Sentences with phrase «white relief works»
Nicholson insisted that this Pavilion exhibition predominantly featured his recent work so nearly half the work came from the previous year and his signature white relief works were abundant.
https://venicebiennale.britishcouncil.org/ Not exact matches
«I think there's room for all of America to work with this White House and Congress to do this because, while there are divisions in the country, this is about delivering tax relief to all Americans,» the Texas congressman said on «Squawk Alley.»
«Perhaps Gov. Cuomo should spend less time campaigning for the White House and more time working on delivering real property tax relief for New York families,» said Sarah Minkel, a Collins spokeswoman.
It works for me and our inaugural theme — J'adore («I Love You», my sweet boys), the polka dots, (well, you know), and the floral pumps worked to give the black and white a needed relief of color, floral for the theme, and the additional five inches I just Love walking in every day!
The white and black marble offers densely unforgiving and pure works, both majestic and domestic in scale, that sit among wooden wall relief works.
Pivotal to the artist's oeuvre was his shift in 1960 to the employment of white monochrome surfaces and geometric, grid - based compositions, represented in the exhibition by works including Relief, 1964; 48 Squares, 1965; 2 Richtingen Om en Om (2 Directions On and On), 1967; as well as R70 - 28, 1970 (collection of The Museum of Modern Art, New York).
This exhibition includes rare examples of ZERO period works including Licht - Relief [Light - Relief](1958), an undulating aluminium relief; Mauerrelief [Wall - Relief](1962) an exquisite group of textured reliefs of silver leaf on wood; and Raster - Oval [Grid - Oval](1966), a graphic geometric black and white painting on Relief [Light - Relief](1958), an undulating aluminium relief; Mauerrelief [Wall - Relief](1962) an exquisite group of textured reliefs of silver leaf on wood; and Raster - Oval [Grid - Oval](1966), a graphic geometric black and white painting on Relief](1958), an undulating aluminium relief; Mauerrelief [Wall - Relief](1962) an exquisite group of textured reliefs of silver leaf on wood; and Raster - Oval [Grid - Oval](1966), a graphic geometric black and white painting on relief; Mauerrelief [Wall - Relief](1962) an exquisite group of textured reliefs of silver leaf on wood; and Raster - Oval [Grid - Oval](1966), a graphic geometric black and white painting on Relief](1962) an exquisite group of textured reliefs of silver leaf on wood; and Raster - Oval [Grid - Oval](1966), a graphic geometric black and white painting on panel.
The exhibition features six works from the «Sarrafos» series, composed of white tempera panels intersected by a single, angled black bar, and works from «Brancos e Pretos,» seemingly flat panels punctuated by painted arcs and lines that reveal slight variations of texture to cast shadows and form subtle sculptural reliefs.
A two - panel black and white relief, completed early in 2007, is the oldest work in the exhibition and anticipates the diagonal paintings.
The work there — in a show called, simply, «Ellsworth Kelly at Ninety» — features large reliefs in his trademark rich hues (a deep sky - blue square with rounded corners), but also black and white.
CIMA's airy spaces lend the works all the breathing room they could require, while the white walls set into relief the pastel and piebald chromatics of several works, like Monumento ai giocatoli (Monument to Toys, 1930) and I re magi (The Wise Men, 1929).
New York, NY Short Stories, Epoche Gallery, Brooklyn, NY 1989 Vulgar Realism, Hallwalls Contemporary Art Center, Buffalo, NY No Relief, Ridge Street Gallery, New York, NY 1988 Sculpture 1988, White Columns Gallery, New York, NY Annual Small Works Show, Sculpture Center, New York, NY 1987 Small Wonders, Barry Whistler Gallery, Dallas, Texas Introductions, Barry Whistler Gallery, Dallas, Texas VIDEO EXHIBITIONS 2012 Hermaphrodite video, Opera Povera: To Valerie Solanas and Marylyn Monroe in Recognition of their desperation, by Sean Griffin.
These include a new series of works called «Reliefs,» that are densely layered, beaded panels which recall Muslim prayer rugs on which they are partly based, while being reminiscent of topographical maps of cities, abstract art, and mysterious altars; and «Continuous Mile,» a mile - long rope woven entirely out of cotton and bone - white beads.
Connecting artists through the medium of monochrome reliefs — a sculptural technique that raises forms and figures above the background plane — the gallery's show focuses on the abstract white relief and traces its international evolution from the 1930s to the 1970s (there are a few later works in the mix as well).
Importantly, this latest collection also exposes a completely different body of work: the experimental use of oils on the new medium of black or white fibreglass, which allows for a gentler application of paint, creating a lighter relief.
Notable works by Tapies include: Gray Relief on Black (1959, Museum of Modern Art, New York) and White and Orange (1967, private collection).
So the work is white, flat, lozenged, painted, rendered, printed, textual, assembled, and collaged — a naked abstract painting in low relief.
Mikus arrived in New York in 1960, and in 1961 painted the first of her «Tablets» — the name she gave to a series of black, white and gray works that merge painting and bas - relief.
His works of this period, perhaps his finest, consist of geometrical abstract paintings composed of rectangles and circles of clear, uniform colors and of carved white reliefs of extraordinary purity, made from wood and synthetic board.
As to the white reliefs, begun when Reynolds was in his 50s and occupying the last 30 years of his career, these echoed works by Nicholson made in the early 30s.
It shows the way Nicholson's work developed in response to Mondrian's, with colourful paintings with wobbly lines giving way to austere white reliefs — one carved out of a table bought from Camden market.