In Slain Trances, a series of black and
white photomontages, Ostoya's investigation becomes more associative than analytical.
Hammond also produces black - and -
white photomontages that draw on elements of Russian Constructivism and Dada, which she reworks digitally, collaging, retouching, and developing shadow and tone before converting the digital file into a negative and printing the resulting image in the darkroom as a gelatin silver photograph.
Not exact matches
1997 Romare Bearden in Black - and -
White:
Photomontage Projections 1964, Whitney Museum of American Art,; Whitney Museum of American Art at Champion, Stamford, CT; Madison Art Center, Madison, WI; Muscarelle Museum of Art, Williamsburg, VA; Mint Museum of Art, Charlotte, NC; Marietta Cobb Museum of Art, Marietta, GA; The Trout Gallery, Dickinson College, Carlisle, PA; Schneider Museum of Art, Ashland, OR; Museum of Abilene, Abilene, TX
Published to accompany an earlier presentation of «Romare Bearden in Black - And -
White:
Photomontage Projections, 1964,» this volume includes contributions by Thelma Golden, Albert Murray, and previously unpublished poems by Romare Bearden.