The two glued plates separate again at the interface between glue and metal — this can be seen
by the fact that there is no
white glue
residue visible on one of the two plates.
The painting makes you feel as if you were one of those particles in the painting, pulled in
by an invisible magnet to the nucleus of the canvas.Up close you are able to see
residues of color that have been over powered
by the monochromatic duo of black and
white impasto technique (almost un-noticeable from afar).