Sentences with phrase «white pen and ink»

Not exact matches

I use pencil, black ink pens, coloured sharpies, coloured Copic markers and white Posca pens to finish my illustrations.
Another similarity to that pioneer survival horror classic is the save system, except here instead of ink ribbons and typewriters, you'll have to locate felt tip pens and scrawl your details on white boards.
The pen replaced ink and the touch screen has replaced the blackboard and chalk by white board markers or remote controllers.
I have worked in pen and ink for black and white but am not sure of gray scales images.
Energetic, humorous cartoon illustrations, rendered in india ink and felt - tip pens and set on clean white backgrounds, convey a lively domestic adventure through the alphabet.
Generally made with pen and ink on graph paper, Pope.L's Skin Set works from the late 1990s and into the 2010s offer sharp, sometimes witty critiques of the absurdity of racial stereotypes and references to skin color (i.e «Black People are the Window and the Breaking of the Window,» «Blue People Can not Conceive of Themselves,» «White People Are Angles on Fire»).
From left, Lot 68, «Jerry,» circa 1945 (etching on thick wove paper) by Charles White and Lot 69, «Untitled (Nude Sitting on a Bed),» circa 1948 (pen, ink, pastel and wash on cream wove paper) by Eldzier Cortor.
She drew the outlines of famous white men and filled in their skin with black ink from a ballpoint pen (her signature style).
They course through her white sheets with the width of brushwork, the fluid motion of a pen, and a life of their own, which makes sense once you recognize them as blue ink on drafting film.
Adelman's beautifully compelling drawings show what the right set of hands — not to mention rigorous conceptual systems and a sufficiently obsessive sensibility — can produce with humble black, blue or white gel ink pens.
I simply carry white paper with me all the time (and Muji ink pens!)
White People Are the Cliff and What Comes After (2001 — 02) From the Skin Set Project (1997 ---RRB- Ink, felt - tip pen, and paint on paper 27.9 × 21.9 cm
We will progress first monochromatically from line, to line & tone, to all tone, using graphite, charcoal, silverpoint, pen and ink, and then work in a limited and full color palette in black and white charcoal and red sanguine and in watercolor, pastel and / or water - based monotype.
But, I feel, Bronstein's interrogations of institutional power and space — ever present in his ink - and - dip - pen drawings and choreographed performances — have evaporated away, and this (madly) pretty folly in bridal white leaves you speculating about the commissioning intent.
Chocolate Utopian Underground City with Yellow Inner Structure Station with Square Grid under Construction Safety Chrysalis and Abandon Square Habitat with White Expulsion Area and Central White Mine Tunnel Transportation Center, 2003, Ink, watercolor, pencil, colored pencil, felt - tip pen, synthetic polymer paint, and gouache on colored paper, 54 1⁄2 x 78 5/8 in.
Best known for her hypnotic, ballpoint pen ink and charcoal figurative drawings, Odutola's new show begins with a group of works made with white charcoal on blackboard.
Swwann: This exquisitely rendered drawing is a stunning example of Charles White's work in pen and ink.
Reed pen and India ink heightened with white on wove paper.
About the artists and their work: The late Anthony Ballard, known for his precise pen - and - ink drawings of erotic subjects and geometrics, has garnered significant critical attention in recent years; Mercedes Kelly's fanciful depictions of canine and feline subjects have been a crowd - pleasing fixture at the Fair over many seasons; Lawrence Pujol's refreshing country landscapes are becoming increasingly popular with collectors; Angela Rogers's «poppets» --- magical assemblages wrapped in brightly - hued yarn — incorporate intriguing mystical symbolism; Robin Taylor's «Jenny» paintings affectingly portray a young girl so bashful that her face is represented as a mop of bright orange hair; Alyson Vega's intricate fiber works, shown to great acclaim in a 2016 solo exhibition at the prestigious venue White Columns, surprise and enchant.
John Ruskin, The Garden of San Miniato near Florence, 1845, watercolor and pen and black ink, heightened with white gouache, over graphite on wove paper laid down on thick, white paper, Patrons» Permanent Fund, 1991.88.1
Rocket Sam in — «Tis the Season of Giving on Planet X-38», 2005, black ink and pen over graphite with white gouache, on Bristol board
Peter Paul Rubens (1577 — 1640), Angel Blowing a Trumpet, Facing Left, ca. 1617 - 20, black chalk, white chalk with wet brush, pen and black - brown ink, squared in black chalk, purchased as the gift of the Fellows with the special assistance of Mr. Walter C. Baker and Mr. and Mrs. Carl Stern, The Morgan Library & Museum, 1957.1.
As the artist recalls in her autobiography, Infinity Net, «Deep in the mountains of Nagano, working with letter - size sheets of white paper, I had found my own unique method of expression: ink paintings featuring accumulations of tiny dots and pen drawings of endless and unbroken chains of graded cellular forms or peculiar structures that resembled magnified sections of plant stalks.»
Anthony van Dyck (1599 — 1641), Diana and Endymion, ca. 1625 — 27, pen and point of brush, brown ink and brown wash, heightened with white opaque watercolor, on blue paper, faded to green gray, The Morgan Library & Museum, I, 240.
Claude Gellée, called Claude Lorrain (1600 — 1682), Apollo Watching the Herds of Admetus, 1663, pen and brown ink and wash, heightened with white gouache, over black chalk.
Albrecht Altdorfer (ca. 1480 — 1538), Two Lovers by a Fountain in a Landscape, 1509 - 10, pen and black ink and white opaque watercolor, Thaw Collection, The Morgan Library & Museum, 2006.41.
Peter Paul Rubens (1577 — 1640), Angel Blowing a Trumpet, Facing Right, ca. 1617 - 20, black chalk, white chalk with wet brush, pen and black - brown ink, squared in black chalk, purchased by Pierpont Morgan (1837 - 1913) in 1909, The Morgan Library & Museum, I, 233.
The plastic seems strong, but the white shell gets dirty quickly and easily picks up random streaks of dirt, ink from pens, and other materials it encounters during the day.
Walls painted China White by Benjamin Moore set off a Swedish demilune table and French pen - and - inks.
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