Sentences with phrase «white setting seems»

Their black and white setting seems to reflect the tradition that they are trying to mirror with the design...

Not exact matches

Setting aside the small groups (the myrters, the 24, the 144,000) there seem to be two groups of the mass of people in Revelation; one group in white robes who are the guest at the wedding feast and the other group who make up the bride.

Just set the white batter bread to rise — I realise a lifetime has passed since this recipe was first posted, but bread - making is new to me (or rather, I'm new to bread - baking) so finally decided to start with something that seemed simple.

Carefully crack an egg directly into the skillet and let cook for about 45 seconds or until the white seems set.

Its average check of $ 64 seems modest alongside that of sister concept Double Eagle Steak House, especially given Sullivan's posh white tablecloth setting and progressive menu offerings.

We have once again been linked with a whole host of players, with only 2 coming in so far in Kieran Trippier and Toby Alderweireld, but Etienne Capoue has already gone, and many more seem to be set to follow him out of White Hart Lane, and whilst it is needed to sell some players who wont play, we also need to bring in some to replace them.

It is possible that figure could be reduced if Saúl becomes unsettled and sets his sights on a move away from the red and white side of Madrid, potentially upsetting the apple cart to force a move, but that seems unlikely at this stage.

Black and white geometric designs seem to cause quite a stir with the newborn set, so start there when it comes to mobiles and patterns to grab baby's attention.

White seems the most popular choice, as it makes cute bedding sets really pop.

For now, I'll just note that even the scene set in a white - on - white Kubrick - style limbo seems awfully beige.)

The White House seems cushy and inviting here, like a grand hotel — it's easy to imagine flopping around on the presidential bed — and the warm way the setting is visualized melds with the film's impish attempt to show us the human side of America's ruling elite.

Set deep in the Mississippi Delta, it's the epic story of two families, one white, the other black, who've each sown hope among fields too sodden to be much use — and though the sheer scope of the material overwhelms «Pariah» director Dee Rees at times, she finds shoots of optimism among the mire that couldn't be more welcome at a moment when the country seems more divided than ever.

So many of the contemporary stories set during that more shameful chapter of America's past invent white role models who seem downright progressive by the standards of the day, and enlightened even by ours (à la Atticus Finch).

To complete the classic look, you can add a set of Volkswagen Heritage wheels, trim rings and center caps (all of which used to be an option on new Beetles, but now only seems to be available as extras from the parts department) as well as some white wall tires.

When it comes to the haute couture topic of car colors, it seems that white is set to be the must - have shade among the beautiful people.

While this may, at first, seem to be of limited utility, when reading in the dark I found that setting the background to black and the font to white (or red) was much easier on my eyes than dealing with the glare from the white background even at 10 % brightness.

Although plucked from his imagination, Yung - Chun's paintings seem to highlight everything that is wrong with our culture today — from overuse of the internet to our general social ills, it's an impressive series of work, with many scenes set in his own house and with his white French bulldog, who makes the occasional appearance.

For an artist who thrives on setting her own boundaries, and who likes white - knuckling deadlines and otherwise stressing out dealers and curators, the arrangement would seem to offer benefits all around.

David Ryan's Set 2 (c) also seems to have some doubling going on, this time within the one painting, in the repetition of rectangles that occupy different spaces, one in lime green, one in yellow ochre and one in white, as well as the containing rectangle of the support.

Some of those I'd been most drawn to appeared reduced, hardened and flattened, a little too obvious: the 1973 expanse of white Enamelac on an aluminium base that shows in a thin line down the left - hand side and along the bottom; a row of square pieces from the same year, their fat L - shapes of black (oxidised copper, apparently) set off by smaller white baked - enamel squares; and 1985's Catalyst III, with its steel bolts and thin, intermittent lines of black enamel seeming to divide the aluminium base and contain it in a pointedly incomplete frame.

In particular he seems to have sought specific settings for exhibitions of his early wall - mounted sculptures, which, seen together, gave the impression of amply spaced pops of primary color in otherwise white rooms.6 Following the precisely scaled galleries he created for his 1984 exhibition at MoCA's Temporary Contemporary, he made a rotating exhibition of such works at Leo Castelli's New York gallery in 1986 — 87, sometimes forgoing the main gallery spaces for a more intimate basement.7

Here it comes in the form of a pale, 1960s Wallace Berman image of the moon's remote surface overlaid with cryptic writing; a black - and - white Vija Celmins screen - print of the vast, horizonless ocean that appears to carry a faint «X,» as if the printing plate had been canceled; a ragged piece of fiberglass painted with a Tiepelo - like sky by Joe Goode, who seems to have ripped it from either the actual heavens above or a movie - studio set; and a photographic close - up of shifting desert sand, over which actual sand and colored pigment has been applied by David Benjamin Sherry, as if reality were a veil obscuring camera - created truth in our mediated universe.

Ross Bleckner's Architecture of the Sky seems to straddle abstraction and landscape with its upsweeping patterned motion set on a field of white and dappled grays.

Imi Knoebel's black and white photographs, Projektion 1, 1968, record a similar set of complex happenings, but with quite a different set of conditions: simple, day - to - day objects like string and mirrors are arranged and re-arranged serially with light, mirrors, reflections and windows in various public spaces which seem strangely abandoned and unpopulated.

Chiara also loves to add a touch of digital art to really make her images come alive - for instance, in one setting the characters seem to pull the heavens down to Earth... In another, you can see a flowing white dress turning into huge angel wings.

Fascinated by cinematography, film stills, edits and camera angles since childhood, Duffin recalls a love for black and white films on his parent's television set and the growing appeal of Film Noir: «It seemed to take all of the elements of image - making and stretch them further.

Set on intricate backgrounds of fabric collage and pastel - colored acrylic paint, Baechler often furnishes his objects with a white halo that gives them a child - like cutout quality and makes them seem to float off the canvas.

It might seem to be a reductive and withholding decision to set out to fill a canvas with only monochromatic ellipses on a white ground, but the effect is psychological, tense and spacious.

While it may seem as though there's a set monthly quota in place, the truth isn't so black and white.

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I made my matched set seem more my own by painting the bed with a semigloss oil - base white paint.

Our clients seem to always have their hearts set on an all white kitchen (which I completely understand).

I have been in design for 11 yrs now and I think black and white is so classic it will always look great and never go out, I chose to use it with all kinds of colors it goes well with almost any color so you decorate any room around it I have always thought of grey as a depressing color however I enjoy seeing it used with brown which seems to be trending now but I could not use grey wall colors for myself as it would set my mood to a chilling 10 below zero, it has no life to me I prefer the cheerfulness I get from black and white with pops of color from dishes wall colors or fabrics this keeps me in style with whatever colors are trending but I never have to replace my bones.