Sentences with phrase «white photograph of a woman»

Lucas has a broad oak desk covered in neat piles of paper and a framed black - and - white photograph of a woman whom I take to be his wife.

In «Untitled (Your Body is a Battleground)» (1989,) a black and white photograph of a woman is displayed, but half of it (vertically) is displayed like a photography negative.

Rawan Althomali: «Nonentity» Trois Gallery 6 - 7 p.m. Join SCAD graduate student Rawan Althomali (M.F.A. photography) as she debuts a series of stark, black and white photographs of women that portray identities both specific and obscure.

Not exact matches

She claims the Assemblyman spoke about pornography freely in the office during her tenure and, on one occasion, brought in framed black and white sexually charged photographs of women's navel areas that he intended on hanging throughout the office.

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The matter of personal chemistry is provocatively covered in the dazzling opening sequence, in which a young man (Michael Pitt) wearing a white doctor's coat to an edgy downtown New York Halloween party spots a slinky young woman wearing black leather and a face mask; only her dazzling eyes, which he photographs, are visible.

On one desk was an unusual photograph of a woman and a baby, a posed black - and - white image with a startling play of silver light and shadow set against a background of trees and sky.

In April of this year, 2004, while shopping at our local Petsmart for food and general supplies for our already large animal family, we noticed while in the checkout line, a woman being photographed holding a large white rabbit, thinking that it was some sort of Easter promotion we wandered over to see that it was instead a rabbit rescue organization adopting out adult rabbits.

These black - and - white life - size photographs of naked women in their 90s posed against a pure white ground, as if they were already in another world, were shocking when they were first shown, about 12 years ago, when the artist was in his early 40s.

Woman and ironing board become one in Bügeltraum (Iron Dream), a series of four black - and - white photographs by Karin Mack (b. 1940, Vienna, Austria).

In the 1930s, she lived in France with the legendary English writer Ford Madox Ford; her brother Jack Tworkov was far better - known as a painter; in New York in the 1940s, she was in the heart of the Abstract Expressionist scene (she's the woman in the white blouse between Bradley Walker Tomlin and Robert Goodnough in a much - reproduced photograph of the «Studio 35 Artists» Session» of 1950), but never gained much recognition for her own paintings.

Though she began as a documentary photographer, Simpson is best known for her conceptual pairings of text fragments and studio photographs of anonymous African - American women draped in white shifts dresses.

Ten days after the Women's March artist Jonathan Horowitz exhibited a pile of free posters at Petzel Gallery — an altered image of Trump photographed from behind playing golf, in all white except for his red MAGA hat.

Judith Linhares» oil paintings of dreamy female nudes are also intensely colored, but they relate in an unexpected and intimate way to a pair of black and white photographs by Rory Mulligan showing a torso of a woman and the back of a man gazing at a night sky.

Featured in the «Women's Work» section of the exhibition, Mierle Laderman Ukeles's Dressing to Go Out, Dressing to Go In is a series of black - and - white photographs hung on the wall next to a dust rag mounted to a chain.

Split horizontally, the canvas shows two friezes, the top a colorful assembly of Giacometti sculptures and mid-century light fixtures, the lower is comprised of three black and white paintings of a woman based on Salle's own photographs.

Photographed in black and white, the female models» bodies and clothing have synergy with the graphic backdrops constructing the scenes: a curve of the waistline in the foreground of one woman merges into the calligraphic line of the background.

In the rear gallery hangs a seven - and - one - half - foot - tall black - and - white photograph of a naked woman, seen from behind, standing in shin - deep ocean waves — it's called «Positive (California).»

The resulting works in colour and black and white photographs, ink and pencil drawings and paintings in watercolour and oils create a fascinatingly obsessive and emotional study of one woman: the model Kristen McMenamy.

She gained international prominence in 1995 with her iconic series of black and white, calligraphy - overlaid photographs, Women of Allah.

An exhibition of this calibre deserves to be in the main gallery rather than tucked away in a side room; but these photographs and videos are by women artists, and with Donald Trump entering the White House, it looks as if treating women as second...

When Jimmy De Sana (1950 - 1990) moved to New York City in 1973, he had already completed 101 Nudes, a series of black - and - white photographs of naked men and women taken in and around his suburban home in Atlanta.

In the first room of the Schneemann retrospective, among paintings half way between abstract expressionism and «combine» experiments (reminders of Rauschenberg's 1960s works), there are a series of 18 photographs of a woman in black and white.

Howard Greenberg Gallery is pleased to announce an exhibition centered on the theme of women, a subject often visited by Saul Leiter throughout his career in his color, black and white and painted photographs.

Look closely at Jananne Al - Ani's untitled 1996 photograph of a woman transformed by the process of being unveiled, or at Ghada Amer's Eight Women in Black and White (2004), with its dense skein of stitches masking pornographic images of women, or at Mona Hatoum's Prayer Mat (1995), made of sharply pointed pins that render the mat threateWomen in Black and White (2004), with its dense skein of stitches masking pornographic images of women, or at Mona Hatoum's Prayer Mat (1995), made of sharply pointed pins that render the mat threatewomen, or at Mona Hatoum's Prayer Mat (1995), made of sharply pointed pins that render the mat threatening.

Main Gallery: The Image to the Woman Tenesh Webber's series of unique large - scale black and white photographs and photograms evidence and exploration into the layering of visual information.

New York (catalogue) Original Gagosian Gallery, New York New Portraits Blum & Poe, Tokyo (catalogue) Fashion Nahmad Contemporary, New York (catalogue) 2014 New Figures Almine Rech Gallery, Paris (catalogue) New Portraits Gagosian Gallery, New York It's a Free Concert Kunsthaus Bregenz, Bregenz (catalogue) Canal Zone Gagosian Gallery, New York Richard Prince / Roe Ethridge Gagosian Gallery, New York (catalogue) 2013 Monochromatic Jokes Nahmad Contemporary, New York (catalogue) Protest Paintings Skarstedt Gallery, London (catalogue) Untitled (band) Le Case D'Arte, Milan Richard Prince: New Work Jürgen Becker, Hamburg (catalogue) Cowboys Gagosian Gallery, Beverly Hills (catalogue) Sadie Coles HQ, London 2012 White Paintings Skarstedt Gallery, New York (catalogue) Four Saturdays Gagosian Gallery, New York 14 Paintings 303 Gallery, New York (catalogue) Prince / Picasso Picasso Museum, Malaga (catalogue) 2011 The Fug Almine Rech Gallery, Brussels (catalogue) Covering Pollock Guild Hall, Easthampton The Magic Castle 1968 - 1969 Le Consortium, Contemporary Art Center, Dijon (catalogue) Gagosian Gallery, Hong Kong de Kooning Gagosian Gallery, Paris (catalogue) American Prayer Bibliothèque nationale de France, Paris (catalogue) Bel Air Gagosian Residence, Los Angeles 2010 Pre-Appropriation Works, 1971 — 1974 Specific Objects, New York T - Shirt Paintings: Hippie Punk Salon 94, New York (catalogue) Tiffany Paintings Gagosian Gallery, New York (catalogue) 2009 After Dark Gagosian Gallery, New York 2008 Canal Zone Gagosian Gallery, New York (catalogue) Galerie Patrick Seguin, Paris (catalogue) Continuation Serpentine Gallery, London Four Blue Cowboys Gagosian Gallery, Rome Gagosian Gallery, London Spiritual America Walker Art Center, Minneapolis 2007 Spiritual America Solomon R. Guggenheim Museum, New York (catalogue) Panama Pavilion 52nd Venice Biennale, Venice Fugitive Artist: The Early Work of Richard Prince, 1974 - 77 Neuberger Museum of Art, Purchase Canaries in the Coal Mine Astrup Fearnley Museum, Oslo (catalogue) 2006 Cowboys, Mountains, and Sunsets Sprüth & Magers, Cologne The Portfolios Jürgen Becker, Hamburg Cowboys & Nurses John McWhinnie at Glenn Horowitz, New York 2005 Hippie Drawings Sadie Coles HQ, London (catalogue) Whitechapel Gallery, London Barbara Gladstone Gallery, New York Check Paintings Gagosian Gallery, Beverly Hills (catalogue) 2004 American Dream, Collecting Richard Prince for 27 Years Rubell Family Collection, Miami (catalogue) Sammlung Goetz, Munich (catalogue) Galerie Eva Presenhuber, Zurich (catalogue) Women Regen Projects, Los Angeles (catalogue) 2003 Nurse Paintings Barbara Gladstone Gallery, New York (catalogue) Upstate Sabine Knust, Munich New Work Glenn Horowitz Bookseller, East Hampton Publicities Hydra Workshop, Hydra Island (catalogue) Nurse Paintings Sadie Coles HQ, London 2002 Barbara Gladstone Gallery, New York (catalogue) Principal Painting and Photographs Kunstmuseum Wolfsburg, Wolfsburg Painting Kunsthalle Zürich, Zurich Patrick Painter, Inc., Santa Monica 2001 Museum für Gegenwartskunst, Basel (catalogue) Publicities Sadie Coles, HQ, London (catalogue) Regen Projects, Los Angeles Photographs 1977 - 1979 Skarstedt Fine Art, New York (catalogue) Galerie Micheline Szwajcer, Antwerp Neue Galerie im Höhmann - Haus, Augsburg 2000 Princeville Partobject Gallery, Carrboro Barbara Gladstone Gallery, New York Photographs, Paintings Jablonka Galerie, Cologne 4x4 MAK, Vienna Up - state MAK Center for Art and Architecture, Schindler House, Los Angeles 1999 Paintings 1988 - 1998 Sadie Coles HQ, London 1998 Regen Projects, Los Angeles Joke Paintings Skarstedt Fine Art, New York Psychoarchitecture: Richard Prince, Martin Kippenberger Anton Kern Gallery, New York Barbara Gladstone Gallery, New York Sabine Knust - Maximilian Verlag, Munich Stills Ltd., Edinburgh 1997 The White Room Jürgen Becker, Hamburg; Parco, Tokyo White Cube, London Museum Haus Lange / Museum Haus Esters, Krefeld Cowboys and Cowgirls Espace d'Art Yvonamor Palix, Paris 1996 Sabine Knust - Maximilian Verlag, Munich Passion Play Haus der Kunst, Munich New Works Jablonka Galerie, Cologne 1995 Paintings Barbara Gladstone Gallery, New York Theoretical Events, Naples Regen Projects, Los Angeles 1994 Photographs 1977 - 1993 Kestner Gesellschaft, Hanover (catalogue) Offshore Gallery, East Hampton 1993 Galerie Micheline Szwajcer, Antwerp Fotos, Schilderijen, Objecten Museum Boijmans Van Beuningen, Rotterdam Girlfriends Jablonka Galerie, Cologne (catalogue) Barbara Gladstone Gallery, New York San Francisco Museum of Modern Art, San Francisco First House Stuart Regen Projects, Los Angeles 1992 Kunstverein and Kunsthalle, Dusseldorf Whitney Museum of American Art, New York (catalogue) Protest Paintings Sabine Knust - Maximilian Verlag, Munich Beaver College Art Gallery, Glenside Works on Paper Le Case d'Arte, Milan 1991 Barbara Gladstone Gallery, New York Galleri Nordanstad — Skarstedt, Stockholm Galerie Ghislaine Hussenot, Paris Stuart Regen Gallery, Los Angeles 1990 Jokes, Gangs, Hoods Galerie Rafael Jablonka and Galerie Gisela Capitain, Cologne Galerie Micheline Szwajcer, Antwerp Arthur Roger Gallery, New Orleans 1989 Spiritual America IVAM Center del Carme, Valencia (catalogue) Sculpture Barbara Gladstone Gallery, New York Paintings Jay Gorney Modern Art, New York Barn Gallery, Ogunquit Daniel Weinberg Gallery, Los Angeles 1988 Galerie Rafael Jablonka, Cologne Barbara Gladstone Gallery, New York (catalogue) Centre National d'Art Contemporain de Grenoble, Grenoble Le Case d'Arte, Milan Galerie Ghislaine Hussenot, Paris Messages to the Public: Tell Me Everything Public Art Fund, Times Square, New York 1987 Galerie Isabella Kacprzak, Stuttgart Daniel Weinberg Gallery, Los Angeles 1986 International with Monument, New York Feature Gallery, Chicago 1985 International with Monument, New York Richard Kuhlenschmidt Gallery, Los Angeles 1984 Riverside Studios, London Feature Gallery, Chicago Baskerville + Watson, New York 1983 Le Nouveau Musée, Lyon (catalogue) Le Consortium, Contemporary Art Center, Dijon Institute of Contemporary Art, London Richard Kuhlenschmidt Gallery, Los Angeles Baskerville + Watson, New York 1982 Metro Pictures, New York 1981 Metro Pictures, New York Richard Kuhlenschmidt Gallery, Los Angeles 1980 Artists Space, New York CEPA Gallery, Buffalo

Simpson's work — consisting of two circular framed photographs focusing on a woman's mouth, clavicle, and the neckline of a plain white garment with a list of words on plastic plates displayed between them — is representative of her unique approach to image making.

In one series, titled May June July August, «57 / «09, comprising 123 vintage and contemporary black - and - white photographs, Simpson juxtaposes images of a young African American woman (and an occasional male figure) who posed for pinups in Los Angeles in 1957 with self - portraits in which the artist acts as a doppelganger for the model.

Black and white photographs by Russian photographer Nikolay Bakharev capturing men, women and children posing in natural environments such as dense forests and Andy Warhol's brightly coloured screen - print of a cow are also on display.

In one series, titled May June July August «57 / «09, comprising 123 vintage and contemporary black - and - white photographs, Simpson juxtaposes images of young African American women (and an occasional male figure) who posed for pinups in Los Angeles in 1957 with self - portraits in which the artist acts as a doppelganger for each model.

In Thomas» own photograph, «Sidra Sitting,» the artist replaces the typically demure, white figure of the reclining female nude with a fully dressed black woman confident in her posture and looking at the camera head - on.

This consensus lasted only a few days before it was demolished by an angry cascade of angry objections to the inclusion of Dana Schutz's painting Open Casket, a semi-abstract rendering of a photograph of the corpse of Emmett Till, an African - American youth who was brutally lynched in 1955 after being falsely accused of flirting with a white woman.

There are graphite, ink and watercolor portraits of women, images of heads with flourishes of gold embossing powder, and a recent series of collages — black and white photographs of faces cut from vintage Ebony and Jet magazines embellished with watercolor coifs and, in some instances, text.

Black and white and colour photographs, polaroid's and coloured slides Images of drawings, etchings and bronze sculptures, colour slides of installation shots from the solo exhibition at the Iowa Museum of Art (1995), slides of installation shots by JC Mazur possibly from the group exhibition «Feminin - Masculin» at the Centre Georges Pompidou, Paris, France (1995), colour Polaroid photographs of small bronze pieces of women labelled «Copperfield Archive», «Zilko» and «Umbilical Cord».

On the whole, these photographs are quieter and more subdued than Thomas's in terms of color and composition — for example, Frasier's «Grandma Ruby Holding her Babies,» a black - and - white photograph of an elderly woman in a nightgown holding dolls.

He also curated the exhibitions Mark Hogancamp (2006) and Don Bachardy: One - Day Stands (2008; co-curated with Matthew Higgs) at White Columns in New York City; and Mark Hogancamp: Women of Marwencol (2014; co-curated with Janet Hicks) and Golden Years: Photographs by Ed Rosenbaum (2016) at Pioneer Works in Brooklyn.

As exemplars, two of the boxes are two halves of the same photograph, where the torsos of a group of white police officers and their captive, a helpless black woman, are practically erased.

Her large, black - and - white photographs of old women and young girls reinvent standard fairytales such as Little Red Riding Hood and Hansel and Gretel in order to bring something macabre and female - centric to the narratives.

Mira Dancy's gorgeous, joyful mural of a reclining female nude, for instance, takes off across from the ecstasy of feminist artist Mary Beth Edelson's Woman Rising (1973), a black - and - white photograph in which a woman stands in an open desert, her arms stretched out toward the sky in a gesture of empowerment and freedom that is reinforced by a V - shaped line of contrails in theWoman Rising (1973), a black - and - white photograph in which a woman stands in an open desert, her arms stretched out toward the sky in a gesture of empowerment and freedom that is reinforced by a V - shaped line of contrails in thewoman stands in an open desert, her arms stretched out toward the sky in a gesture of empowerment and freedom that is reinforced by a V - shaped line of contrails in the sky.