Sentences with phrase «white photographic images»

For his third solo show with the gallery, Stewen focuses on mirroring and doubling, using kaleidoscopic ornamental patterns in combination with antique paper, thread, confetti, found text, sculptural elements, and his own black and white photographic images.

The exhibition features large black - and - white photographic images of collages, «photostat projections,» produced by Romare Bearden in 1964, including «Evening 9: 10 461 Lenox Avenue.»

It comprised a darkroom on split levels filled with black and white photographic images of the courtyards and dome structures of the exterior of the caravanserai in addition to the immediate surrounding area of the building.

Bearden created 21 small collages, which he subsequently converted into large black - and - white photographic images.

Through his lens he captured the spirit of life, fashion, and energy of the city in the 1960s and 70s in thousands of black and white photographic images.

In the»80s, she emerged as conceptual artist in the feminist art movement of the time, and since then her artwork — typically black - and - white photographic images, some as large as a billboard, with stripes of provocatively worded type on top of them — has become highly prized, one piece selling for nearly $ 1 million at a recent auction.

During the early 1980s Barbara Kruger perfected a signature agitprop style, using cropped, large - scale, black - and - white photographic images juxtaposed ironic aphorisms, printed in Futura Bold typeface against black, white, or deep red text bars.

Her most recent mixed media works for example start with black and white photographic images of potatoes which De Jong transforms into landscapes, animals or monsters, which have become so characteristic to her practice.

She began the series Untitled Film Stills in 1977 and continued it until 1980, by which time it comprised sixty - nine black - and - white photographic images that construct and reiterate stereotypes of postwar femininity.

Not exact matches

Dr Sara Andreotti, a marine biologist in the Department of Botany and Zoology at SU, have collected over 5000 photographic images of the dorsal fins of white sharks along the South African coastline as part of her research on the population structure of South Africa's great white sharks.

It is a novel method for producing color images on black - and - white photographic paper without using pigments or dyes

Curated in collaboration with Mark Sealy and Renée Mussai of Autograph ABP, whose co-founder and first Chair was Rotimi Fani - Kayode, the exhibition features a selection of his most important photographic works produced between 1985 - 1989, including large - scale color works and arresting black and white images.

Esopus 23 presents specially - commissioned projects exclusive to this issue including a series of images printed on translucent and metallic stocks by Marilyn Minter, a portfolio of die - cut works by Mickalene Thomas, a collection of images and documentation by Jody Wood relating to her ongoing «Beauty in Transition» series, a new series of paintings by Stefan Kürten; drawings by Karo Akpokiere dealing with the challenges of living and working between Berlin and Lagos, and a series of abstract photographic «landscapes» created in the darkroom by master black - and - white printer Chuck Kelton.

The sixty - nine black - and - white images in Untitled Film Stills construct and reiterate stereotypes of postwar femininity, and were Sherman's seminal foray into her now - signature photographic practice.

Here it comes in the form of a pale, 1960s Wallace Berman image of the moon's remote surface overlaid with cryptic writing; a black - and - white Vija Celmins screen - print of the vast, horizonless ocean that appears to carry a faint «X,» as if the printing plate had been canceled; a ragged piece of fiberglass painted with a Tiepelo - like sky by Joe Goode, who seems to have ripped it from either the actual heavens above or a movie - studio set; and a photographic close - up of shifting desert sand, over which actual sand and colored pigment has been applied by David Benjamin Sherry, as if reality were a veil obscuring camera - created truth in our mediated universe.

Shown only in black - and - white, the images paint a picture of the rich photographic community practicing together at the Lexington Camera Club between 1954 and 1974.

The resulting series of 500 images of white monochromes have been presented in a number of different forms since he began making them in the 1990's, appearing as photographic prints, 35 mm slide projections, digital projections and also in book form.

Curated in collaboration with Mark Sealy and Renée Mussai of Autograph ABP, whose co-founder and first Chair was Rotimi Fani - Kayode, the exhibition features a selection of his most important photographic works produced between 1985 - 1989, including large - scale color works and arresting black and white images.

In Julie Blackmon's photographic images PC (2005) and Stolen Kiss (2005), the black - and - white checkered pattern and zebra motif on the floors of the respective images guide the viewer's eye toward other areas of the print.

Image: Anselm Kiefer Des Meeres und der Liebe Wellen [Detail] 2011 Mixed media and gynaecological instrument on photographic paper © the artist Photo: Charles Duprat Courtesy White Cube White Cube Hoxton Square is pleased to present a new exhibition by the internationally acclaimed artist Anselm Kiefer.

Since 2005, she has drawn from the images to create photographic works — incisive and absurdist black - and - white compositions that employ classic formal concepts while challenging the notion of the photographic medium as representative of personal and cultural memory.

These prints represent all manner of special processes and innovative techniques in printing — such as using linen and cotton pulp paint and photo - luminescent inks; black and white and colored lithography; creative integration of collage and cut paper; incorporation of photographic images into digital prints; screen printing; and many others.

At the center of my installation are two photographic grids, each composed of the same 12 black and white images, but arranged in different ways to evoke abstracted versions of the two creatures.

From a white plastic electrical fan to a scattering of hand - cast plaster bowls in a rainbow of colours and from a roll of LED strip lights to wallpaper and swatches of silk printed with a photographic image of polystyrene, texture seems like a key driver in your practice.

Displayed in casually elegant arrays, in odd corners and on the stairs, Tillmans» images take us from total photographic abstraction to a tiny black - and - white image of bare trees, from a colourful closeup of a car's headlight to a portrait of an onion.

You can learn at your own pace and develop key photographic techniques through step - by - step projects on exposure, aperture, lenses, light, filters, colour, black and white and image enhancement; plus professional secrets and stunning shots from around the world.

Over time, my production has evolved from black and white photographic portraits and narrative videos to creating hybrid «sites», images and installations employing photographs, videos and film, archives and found materials, projected sounds and reflective surfaces, works focusing on the individual's role in history and in time.

Exhibition: SOLO EXHIBITIONS 2010 A-D Gallery, Athens, Greece, Within the Mind 2006 C. Grimaldis Gallery, Baltimore, MD, Unborderville 2005 A-D Gallery, Athens, Greece, Unborderville 2004 Kouros Gallery, New York, NY, Sacred Shadows 2003 C. Grimaldis Gallery, Baltimore, MD, Sacred Shadows 2001 A-D Gallery, Athens, Greece, Sacred & Poetic References 2000 A-D Gallery, Athens, Greece, Artificial Enemy 1999 Recalcati Arte Contemporanea, Torino, Italy, Tripticon, New Index 1998 Artforum Gallery, Thessaloniki, Greece, Air Chicago 1996 Show Centre of Hdk, Berlin, Germany, The Untruth 1994 Show Centre of Hdk, Berlin, Germany, Poetry of the Moment - Photographic References GROUP EXHIBITIONS 2012 C. Grimaldis Gallery, Baltimore, MD, Behind Walls C. Grimaldis Gallery, Baltimore, MD, Summer «12 2010 C. Grimaldis Gallery, Baltimore, MD, Summer «10 C.Grimaldis Gallery, Baltimore, MD, Wasteland 2009 Xippas Gallery, Athens, Realities & Plausibilities, curator: A. Moschovi Thessaloniki Museum of Photography, Greece, 10 Aspects of Hellenic Photography curators, Jean - Pierre Giusto and V. Loakimidis Thessaloniki Museum of Photography, Athens, Greece, Art Athina 09 2008 Theatre de la Photographie et de l Image, Nice, France, Aspects de la Photographie Hellenique, curators Jean - Pierre Giusto and V. Ioakimidis 2007 Maison Européenne de la Photographie, Paris, France, The Athens Effect, curator: Birgit Hoffmeister 2006 Fondatione Mudima Milano, Milan, Italy, The Athens Effect, curator: Birgit Hoffmeister C.Grimaldis Gallery, Baltimore, MD, Through The Lens II The Beltzios Collection, Trikala Greece, An Outing, curator S.Bahtsetzis 2004 C. Grimaldis Gallery» Baltimore, MD & «A-D Gallery» Athens, Art Athina Sala de Exposiciones, Canal de Isabel II, Madrid, Spain, Self - Aboutness, curator: Marilena Karra White Box, New York, NY, Every Day Hellas, curator: Heather

Inspired by his mentors» early «photo paintings» and stark black and white images, Struth developed a unique photographic perspective, creating portraits of families, architectural facades, urban experiences, and crowds.

In Fraser's photographic series White People in West Africa (1989 / 1991/1993), comprised of found images and her own photographs, she employs institutional critique in a wider socio - political sense to examine white tourism within the contexts of colonialism and neo-coloniaWhite People in West Africa (1989 / 1991/1993), comprised of found images and her own photographs, she employs institutional critique in a wider socio - political sense to examine white tourism within the contexts of colonialism and neo-coloniawhite tourism within the contexts of colonialism and neo-colonialism.

The works on view all stem from a pact between the two artists whereby each agreed to make work inspired by a found photographic image that depicts a white sheet billowing in the wind.

While the stark black - and - white palette of Holten's drawings hint at their mediation by photographic images, these works are magnified and fragmented such that they obscure their real - world references.

Inspired by his mentors» early «photo paintings» and stark black and white images, Struth developed a unique photographic perspective, creating portraits of families...

While the filter of time and familiarity, the abstraction of black - and - white photography, and the softer focus and smaller scale of earlier photographic processes have made these images less shocking, they remain commanding in terms of formal qualities and content.

By shooting stark, black - and - white images that are purposely blurry and grainy, Nakahira broke with Japan's photographic history of social realism and allowed elements of uncertainty and expression into his work.

White's images explore historical photographic processes and, in her numerous public commissions, places imagery of native plant species in the context of contemporary urban surroundings.

Hujar felt like he was the end of a photographic era — perhaps one of more formal images, intimate portraits, black - and - white prints.

This mezzotint and the 1970 black - and - white painting of Keith are based on the same photographic image.

His work has been published in The Self in Black and White: Race and Subjectivity in Postwar American Photography (Dartmouth, 2010), Committed to the Image: Contemporary Black Photographers (Brooklyn Museum of Art, 2001), Nueva Luz: A Photographic Journal Volumes 5 - 8 (En Foco, 1997), Reflections in Black: A History of Black Photographers (W.W. Norton, 2000) and An Illustrated Bio-Bibliography of Black Photographers, 1940 - 1988 (Garland, 1989).

The highly imaginative color images redefined what a photographic image could be in the age of photographic reportage and black - and - white fine art photography.

The New York Center for Photographic Arts (NYC4PA) invites photographers world - wide to submit images using any photographic process (print, image transfer, emulsion transfer, encaustic, black and white, Photographic Arts (NYC4PA) invites photographers world - wide to submit images using any photographic process (print, image transfer, emulsion transfer, encaustic, black and white, photographic process (print, image transfer, emulsion transfer, encaustic, black and white, color etc.).

PHOTOGRAPHIC CENTER NORTHWEST: 900 12th Ave. «Personal Viewpoints,» the seventh annual photographic competition exhibition with juror Michael Kenna reviewing 80 images ranging from color, black and white, digital, conceptual and PHOTOGRAPHIC CENTER NORTHWEST: 900 12th Ave. «Personal Viewpoints,» the seventh annual photographic competition exhibition with juror Michael Kenna reviewing 80 images ranging from color, black and white, digital, conceptual and photographic competition exhibition with juror Michael Kenna reviewing 80 images ranging from color, black and white, digital, conceptual and documentary.

Awards & Distinctions 2015 ICP Infinity Award 2015 World Press Photo Award, 2nd 2015 Photographic Museum of Humanity, 1st 2015 White House News Photographers Assoc., 1st 2015 POYi Award of Excellence 2014 TIME's Top 10 Photos of 2014 2014 Aaron Siskind Fellowship Grant 2014 Pulitzer Center Grant 2013 Getty Images Grant 2012 Pulitzer Center Grant 2012 POYi World Understanding Award 2012 Saint Brieuc Festival Grant 2012 IoS Photography Books of the Year 2012 POYi Best Book Award, Finalist 2011 Leica Oskar Barnack Prize, Finalist 2011 Magnum Foundation Grant 2010 POYi Photographer of the Year, 1st 2008 Hearst Fellow, Univ. of Colorado 2008 Amnesty Human Rights Award 2008 Photographer of the Year, 2nd 2008 POYi Award of Excellence 2008 Alicia Patterson Fellowship 2007 Amnesty Human Rights Award 2007 POYi Award of Excellence 2006 Perpignan Young Photographer 2006 Bayeux War Correspondents Prize 2006 POYi Award of Excellence 2006 Days Japan Jury Prize 2006 PDN's 30 Past Solo Exhibitions Blue Sky Days in Bayeux, France Oct - 2015 Blue Sky Days in Cortona Italy Jul - 2015 Blue Sky Days in Barcelona Jul - 2015 Borderline North Korea Nov - 2013 Castaways of the Marshall Islands Oct - 2012 Behind The Curtains of 21st Century Communism Jul - 2012 Behind the Curtains Aug - 2010 Behind the Curtain May - 2009 Nepal Rituels & Revolution Feb - 2009

Exhibition: SOLO EXHIBITIONS Blue Sky Days in Bayeux, France Oct - 2015 Blue Sky Days in Cortona Italy Jul - 2015 Blue Sky Days in Barcelona Jul - 2015 Borderline North Korea Nov - 2013 Castaways of the Marshall Islands Oct - 2012 Behind The Curtains of 21st Century Communism Jul - 2012 Behind the Curtains Aug - 2010 Behind the Curtain May - 2009 Nepal Rituels & Revolution Feb - 2009 AWARDS & DISTINCTIONS 2015 ICP Infinity Award 2015 World Press Photo Award, 2nd 2015 Photographic Museum of Humanity, 1st 2015 White House News Photographers Assoc., 1st 2015 POYi Award of Excellence 2014 TIME's Top 10 Photos of 2014 2014 Aaron Siskind Fellowship Grant 2014 Pulitzer Center Grant 2013 Getty Images Grant 2012 Pulitzer Center Grant 2012 POYi World Understanding Award 2012 Saint Brieuc Festival Grant 2012 IoS Photography Books of the Year 2012 POYi Best Book Award, Finalist 2011 Leica Oskar Barnack Prize, Finalist 2011 Magnum Foundation Grant 2010 POYi Photographer of the Year, 1st 2008 Hearst Fellow, Univ. of Colorado 2008 Amnesty Human Rights Award 2008 Photographer of the Year, 2nd 2008 POYi Award of Excellence 2008 Alicia Patterson Fellowship 2007 Amnesty Human Rights Award 2007 POYi Award of Excellence 2006 Perpignan Young Photographer 2006 Bayeux War Correspondents Prize 2006 POYi Award of Excellence 2006 Days Japan Jury Prize 2006 PDN's 30