Sentences with phrase «white photographs of people»

Mario Merz also tended to work systemically with numbers, using the Fibonacci series in his photographic documentation, «Untitled (A Real Sum is a Sum of People)» from 1971 in which he sequentially observed black - and - white photographs of people seated incrementally in the intimate space of a restaurant, possibly in Milan.

Not exact matches

And if you've ever failed at tried photographing a plate of off - white chunks in such a way that people actually want to eat it... then you'll understand from which part of my -LCB- traumatized -RCB- subconscious my love of winter squash arises.

Give your sweetie a photograph card of tropical leaves that says «you're my person», or if you prefer there are also photograph cards that say «I like you, no like a lot» and «you're a real cutie» with a floral background which all can be printed onto white cardstock.

There are many, many more sources of science information and the fact is that if we were still publishing print articles that were of the same length that we had back in those days, and if we were largely illustrating the magazine with lots of black and white photographs and small fine line drawings — as wonderful as those are — the fact is it would not look very appealing to most of the people, who enjoy Scientific American and benefit from it now.

The isolated people Price photographed — with their fine bodies, ease of reproduction, emotional stability and freedom from degenerative ills — stand in sharp contrast to civilized moderns subsisting on the «displacing foods of modern commerce,» including sugar, white flour, pasteurized milk, lowfat foods, vegetable oils and convenience items filled with extenders and additives.

I explained to them that I considered the story, which hinges on invisibility, a metaphor for the homeless situation, and that I wanted to make a series of black - and - white photographs of various homeless people holding the stone, how I would hand color the stone red in each image and write a text consisting of all the stories I'd collect.

Maps of Mississippi, black - and - white photographs, and drawings created by participants document the activities of the summer volunteers and the people they came to serve.

The excavations and body preservation techniques are explained in detail, with numerous black - and - white (and some color) photographs, many featuring the plaster casts and skeletons of people in their death throes.

Lange's compelling black - and - white photographs, exquisitely reproduced, provide the drama in this biography of the famous artist who showed the nation the faces of individual people caught up in the great events of the time.

The left hand side of the canvas is taken up with white people cavorting and laying in the sun in a holidaying pose, while the other half is based on a photograph of Haitian refugees arriving in Florida.

The Geoffrey Young Gallery is pleased to present «The Place of Things,» a three - person show featuring the paintings and drawings of Joshua Marsh, the «longitude - location» paintings of Mike Glier, and new black and white photographs of complex spaces by James Welling.

In such diverse works as Sounds in the Distance (1982), a collection of monologues from «people who lived and worked in the streets» and The Weight of the Earth, Part I & II (1988), an arrangement of black - and - white photographs taken during his travels and life in New York, Wojnarowicz continually returned to the personal voices of individuals stigmatized by society.

Long Island based, Germann's 35 + years of photographing New York City street scenes, people, architecture, and neighborhoods is officially catalogued in the New York Historical Society's permanent collection with over 300 of his black & white photographs.

When people say his name, I tend to think only of incredible but somewhat predictable color photographs of America, those very Shore-esque lyrical presentations of our most banal shades of red, white and blue.

Kiluanji Kia Henda's black - and - white photographs feature a group of people assembling what could be Cerrillo's frames into empty cubes — Donald Judd's boxes without the volume — because in the age of social media, it's only the exterior that counts.

The exhibition features over 70 black and white vintage prints of photographs made by Jill Freedman in the protest camp built on the Washington Mall as the culmination of the Poor People's Campaign.

Just to give an overview of what was in each of the three galleries: a rhino, his shadow, and two black - and - white photographs of dwarves grace the first; a giraffe, some very un-PC photographs of tribal Africans and Western media projections of «jungle people» in the second; and polar bears, a man on fire, more animals, and movie stars with dotted out eyes are in the third.

I've never met a person I couldn't call a beauty. - Andy Warhol From 1970 to 1987 Andy Warhol took scores of Polaroid and black - and - white photographs, the vast majority of which were never seen by the public.

Her stark black - and - white photographs document subjects whose images and stories are under - represented in mainstream culture — people of color, gays and lesbians and large people.

RA Family Album, 2016, consists of over 160 black and white photographs and prints, showcasing the people who have made the RA an inclusive place for artists, creativity and learning since its foundation in 1768.

Highlights from the show include Royal College of Art graduate Jodie Carey's eight foot chandeliers made out of fluff from a hoover, Tom Price's animated, small scale sculpted plaster heads, Emma Puntis's mesmerizing miniature portraits, Tatsuya Kimata's ironic sculptures of everyday objects sculpted using traditional marble and stone carving skills, Doug White's majestic palm trees crafted from thousands of abandoned car tyres retrieved from road sides in Belize, Michael Lisle - Taylor's army uniforms crossed with straight jackets, which play to his 19 years in the Navy, and Boo Ritson's large - scale photographs of people she transforms into characters caked in thick paint, which have sold out in her second solo show only a year after graduating.

Storied People, an exhibition of black and white photographs by Charles Martin of people he met in chance encounters as well as celebrities, friends and strangers will open at the June Kelly Gallery on Friday, FebruaPeople, an exhibition of black and white photographs by Charles Martin of people he met in chance encounters as well as celebrities, friends and strangers will open at the June Kelly Gallery on Friday, Februapeople he met in chance encounters as well as celebrities, friends and strangers will open at the June Kelly Gallery on Friday, February 12.

[12] Fragmento Brasil (1977 - 2005), a synchronized multi-projection piece without sound, is made up of paired sequences of 648 images [13] from three sources: details from Albert Eckhout's mid-17th-century paintings of Brazilian birds set in idealized landscapes of European provenance; the abstract drawings of Yãnomãmi people from Venezuela and Brazil, 1978 — 80; and in conjunction, black & white landscape photographs of the Rio Caroni, Rio Uraricoera and Rio Branco regions in Venezuela and Brazil taken by the artist on a five - month walk in 1977.

1978 The Image Center for Photography, Arahus, Denmark, one person exhibition of infrared photographs, Rice University, Houston, TX The White Gallery, Portland State University, Portland, OR

In Fraser's photographic series White People in West Africa (1989 / 1991/1993), comprised of found images and her own photographs, she employs institutional critique in a wider socio - political sense to examine white tourism within the contexts of colonialism and neo-coloniaWhite People in West Africa (1989 / 1991/1993), comprised of found images and her own photographs, she employs institutional critique in a wider socio - political sense to examine white tourism within the contexts of colonialism and neo-coloniawhite tourism within the contexts of colonialism and neo-colonialism.

«Eighteen Stations» presents a selection of black - and - white photographs made in relationship to her 2015 book M Train, rumination on the world, which takes readers to significant sites in her life and places that are connected to people whom she finds inspiring.

At the Hammer Museum, for her first one - person institutional show, Dash offers a familiar array of canvases and black - and - white photographs (all untitled and dated 2014).

The exhibition consists of 23 large - scale black and white photographs of New York and its people, and evokes the experience of moving through the city with great intimacy and subtlety.

This photographic novel is composed by fifteen black and white pages in which photographs of dead people, bodiless heads among them, speak to one another.

The artist João Penalva presents the installation «People On Air» in the Corner Space of Galerie Thomas Schulte: the space has been painted red and covered with a collage of black and white photographs telling stories of sound artists working for radio in the 1940s and 1950s.

Made at bus stops throughout the city, the large - scale black and white photographs capture the isolation of the urban metropolis through formally composed and carefully detailed views of desolate boulevards disappearing into the horizon, peopled only by the Los Angeles underclass waiting for the next bus.

2014: Richard Avedon: People - the art of black / white portrait photography 2014: Guy Grey - Smith: Art As Life - WA landscape painter 2014: William Kentridge - The Refusal of Time 2013: Van Gogh, Dali and Beyond: The World Reimagined - 20 century art 2013: Made to Remember - Indigenous Art 2013: Picturing New York: Photographs from MOMA - Alfred Stieglitz, plus Cartier - Bresson, Helen Levitt, Walker Evans, Lewis Hine, Cindy Sherman.

Stop by Karin Sander «s project at Booth 801 where she is capturing images of people with a 3D White Light Scanner (the set up looks like you are posing for a regular studio photograph).

There are also Glenn Ligon's small paintings of text taken from «Invisible Man,» Ralph Ellison's 1952 novel, that reflect notions of black identity; Nikki S. Lee's photographs of herself made - up and dressed to fit into different communities — hip - hop, punk, rural white; and Catherine Opie's portraits of lesbian, gays, bisexuals and transgender people in Los Angeles.

Among Ligon's own contributions to «Encounters and Collisions» were several works with texts that employ the first - person pronoun: In Untitled (I am drawn to sleaze...), 1985, the parenthetical phrase has been handwritten across an expanse of juicy oil pigment; in Untitled (I Lost My Voice I Found My Voice), 1991, the text was repeatedly stenciled in oil stick onto a gessoed white ground until it became illegible; in Study for Condition Report, 2000, annotations identifying damage and wear are made on a photocopy of a photograph of a painting reprising the famous protest signs declaring I AM A MAN.