Sentences with phrase «white space in between»

The whole idea of breaking down your resume into sections, and then those sections into bullet points, is to provide white space in between your very interesting achievements.

The layout should be pleasing on the eye and never distracting, allow for enough white space in between your text, boxes and bullet points.

If you can list achievements in on - line phrases, and have a good amount of white space in between, the reader can scan and «snack.»

Pare your paragraphs / bullets down to two to three lines with at least.5 points or a half - inch of white space in between to facilitate skim, online reading.

THE SOLUTION: Pare your paragraphs / bullets to 2 - 3 lines with at least.5 points or a half - inch of white space in between to facilitate skim, online reading.

Not exact matches

Roar Organic, a four - SKU line of coconut water - based electrolyte infusions, has found room to develop in the white space between traditional isotonic sports drinks and premium functional drinks, such as alkaline water and kombucha.

Villas - Boas» inability to change things, especially in our forward line, where Roberto Soldado was often left with 20 yards of space between the next white shirt on Sunday, showed a lack of conviction in his squad past the first XI.

Quaner used his pace to exploit space in between the red and white lines, before Aaron Mooy sprayed wide to an un-marked Scott Malone.

Whereas technology companies producing and serving data to these wireless gadgets want the government to remove a potential bottleneck to the Internet, broadcasters are feeling pinched, having already surrendered the unused «white spaces» in between their channels last year during the digital TV transition.

Thus, as the scientists will announce in a future issue of The Astronomical Journal, the dim red sun probably revolves around the bright white star, even though the two are separated by a whopping 2.5 light - years of space, which is more than half the distance between the sun and Alpha Centauri, the nearest star system to our own.

The quasar image in the original image of the Sloan Digital Sky Survey (SDSS), which has been used for the actual survey to identify gravitational lensing, looks only slightly extended, but the Hubble Space Telescope (HST) image clearly exhibits two distinct quasar images (white) as well as a massive galaxy in between the quasar images (orange) that produces gravitational lensing.

As the inner layer dissolves during childhood, excess skin cells slough off and appear as small white lumps (smegma) collecting in the space between his foreskin and glans, which are easily washed away.

The eye make up can be amped up with shimmer particles and this can be done in a number of ways — use metallic eyeliner at the base of the lash or press shimmer powder across the entire eye make up (without smudging the existing work), or, my personal favourite — in the negative space between the latte shadow and the underlay gently blend in metallic shimmer eyeshadow that matches the jewellery you are wearing with your dress — gold with gold, silver with silver and white with platinum.

You'll find us in our airy and bright space, on the corner of Olin Ave and Santana Row, in between Diesel and Ted Baker - we're the ones with the white plant boxes above our doorway!

A bar code label in appearance consists of black bars with interspersing white spaces between them with numbers at the bottom of the label.

In a year where we had some pretty cool and unusual things happening in mainstream cinema (an animated «princess» movie where the most important relationship was between two sisters, a space thriller whose face was a middle - aged woman, a high - grossing action movie starring a young woman, a sci - fi blockbuster where 2/3 leads were NOT white men, a female buddy - cop movie), this just seems..In a year where we had some pretty cool and unusual things happening in mainstream cinema (an animated «princess» movie where the most important relationship was between two sisters, a space thriller whose face was a middle - aged woman, a high - grossing action movie starring a young woman, a sci - fi blockbuster where 2/3 leads were NOT white men, a female buddy - cop movie), this just seems..in mainstream cinema (an animated «princess» movie where the most important relationship was between two sisters, a space thriller whose face was a middle - aged woman, a high - grossing action movie starring a young woman, a sci - fi blockbuster where 2/3 leads were NOT white men, a female buddy - cop movie), this just seems....

In almost every shot there's a sharp differentiation between background and foreground space, through lighting and focus, and the cinematography is reminiscent of approaches more common to black - and - white film than color.

There is the racist American dwarf expounding upon the coming war between black and white, the fat - assed family unconscious of the space they occupy with their broad girth, and the snide jerk who complains about smoke even though he's seated in the smoking section of the restaurant.

In blocks of text, the spacing between the lines (also referred to as «ledding or leading») can include white space to make reading easier.

«It fills in the white space between light and heavy - duty pickups,» Nissan CEO Carlos Ghosn said at the truck's introduction today.

According to McGovern, who presided over the design and execution of the Velar, there was a «white space» opportunity between the Range Rover Evoque and the Range Rover Sport in terms of size and price.

The original Audi A7 Sportback, introduced in July 2010, was Audi's first attempt at filling the white space between the Audi A6 and the Audi A8.

At a starting price of $ 50,895, the Velar will fall squarely in the white space between the Evoque and Sport in terms of price as well.

«The launch of the new King Cab body is the last step in a journey that began in December 2015 with the debut of the breakthrough TITAN XD, which continues to carve out a unique white space between competitors» heavy - duty and half - ton trucks,» said Fred Diaz, division vice president and general manager, North America Trucks and Light Commercial Vehicles, Nissan North America, Inc. «Now, with the addition of a half - ton TITAN, our new Endurance ® V8, three body configurations, three bed lengths and a range of grade levels and equipment packages, we're covering nearly every segment in the personal and commercial full - size truck markets.

Officially, Velar «fills the «white space» between Range Rover Evoque and Range Rover Sport» — a vision McGovern revealed exclusively to motoring.com.au back in April 2015.

The problem is that most word processing programs only adjust spaces between the words, which often results in large white space gaps in the text.

2007 Weather Report, Centro Atlantico de Arte Morderno, Las Palmas de Gran Canaria Absent Without Leave, Victoria Miro Gallery, London, UK Unholy Truths, Initial Access, Frank Cohen Collection, Manchester, UK Effigies, Stuart Shave / Modern Art, London, UK Fractured Figure, Curated by Jeffrey Deitch, Deste Foundation, Athens, Greece Beyond the Zero, Peres Projects, Athens, Greece Destroy Athens, The First Athens Biennale, Athens, Greece Get Lost: Artists Map Downtown New York, The New Museum, New York, NY How Much Longer, Belkin Staellite, Vancouver, B.C., Canada Out of Art, Centrepasquart, Kunsthaus Centre D'art, Biel Bienne, Switzerland Sweet Bird of Youth, Curated by Hedi Slimane, Arndt & Partner, Berlin, Germany Chi Peng's Journey to the West, White Space, in association with Alexander Ochs Gallery, Beijing, China New York — States of Mind, Haus der Kulturen der Welt, Berlin, Germany Terence Koh and AA Bronson, Galerie Fredric Giroux, Paris, France Between Two Deaths, Zentrum Für Kunst and Medietechnologie, Karlsruhe, Germany Time Difference, Initial Access, Frank Cohen Collection, Wolverhampton, UK Body Politix, Witte De with Center for Contemporary Art, Rotterdam, Netherlands

Gray Matters is a multifaceted survey of 37 contemporary women artists working in the surprisingly vibrant space between — and including — black and white.

SELECTED GROUP EXHIBITIONS 2008 for what you are about to receive, Gagosian Gallery c / o Red October, Moscow Oranges and Sardines: Conversations on Abstract Painting with Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool, curated by Gary Garrels, Hammer Museum, Los Angeles, CA Painting Now and Forever: Part II, Matthew Marks Gallery and Greene Naftali Gallery, New York Not So Subtle Subtitle, curated by Matthew Brannon, Casey Kaplan Gallery, New York That social space between speaking and meaning, by Fia Backstorm, White Columns, New York God is Design, curated by Neville Wakefiled, Galerie Fortes Vilaca, San Paulo A New High in Getting Low, John Connelly Presents, New York Nina In Position, curated by Jeffrey Uslip, Artists Space, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, Bspace between speaking and meaning, by Fia Backstorm, White Columns, New York God is Design, curated by Neville Wakefiled, Galerie Fortes Vilaca, San Paulo A New High in Getting Low, John Connelly Presents, New York Nina In Position, curated by Jeffrey Uslip, Artists Space, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, Berlin Getting Low, John Connelly Presents, New York Nina In Position, curated by Jeffrey Uslip, Artists Space, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, BerlIn Position, curated by Jeffrey Uslip, Artists Space, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, BSpace, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, Berlin

Fontana also saw that in a more concrete sense, as with Robert Rauschenberg's White Paintings of the early 1950s, a pure white surface could be a receptor for the movements of light and shadow in the gallery space, furthering his quest for direct interface between viewer and White Paintings of the early 1950s, a pure white surface could be a receptor for the movements of light and shadow in the gallery space, furthering his quest for direct interface between viewer and white surface could be a receptor for the movements of light and shadow in the gallery space, furthering his quest for direct interface between viewer and work.

Framed gelatin silver prints of Frazier, her mother, grandmother, grandfather, and family friends, taken in Braddock at various points between 2002 and 2011, line the two white walls of the installation space along with carefully selected cityscapes.

Together in the space, the works become their own poem, made of objects, with blank white spaces becoming the pauses between words.

This free artist's talk is part of our Spring Exhibition Opening Celebration for Gray Matters, a multifaceted survey of 37 contemporary women artists working in the surprisingly vibrant space between — and including — black and white.

When Pam Cooper creates a floating house of paper and pins, when Caroline Burton mimes a Jasper Johns white target in bubble wrap, or when Alison Weld pairs a thick abstraction with fake fur, finding a protective separation between male and female spaces grows a little more difficult.

And finally, in the show's namesake, «The Velocity of Change» (2015), which appears directly on the right wall as one enters the gallery, the intervals of white space between the clearly defined, occasionally fractured sets of colored wedges simultaneously pause and accentuate the rhythmic momentum within the mural.

Others have the concentric rectangles of still earlier Stella, in black or white, with the same care to leave space between them so that its brushwork stands apart.

Between 1963 and his death in 1996, Flavin worked almost exclusively in this unique medium, indefatigably pursuing what he called «acts of electric light defining space» (D. Flavin, «in day light or cool white, an autobiographical sketch», Artforum, no. 4, December 1965, p. 24).

Close to Lambeth Bridge, Newport Street's sleek, White Cube style space stands midway between the galleries founded by Hirst's dealer Jay Jopling in Bermondset in 2011 and his former patron Charles Saatchi in Chelsea in 2008.

This evening seeks not only to draw out parallels and overlaps between the spaces of performance in the visual and performing arts — the somewhat outdated concepts of the white cube and the black box — but also to question the increasing role of performance art in museums today and how architecture frames and determines it.

First, the 8.7cm - wide stripes, alternating between white and coloured, need a little explanation: for Buren, these are «visual tools» that «permit you to behold something else i.e. to see something beyond the stripe itself, in much the same way that an outline primarily functions to suggest internal space.

Berlin - based Austrian artist Gerwald Rockenschaub's unique take on minimalism has resulted in a complex sculptural oeuvre that challenges the so - called white cube and calls the relationship between the artwork, viewer, and exhibition space into question.

Uniformly positioned in a perfect grid across the expanse of white canvas, the spaces between spots is equal to the width of the spots.

Later series of Tanktotems and Sentinels, as well as Smith's white sculpture, continue the concern for a confrontation in space between the artist's persona, the work, and the viewer.

Using white string, birch, cotton fabric and the spaces in between things, Ruszel creates delicately balanced moments that evoke, indirectly, suspension bridges and broad roadways.

The film itself follows three characters --» Girl,» «WB» (whiteboy), and «Mrs. Queen Esther Bernetta White» — each existing in separate spaces, alternating between public and private moments of action.

The exhibition which will feature both works on loan and for sale — is a collaboration between Sotheby's Modern & Post-War British Art department and the legendary Sixties dealer Kasmin, whose gallery at 118 New Bond Street (just up the road from Sotheby's) was the first «white cube» space in London and the scene of many ground - breaking shows, including Hockney's first major solo exhibition at the end of 1963.

In this case, the marks made create an optical jitter almost like the Moire effect where movement is perceived in between the static spaces of black and white of markIn this case, the marks made create an optical jitter almost like the Moire effect where movement is perceived in between the static spaces of black and white of markin between the static spaces of black and white of marks.

The regained breath of space allows taking in with one glance each of the gallery walls, where works are knowingly grouped so to highlight, respectively, the heterogeneous material supports Ryman used, the attention he gave to the joints between the painting and its backdrop, the manifold modes of paint application, and the muted nuances coming across layers of his signature white paint.

Group Exhibitions 2018 Official Selection, Garden State Film Festival, Asbury Park, NJ 2017 Worm's Work, curated by Mild Climate, The Finishing School, Athens GA Unloaded, Marcia Wood Gallery, Atlanta GA Official Selection, 5th Annual Short Shorts, White Space Atlanta GA Official Selection, Best Shorts Competition (Award of Recognition), La Jolla, CA Official Selection, The World's Independent Film Festival, San Francisco, CA 2016 Acts of Sedition: A Group Exhibition, White Box, NYC, NY Transitions: States of Being, Zuckerman Museum of Art, Kennesaw GA Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA 2015 Drawing Experiment, Chastain Gallery, Atlanta GA Birdwatching, Gallery Walk at Terminus, Atlanta GA 2014 Exquisite Exhibit, curated by Joey Orr, Atlanta Contemporary Art Center, Atlanta GA Score: Artists in Overtime, MOCA GA, Atlanta GA 2013 Ant Linkage, Welch Gallery, Georgia State University, Atlanta GA Drawing Inside the Perimeter, High Museum of Art, Atlanta GA 2012 Paper Moon, Clayton Gallery, Kennesaw State University Museum and Galleries, Kennesaw GA Soltem Os Bichos, Atlelie397, Sao Paulo, SP, Brazil 2011 Watching Hands: Artists Respond to Staying Healthy, David J. Spencer Museum at the CDC, Atlanta GA Something Along The Lines of Rock «N» Roll, Solomon Projects, Atlanta GA New Media from the Permanent Collection, MOCA GA, Atlanta GA 2010 Hand to Hand, AthICA, Athens GA Limitless, Agnes Scott College, Dalton Gallery, Decatur GA Everything and the Space between Everything, Agnus Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Chaffee Art Center, Rutledge VT 2009 More Mergers and Acquisitions, Atlanta Contemporary Art Center, Atlanta GA Accessing the Artist's Brain: Drawing as Metaphor, AVA Gallery, Chattanooga TN Three Small Deaths (film screening), DiverseWorks, Houston TX Everything and the Space between Everything, Jackson - Hartsfeild Airport, Atrium Gallery Atlanta and Agnes Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Western Kentucky University Gallery, Bowling Green KY 2008 The World's Smallest Art Fair, Anna Kustera Gallery, NYC NY Hand to Hand, Spruill Gallery, Atlanta, GA 2007 Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA Tablet: Contemporary Southern Painting, Tanner Hill Gallery, Chattanooga TN Tenth Annual Arizona State University Art Museum Short Film and Video Festival, ASU Museum of Art, Tempe, AZ Exile From The Land Of Reason, Eyedrum, Atlanta GA The Petrified Man, Welch School of Art and Design Art Gallery, Georgia State University, Atlanta GA 2006 Flamingo Sculpture Garden, Scope Art Fair, Miami FL Run For Your Lives, DiverseWorks, Houston TX Hand to Hand, Ruby Green Gallery, Nashville TN 2005 Toy, Fe Gallery, Pittsburgh PA SouthXeast: Contemporary Southeastern Art, University Galleries, Florida Atlantic University, Boca Raton FL Gas, Food, Lodging: Imagining Escape, Welch School of Art and Design Art Gallery, Ga..

The fragile Nadelman sat on an enormous pedestal in the middle of the room; the Oldenburg — the lone Pop work in the space — crowded out the best painting in the gallery, Jackson Pollock's pre-drip The Blue Unconscious (1946), on loan from a private collection; and the bright yellow hard - edge Stella, a significant recent acquisition, was inexplicably sandwiched between two black - and - white Franz Kline paintings, interrupting a potentially interesting conversation.