An hour later, the gallery let in the swarm, to find installers still uncrating a few of Koons's
white plaster sculptures.
Hand - blown from glass, the blue gazing balls have been placed on
white plaster sculptures depicting signature examples of antique statues from the Greco - Roman era along with everyday utilitarian objects encountered in today's suburban and rural landscape, such as mailboxes and a birdbath.
Gallery director Kristen Becker, who curated the show, includes enigmatic abstract
white plaster sculptures by the UK - based Philip King.
At the moment, the sculptor Joel Fisher has provided satisfaction with three
white plaster sculptures whose shapes seem to have grown directly out of the wall.
In these works, blue gazing balls, hand blown from glass, have been placed on
white plaster sculptures depicting signature examples of antique statues from the Greco - Roman era, including the Farnese Hercules and the Esquiline Venus, along with everyday utilitarian objects encountered in today's suburban landscape, such as rustic mailboxes, a birdbath and an inflatable snowman typically seen outside during Christmas.
A painter and sculptor, George Segal (1924 — 2000) came to be recognized primarily for his life - size
white plaster sculptures made from casts taken from living models which he began making in 1961.
White plaster sculptures of the artist himself stood around the grounds like lawn ornaments.
He was especially pleased that Rubin selected the work by Little —
a white plaster sculpture of a piglike animal decorated like a wedding cake with delicate florettes.
Not exact matches
Armory: Sarah Morris, Rings, 2007, household gloss on canvas; Gabriel Orozco
sculpture,
plaster and acrylic, at
White Cube, London
In the back room in the Chelsea space, the show also boasts a neon sign and video of a small fox, but her heart seems most invested in the gestural drawings and small bronze
sculptures, coated with a chalky
white patina that gives them a clunky
plaster - of - Paris look.
He then painted or
plastered the
sculptures white, giving them a static, antique appearance.
Made from
white plaster, the abstract
sculptures by Slovak artist Maria Bartuszová in this new permanent display evoke raindrops, wheat...
The exhibition features examples of Twombly's
sculptures made between 1948 and 1995, composed primarily of rough elements of wood coated in
plaster and
white paint.
These are situated atop large,
white -
plaster sculptures that have been alternately modeled after iconic works from the Greco - Roman era, including the Farnese Hercules and the Esquiline Venus, or after such quotidian objects from the contemporary residential landscape as a rustic mailbox, a birdbath, and an inflatable garden snowman.
Blackman's formal pairing of opposites — black and
white, horizontal and vertical — are referencing the
sculptures too, nodding to the larger process of mixing water and
plaster dust (at a 50/50 ratio) to make them.
Last summer, Rachofsky and Faulconer purchased the largest
sculpture from Koons's recent Gazing Ball series of
white plaster figures with blue glass globes that, following its loan to the Koons retrospective opening this month at the Whitney Museum of American Art in New York, will take up residence in the Warehouse.
Highlights from the show include Royal College of Art graduate Jodie Carey's eight foot chandeliers made out of fluff from a hoover, Tom Price's animated, small scale sculpted
plaster heads, Emma Puntis's mesmerizing miniature portraits, Tatsuya Kimata's ironic
sculptures of everyday objects sculpted using traditional marble and stone carving skills, Doug
White's majestic palm trees crafted from thousands of abandoned car tyres retrieved from road sides in Belize, Michael Lisle - Taylor's army uniforms crossed with straight jackets, which play to his 19 years in the Navy, and Boo Ritson's large - scale photographs of people she transforms into characters caked in thick paint, which have sold out in her second solo show only a year after graduating.
Sculpture with Colour (Oval Form) is a larger, wood version of Hepworth's first sculpture with strings, the coloured plaster maquette made just before the outbreak of the war, Sculpture with Colour, White, Blue with Red Strings (BH 113A), which was the only sculpture she took with her to St Ives on 25 Aug
Sculpture with Colour (Oval Form) is a larger, wood version of Hepworth's first
sculpture with strings, the coloured plaster maquette made just before the outbreak of the war, Sculpture with Colour, White, Blue with Red Strings (BH 113A), which was the only sculpture she took with her to St Ives on 25 Aug
sculpture with strings, the coloured
plaster maquette made just before the outbreak of the war,
Sculpture with Colour, White, Blue with Red Strings (BH 113A), which was the only sculpture she took with her to St Ives on 25 Aug
Sculpture with Colour,
White, Blue with Red Strings (BH 113A), which was the only
sculpture she took with her to St Ives on 25 Aug
sculpture she took with her to St Ives on 25 August 1939.
Technically this room contained various separate
sculptures from Has Op de Beeck's recent switch from grey to
white for his spookily smooth vanitas realisations, which start from casts and are rendered in gypsum
plaster over a wooden armature.
Isolated and cast in solid
white plaster, the
sculpture exudes heaviness through its opaque, tomb - like form.
This performance extended outside the confines of the structure into the wider gallery space, containing wall - based neon
sculptures of a muscular faun, black and
white photographs of a naked couple in choreographed poses, text - based brightly coloured paintings, and abstract
sculptures reminiscent of limbs, rendered in concrete and highly polished
white plaster.
Originally displayed at the 1997 Munster
Sculpture Project in Germany, The Dead Teach the Living (1997) is a group of computer - reconstructed heads cast in
white plaster that show different racial stereotypes, which raises questions on how science has been used to dehumanize racial groups.
Within simple
white wooden boxes await arrangements that range from a
plaster heart on Victorian - type wallpaper; three small robin - egg blue eggs on a diaper framed by silkscreened paper of cherries and hydrangeas; the force cup of a plunger on cherry print; a stick of butter on a rolling landscape; or a
sculptured ear with a dried leaf on flowery background.
Jeffry Mitchell presents
White Weeds, a
sculpture that is made of wood,
plaster, paper, porcelain, light bulbs, plexiglass, gouache, pencil and epoxy enamel.
Proceed along the corridor into the main gallery and be greeted by «The Tenant», an empty
plaster arm chair by Dan Herschlein which seems to contemplate Brandon Ndife's «Monument to Cold and Hunger», a stunted hydrocal
sculpture with a dirty
white sock.
[5] For his early
sculptures, West often covered ordinary objects — bottles, machine parts, pieces of furniture and other, unidentifiable things — with gauze and
plaster, producing «lumpy, grungy, dirty -
white objects».
Photographed in grainy black and
white, Epstein's high - relief
sculptures are naked, grubby with London soot, ruined temporary
plaster figures.
In addition to his paintings, which were sometimes dismissed as «high - art graffiti,» he produced
sculptures assembled from found objects, clay, and
plaster, painted
white to suggest an affinity to Classicism.