Sentences with phrase «white photograph of the artist»

In 1970, he took a beautiful black - and - white photograph of his artist friend Michael Buthe — and then painted the face over with primary red, blue and yellow hues, a typically nose - thumbing gesture.
Michael Rosenfeld Gallery, 2001, 36 pages, 8 black and white photographs of the artist, 10 color reproductions, essay by Barbara Cavaliere.
Among other pieces, it sold a large - scale black - and - white photograph of the artist's own bookshelves for $ 60,000.

Not exact matches

Lange's compelling black - and - white photographs, exquisitely reproduced, provide the drama in this biography of the famous artist who showed the nation the faces of individual people caught up in the great events of the time.
These black - and - white life - size photographs of naked women in their 90s posed against a pure white ground, as if they were already in another world, were shocking when they were first shown, about 12 years ago, when the artist was in his early 40s.
He then included some of my photographs in a group show he co-curated with Marilyn Minter and Fabienne Stephan at White Columns — Early Work — with gallerists who had once been artists: Gavin Brown, Maureen Paley, Jeffrey Deitch, Pat Hearn, and Konrad Lueg (aka Fischer!).
The artist creates works as signifiers of the destruction of the natural world by «colonial powers», via a series of tabletops containing mineral fragments and photographs of equatorial scrublands.The minerals are representative of the original environment now re-contextualized within the white cube of the gallery space becoming «art», and forming a dialectic concerning «value».
In the 1930s, she lived in France with the legendary English writer Ford Madox Ford; her brother Jack Tworkov was far better - known as a painter; in New York in the 1940s, she was in the heart of the Abstract Expressionist scene (she's the woman in the white blouse between Bradley Walker Tomlin and Robert Goodnough in a much - reproduced photograph of the «Studio 35 Artists» Session» of 1950), but never gained much recognition for her own paintings.
Joan Semmel looks like two different artists in the group show («Anni Albers, Robert Beck, Cady Noland, Joan Semmel and Nancy Shaver: Black and White Photographs 1975 — 77») curated by Robert Gober at Matthew Marks and in her jewel of a solo («Joan Semmel: Self - Images») at Mitchell Algus.
The five sections of Before Pictures are named after Crimp's addresses in Manhattan, and each begins with a beautiful black and white photograph of a building he lived in, taken by the artist Zoe Leonard.
New York — Pace and Pace / MacGill Gallery are pleased to inaugurate their representation of British artist Richard Learoyd with an exhibition of his large - scale color and black - and - white photographs made over the last decade.
Using her distinct style of juxtaposing black and white photograph and red - boxed letters, she illustrated the hidden power of corporate control, a topic dear to both artist and band.
Created three years later, A Pot of Boiling Water (1995) also records an equally fruitless process in a series of twelve black - and - white photographs: the artist carries a pot of boiling water as he walks through the traditional hutongs of Beijing while pouring hot water onto the ground, drawing a wet line that vanishes almost immediately.
The Brazilian - born artist works with photography and painting to make mixed - media artworks that take cues from John Baldessari's renowned dot works by painting circles and geometric lines over black - and - white photographs of landscapes.
As one of the three artists who comprised Renaud's first exhibition in 2002, Deschenes has presented significant and distinct bodies of new work with each incarnation: Blue Screen Process (2002), Black and White (2003), and for this exhibition, a new body of works that stem from the photographs recently exhibited in Bracket (London) at Campoli Presti.
Celacanto Provoca Maremoto is a mural covering four walls, made up of 184 painted canvas panels — white - and - blue squares that recreate original tiles the artist photographed, depicting parts of angels, wings, and other decorative motifs, as well as the texture of cracked tiles.
Ten days after the Women's March artist Jonathan Horowitz exhibited a pile of free posters at Petzel Gallery — an altered image of Trump photographed from behind playing golf, in all white except for his red MAGA hat.
German artist Gerhard Richter has created Strontium, a large - scale mural for the new de Young derived from digitally - manipulated photographs, that together form a geometric black and white motif representing the atomic structure of strontium titanate, a synthetic substance often used to create artificial diamonds.
The images» continuing power, more than 60 years later, to speak about race and violence is being demonstrated once again in protests that have arisen online and at the newly opened Whitney Biennial over the decision of a white artist, Dana Schutz, to make a painting based on the photographs.
Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.
This exhibition brings together the artist's iconic black and white self - portraits, a group of colour photographs that have not been publicly exhibited since 1983, rare sepia landscapes and, in collaboration with the artist's estate, introduces a group of his photographs in a large - scale format for the first time.
Later works include Warhol's black - and - white photographs of newspaper vending boxes, his grids of «sewn» photographs featuring newspaper headlines, significant silkscreened paintings, and his collaborations from the 1980s with younger artists Haring and Jean - Michel Basquiat.
(A pendant show here, Kerry James Marshall Selects, offers a revealing glimpse of the artist's sources and inspirations: a stern portrait from the workshop of Hans Holbein, flowing figure studies by Veronese, a social - realist lithograph by his former teacher Charles Wilbert White, and a photograph of Gerhard Richter's wife, smudged with paint.)
Featured throughout the exhibition is a black and white photograph Meckseper took of the Niedersachsenstein monument built by the Expressionist artist Bernhard Hoetger in her hometown, the early 20th century artist colony, Worpswede.
Painting walls, floor and most of seven sculptural tableaux a medium gray, Pictures Generation artist Barbara Bloom transforms David Lewis into a monochrome stage set, echoing the vintage black - and - white photographs of actors and literary figures that constitute the starting point for each of her works.
Extensive installation views capture the dynamic combination of visual imagery and text that has come to characterize Pettibon's practice, and a selection of gritty black - and - white photographs by Andreas Laszlo Konrath offers an intimate glimpse into the artist's working process.
Having garnered an international reputation as one of the leading artists to emerge from the New York Pictures Generation of the 1970s and 1980s, Simmons has thoughtfully and methodically moved through her various photographic series, such as Early Black and White Interiors, 1976 — 78, in which pseudo-realities are created by staging miniature spaces with dollhouse furniture and other banal props; and Walking & Lying Objects, 1987 — 91, a series of black - and - white photographs of inanimate objects animated with human White Interiors, 1976 — 78, in which pseudo-realities are created by staging miniature spaces with dollhouse furniture and other banal props; and Walking & Lying Objects, 1987 — 91, a series of black - and - white photographs of inanimate objects animated with human white photographs of inanimate objects animated with human legs.
Thus Don McCullin, quoted on the information board of a new display at Tate Britain of around 50 black - and - white silver gelatin photographs, chosen and printed by the artist himself.
Drawing upon her own recollections of the South, the memory of her friend and mentor, artist Cy Twombly, and their shared past in Virginia, Sally Mann presents a series of color and black - and - white photographs of objects in Twombly's studio.
Vintage black and white photographs evocative of Twentieth Century American ideals find their home under the same roof as cutting - edge video installations and suspended sculptures by contemporary artists.
They include Li Pinghu, Tang Maohong and Birdhead — a photography duo made up of the artists Ji Weiyu and Song Tao, who take atmospheric black - and - white photographs of their native Shanghai.
Many of Arden's earliest works from the middle of the 1980s, some of which appeared in his first solo exhibitions at artist run centres like Western Front in Vancouver in 1986 and YYZ Artist's Outlet in Toronto in 1987, consist of found, black and white archival photographs of urban scenes in Vancartist run centres like Western Front in Vancouver in 1986 and YYZ Artist's Outlet in Toronto in 1987, consist of found, black and white archival photographs of urban scenes in VancArtist's Outlet in Toronto in 1987, consist of found, black and white archival photographs of urban scenes in Vancouver.
Webb, Todd A collection of over 300 black and white photographs by an artist Alfred Stieglitz compared to Ansel Adams.
photograph © Todd White Photograph courtesy of the artist and McKephotograph © Todd White Photograph courtesy of the artist and McKePhotograph courtesy of the artist and McKee Gallery.
Based on a black and white photograph from the 1930s reproduced in the Sunday Express, a copy of which his mother found under the carpet of the house they moved to in 2006 when his family reluctantly left the farm following the death of his father and the subsequent financial hardship of farm trading, the image has poignant autobiographical association for the artist which he often revisits.
Other nostalgic highs include Rosalind Fox Solomon's black - and - white documentary photographs of down - and - out artists, AIDS patients, graffiti - covered subways, Reagan posters, and Princeton grads, which poignantly expose the contradictions of a city marred by class divisions.
In 1951, a year after 18 irascible New York artists posed for a now - infamous black and white photograph, Jean Dubuffet delivered a lecture entitled «Anticultural Positions» to a rapt audience at the Arts Club of Chicago.
Comprised of a video in three parts with soundtracks in English and French, along with dozens of black - and - white photographs, Secret reflects on the artist's experience inhabiting a semi-deserted apartment in Le Corbusier's concrete housing block, Unité d'habitation, located in Firminy, France.
Over the past year and a half, the artists and individual works on view in American Legends have rotated for various reasons, among them conservation requirements (works on paper and photographs can typically be on view for only six months) and loan commitments (for example, Marsden Hartley paintings are on view in Berlin and the White House is borrowing work by Edward Hopper), but the inclusion of postwar artists was a substantive change, inspired in part by our simultaneous work on the Whitney's Robert Indiana retrospective.
Black - and - white photograph of cast concrete sculptures with acrylic paint in artist studio, 8 1/2 x 11 in.
Rubinfien, who is known as a protégé of Winogrand, provided context for the prolific artist's work as a slideshow of black - and - white photographs was projected overhead to a packed auditorium.
Each artist approaches the impossible task of taking on the celestial infinite with very different sensibilities and materials: black and white analog photographs, muted but richly saturated color, collage, charcoal drawings based on negatives and video / performance.
An exhibition of this calibre deserves to be in the main gallery rather than tucked away in a side room; but these photographs and videos are by women artists, and with Donald Trump entering the White House, it looks as if treating women as second...
My personal collection of photographs from artists across the globe is dominated by small, black and white, silver prints.
Image: © the artist Courtesy White Cube 3 September — 2 October 2010 White Cube Mason's Yard Known for works that meditate on notions of time, landscape and travel, as well as political and historical memory, Almond brings these themes together in two bodies of work: a series of time - lapse photographs taken in the Faroe Islands, -LSB-...]
Untitled (Double Portrait of Artist with Frustula Sculpture), n.d. Black - and - white photograph with original paint marks, 8 1/2 x 11 in.
On view in an adjacent gallery will be a selection of Robert Mapplethorpe's black and white photographs of flowers, along with an audio recording of a conversation between the artist and Marieluise Hessel that took place in 1988.
The artist then cut and painted directly on the negatives, resulting in photographs that have the appearance of a faded black - and - white film.
In celebration of the 100th anniversary of Minor White's birth, Howard Greenberg Gallery is pleased to present an exhibition of the artist's photographs.
Her white wall paintings begin with the artist taking close - up photographs of an empty white wall.
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