Sentences with phrase «white sculptures on view»

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On view concurrently from May 13 through November 12, 2017 will be the exhibition David Smith: The White Sculptures, the first exhibition to critically and fully consider the use of the color white within David Smith's wWhite Sculptures, the first exhibition to critically and fully consider the use of the color white within David Smith's wwhite within David Smith's works.

At the time of the artist's death in 1965, eight monumental steel sculptures, painted white, stood in the fields surrounding his home and studio in the Adirondack Mountains; many of these will be on view at Storm King.

Installed among a number of large, monochromatic pictures, now known as the White Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 and 1952.

Two floors down, soft white panels overlap in waves hiding overhead lighting — minimal and linear, not unlike the sculptures of Robert Irwin, also on view.

Sculpture Project Echo (2009), Pousttchi's series of twentyfour colour photographs created in the six months during which Echo was on view, is a much - layered portrayal of this black - and - white photo installation's powerful persistence among the iconic buildings that surrounded it, including the Berliner Dom (Berlin Cathedral), the Alte Nationalgalerie (Old National Gallery), the GDR - built Fernsehturm (Television Tower, which, at 368 metres, is still the tallest structure in Germany), and the uncovered foundations of the original Berlin City Palace.

The cylindrical orange and red shaft emitting a conical gray - white beam — the most overtly representational element in the artist's recent exhibition «Peinture sculpture peinture» — encouraged viewers to seek out figuration and symbolism in other works on view, which might otherwise be mistaken as exemplars of pure Minimalism.

Kelly's sculpture relates to two important early works: Study for Black and White Panels, 1954, a collage created during the artist's time in Paris, and Black Over White, a 1966 painting made in New York City, both of which will be on view in the gallery as part of the opening exhibition.

A selection of black - and - white drawings featuring expressionistically painted images of bulls and men, which were exhibited in Caro's retrospectives at the Museo Correr, Venice (2013) and the Yale Center for British Art, New Haven (2012), highlight the linear qualities of the steel, bronze and brass sculptures on view.

«Color Field,» Lou's largest sculpture to date, is on view starting this weekend at the Neuberger Museum of Art along with the artist's «Solid Grey» and «Color / White» canvases, two series of woven beaded works.

Currently, Bove's more monumental sculptures are on view on the High Line; in contrast, her MoMA show features seven sculptures of varied scale, all arranged seemingly randomly on an elevated, white platform.

The found object is now in its rightful place, on a pristine white plinth along with six other sculptures, overlooking the museum's sculpture garden, as part of «The Equinox,» on view through January 12, 2014.

On view through April 8, 2012, this exhibition will include glass sculptures by Chihuly inspired by Native American baskets; Chihuly's personal collection of Native American textiles as well as photographs by Edward S. Curtis from The North American Indian Portfolio; and recent examples of Chihuly's White series.

Among the works on view were a copper plate incised with two craggy dents, titled Raising the Vessel, and three works from «The Very White Marbles» series, comprised of found wooden sculptures whose individual features Lund has carved out (all 2016).

The abstract collages, paintings, and sculptures on view, made of neutral - colored, plain materials (brown and blue carpets painted in white, beige scraps of paper, clear tape and light brown masking tape, white foam core, discarded aluminum, plywood) echoed long - established tendencies in abstraction, such as Robert Rauschenberg's experiments with nontraditional materials and Richard Tuttle's casual approach to art making.

Expanding the conversation around Nick Cave «s «Made by White for Whites» exhibition of found object mixed - media sculptures on view at the gallery, Phillip J. Merrill, African American memorabilia expert and founder of Nanny Jack & Co., takes the audience on an «artfactual journey.»

Also on view are textual sculptures END (Mirror) and NOW (Blue Mirror) and New Land (blue field / white holes III), a new work.

A few of the sculptures on view are milky white or translucent black concave lenses that are densely pigmented at their thick perimeter walls and thin to a transparent, glassy central oculus, and a few are open rings of opaque gray or pinkish white.

Artists» instructions presented at Socrates Sculpture Park will include the artists listed above (click on the artist's name to view their instruction), and have been interpreted by: Korakrit Arunanondchai, Jesus Benavente, Jane Benson & Ajay Kurian, Strauss Bourque - LaFrance, Daniel Bozhkov, Christoff: Finio Architecture, Alison Dell & Rob Swainston, Tamar Ettun, Rachel Fainter, Cathy Fairbanks, Lars Fisk, Luz Flemming, Linda Ganjian, Elissa Goldstone, James Haddrill & Daniel Roberts, Charles Harlan, Rachel Higgins, Chelsea Knight & Jonathan VanDyke, Kat Kohl, Rainy Lehrman, Shaun Leonardo, Marie Lorenz, Katie Mangiardi, Julie Ann Nagle, Rhiannon Platt, Jory Rabinovitz, Birgit Rathsmann, Grayson Revoir, Andrew Ross, Becky Sellinger, Sabrina Shapiro, Nataliya Slinko, Chris Sollars, Jennifer Sullivan, Leonard White, Carmen Winant, Jody Wood, Brian Zegeer, and XXX Coffee, among others.

On view now at the Carnegie International's Life on Mars exhibition is Mark Bradford's (Season 4) rooftop installation Help Us, a white stone sculpture that is theoretically visible from Google.On view now at the Carnegie International's Life on Mars exhibition is Mark Bradford's (Season 4) rooftop installation Help Us, a white stone sculpture that is theoretically visible from Google.on Mars exhibition is Mark Bradford's (Season 4) rooftop installation Help Us, a white stone sculpture that is theoretically visible from Google...