Sentences with phrase «white photographic series»

She is perhaps best known for the early black - and - white photographic series Untitled Film Stills (1977 - 1980).

Not exact matches

As White's first extended exploration of portraiture, this body of work is a departure from the narrative themes of his past photographic series.

Her current exhibition, 6 out of 5 at White Cube Mason's Yard in London, is a broad survey of her work across the decades, including her well - known photographic series from the 70s, frottage drawings from the 80s, and more recent paintings.

She began the series Untitled Film Stills in 1977 and continued it until 1980, by which time it comprised sixty - nine black - and - white photographic images that construct and reiterate stereotypes of postwar femininity.

Esopus 23 presents specially - commissioned projects exclusive to this issue including a series of images printed on translucent and metallic stocks by Marilyn Minter, a portfolio of die - cut works by Mickalene Thomas, a collection of images and documentation by Jody Wood relating to her ongoing «Beauty in Transition» series, a new series of paintings by Stefan Kürten; drawings by Karo Akpokiere dealing with the challenges of living and working between Berlin and Lagos, and a series of abstract photographic «landscapes» created in the darkroom by master black - and - white printer Chuck Kelton.

William Bergmann and Justin Lee's photographic series titled Journey to Freedom chronicles through black - and - white photography the experiences of people currently taking refuge at Vive, Inc, a non-profit, Read More»

Darren Almond realized that his «Fullmoon» photographic series, 2002 — 15, had reached a point of no return when he discovered that the famous white cliffs of Rügen, painted by Caspar David Friedrich, were plummeting into the Baltic Sea.

The resulting series of 500 images of white monochromes have been presented in a number of different forms since he began making them in the 1990's, appearing as photographic prints, 35 mm slide projections, digital projections and also in book form.

Having garnered an international reputation as one of the leading artists to emerge from the New York Pictures Generation of the 1970s and 1980s, Simmons has thoughtfully and methodically moved through her various photographic series, such as Early Black and White Interiors, 1976 — 78, in which pseudo-realities are created by staging miniature spaces with dollhouse furniture and other banal props; and Walking & Lying Objects, 1987 — 91, a series of black - and - white photographs of inanimate objects animated with human White Interiors, 1976 — 78, in which pseudo-realities are created by staging miniature spaces with dollhouse furniture and other banal props; and Walking & Lying Objects, 1987 — 91, a series of black - and - white photographs of inanimate objects animated with human white photographs of inanimate objects animated with human legs.

In his first solo exhibition in Hong Kong at Axel Vervoordt Gallery, entitled «分合 PART: MEET,» Bae presents five new black - and - white photographic prints from his «Sonamu — Pine Trees» series (2015), returning to his favorite subject of the pine trees found in the forested mountains of Gyeongju.

At Hammonds House Museum in Atlanta, Weems's photographic series From Here I Saw What Happened and I Cried, along with selected works and her 2016 film People of A Darker Hue, demonstrates the artist's strength as a storyteller, and as a powerful voice against racism, white nationalism, and the white - washed narrative of our country.

These enclosed tranches of landscape, culturally displaced and geopolitically charged, relate to Land Art exponent Robert Smithson's Non-Site series; while other homages to recent heroes of art history include Blow Up, which reveals itself as a playful destruction of the photographic work of German couple Bernd and Hilla Becher and the life - sized, white ceramic Pig (2012) which is both a scaled - up version of a piggy bank from Monk's childhood and an imagining of an unrealised sculpture by Jeff Koons.

Her early works began grappling with issues of femininity and sexuality, with the black and white series I am a Woman (1994 - 1996) and Born with Cultural Revolution (1995) counted as some of her earlier photographic works.

Meanwhile, Promethée, a photographic series based on Plato's Myth of the Cave, made in Paris in Black and White between 2012 and 2013, is shown at Alex Telese's gallery in Barcelona in February 2014, then in Pont - L'Evêque at the Centre Culturel des Dominicaines in France in September 2014.

The Brooklyn - based artist Nona Faustine, whose White Shoes series has become one of the most acclaimed and thought - provoking photographic works in recent years, introduces her new work at Baxter St, Camera Club of New York's gallery space in Chinatown.

Lake's groundbreaking early work includes «A Genuine Simulation of...» (1973 — 74), a series of photographic self - portraits retouched with Covergirl makeup, and Miss Chatelaine (1973), a grid of black - and - white photos of the artist, each embellished with a different hat or head of hair cut from Chatelaine, a Canadian women's magazine.

Based in Bali for more than two decades, the Italian artist Filippo Sciascia is widely known for Lux Lumina, an ongoing series of almost black and white figurative paintings, based on photographic and cinematic sources; their impasto surfaces heavily worked by the painter, who runs a dazzling gamut of painterly techniques, to the point the painting's skin cracks and tears so skillfully by intuitive calculation that its disintegration seems to be instigated from the inside out.

Three black and white prints from the photographic series «Fruitlingerie» (1998), in which women's underwear is wrapped around fruit, are pinned to the walls, with more installed in the basement.

The exhibition includes around 400 works and presents the entire range of his work, from his first photographic series in black and white taken in the «60s and «70s up to the work in color and the exploration of new artistic languages of his later years.

Mario Merz also tended to work systemically with numbers, using the Fibonacci series in his photographic documentation, «Untitled (A Real Sum is a Sum of People)» from 1971 in which he sequentially observed black - and - white photographs of people seated incrementally in the intimate space of a restaurant, possibly in Milan.

In Fraser's photographic series White People in West Africa (1989 / 1991/1993), comprised of found images and her own photographs, she employs institutional critique in a wider socio - political sense to examine white tourism within the contexts of colonialism and neo-coloniaWhite People in West Africa (1989 / 1991/1993), comprised of found images and her own photographs, she employs institutional critique in a wider socio - political sense to examine white tourism within the contexts of colonialism and neo-coloniawhite tourism within the contexts of colonialism and neo-colonialism.

Black and white photographic artworks from Isaac Julien's «Looking for Langston Vintage Series» will be on display.

Earlier films and photographic works include «Young Soul Rebels» (1991), which was awarded the Semaine de la Critique Prize at the Cannes Film Festival; the acclaimed poetic film - essay and photographic series «Looking for Langston» (1989); and «Frantz Fanon: Black Skin, White Mask» (1996).

Shot with 16 mm black and white film, the narrative unfolds beautifully with provocative angles bringing to life the characters of his iconic photographic series documenting the drugs, sex and youthful aimlessness of Clark's hometown.

Operating like a Mark Dion — style display of excavated artifacts, the installation features two Plexiglas vitrines set against the backdrop of a photographic series depicting white ghostly silhouettes of Harris on her property and a blow - up of the racist letter that tarnished Harris» reputation rendered illegible by aerial maps of the property.

The isolation of facial features, including lips, chins, eyes, eyebrows, and ears, is a working paradigm Samore employed most notably in his 1990s photographic series Allegories of Beauty (Incomplete) and begun ten years earlier with the black and white series entitled Situations.

Beginning in early 2008, Monk found inspiration within Ed Ruscha's 1967 iconic photographic series and limited edition book, Twentysix Gasoline Stations, where Ruscha shot black & white photographs of twenty - six different gas stations found along the legendary Route 66 highway on a road trip from his studio in Los Angeles to his home state of Oklahoma.

L. Aviva Diamond provides liquid magic, photographic juice for the parched eye in «Light Stream Series 2 # 13,» a black and white archival pigment print photo.

Sarah Charlesworth's recontextualized newspapers, a comparison of The Family of Man by Edward Steichen and Steve McQueen, typologies by the Bechers, Karl Blossfeldt, Dan Graham, and others, the photographic archive as a tool of social control, series - based portraiture by artists August Sander, VALIE EXPORT, Claude Cahun, Bea Nettles, Annette Messager, and Sophie Calle, the passage of space and time in works by Ed Ruscha, Duane Michals, Minor White, William Christenberry, and Atta Kim, photographic documention of artistic process, observation and experimentation, the photobook as a traveling idea, the slide show as performed sequence, Eadweard Muybridge and the illusion of motion, sequential narrative in works by Jan Groover, Eleanor Antin, and Chris Marker, compressing time in video works by Andy Warhol and Paul Pfeiffer, and more...

The London gallery presents Sugimoto's work for the first time in Snow White, a collection of photographic works from Sugimoto's Theaters series (1978 ---RRB-.