 — 27,
pen and point of brush, brown
ink and brown wash, heightened with
white opaque watercolor, on blue paper, faded to green gray, The Morgan Library & Museum, I, 240.
Claude Gellée, called Claude Lorrain (1600 — 1682), Apollo Watching the Herds of Admetus, 1663,
pen and brown
ink and wash, heightened with
white gouache, over black chalk.
Albrecht Altdorfer (ca. 1480 — 1538), Two Lovers by a Fountain in a Landscape, 1509 - 10,
pen and black
ink and white opaque watercolor, Thaw Collection, The Morgan Library & Museum, 2006.41.
Peter Paul Rubens (1577 — 1640), Angel Blowing a Trumpet, Facing Right, ca. 1617 - 20, black chalk,
white chalk with wet brush,
pen and black - brown
ink, squared in black chalk, purchased by Pierpont Morgan (1837 - 1913) in 1909, The Morgan Library & Museum, I, 233.
The plastic seems strong, but the
white shell gets dirty quickly
and easily picks up random streaks of dirt,
ink from
pens,
and other materials it encounters during the day.
Walls painted China
White by Benjamin Moore set off a Swedish demilune table
and French
pen -
and -
inks.