After selling their first artwork in 1970, Gilbert & George celebrated by getting drunk together and recording their experiences in a series of black and
white pictures depicting them in various states or inebriation.
Not exact matches
Participants of the experiment saw
pictures that
depicted Black or
White individuals holding either a gun or mobile phone.
He's
depicted here living with his
white wife, Serena (Keri Russell,
pictured above), and a black ex-slave, Rachel (Gugu Mbatha - Raw), the pair of them jointly helping to raise Rachel's child, though in reality Knight had five children with Rachel and nine with Serena.
This is implicit in the recent inclusions, and also in pairings with now - celebrated meditations on violence, both state - sponsored (such as 1980s - era Jane Alexander) and sexual: a series of black and
white photographs by Zanele Muholi, «Only Half the
Picture» (2003 — 05),
depict the somatic and forensic aftermath of rape.
The Goldin
picture has mystery as does Lot 126, «Initiation, 1997,» by Moriko Mori (b. 1967), which
depicts a women with
white bangs holding a large crystal ball in both hands.
His work is also strongly influenced by the Hollywood film industry: the mountain in his Mountain Series is a play on the Paramount
Pictures logo; Large Trademark with Eight Spotlights (1962)
depicts the 20th Century Fox logo, while the dimensions of this work are reminiscent of a movie screen; in his painting The End (1991) these two words, which comprised the final shot in all black - and -
white films, are surrounded by scratches and streaks reminiscent of damaged celluloid.
The
picture in question,
White Canoe, a heavily - worked canvas
depicting a ghostly canoe floating on a lake at night, does not feature in the retrospective of Doig's work opening at Tate Britain today.
Your new show consists of one work — a billboard of sorts,
depicting various jellyfish, a seated woman garbed all in
white with her head cropped out of the
picture plane and another disembodied flayed figure holding a vacuum cleaner.
[14] The painting Vanescere (2007), a black - and -
white composition that
depicts what appears to be a maelstrom of ink and acrylic marks, some of which are sanded away on the surface of the linen support, was a catalyst
picture for this series.
Bourke -
White and Mary Morris were the first female press photographers on staff at any daily newspaper in the U.S. Prominent in our exhibition are works by Morris Engel
depicting an integrated school, children on New York streets, Coney Island scenes, and
pictures of workers organizing to strike.