Sentences with phrase «white space without»

The artwork adds colour to the all - white space without being overly dominant.

Adjusting the leading with space between demo lines) is version clever way to add white space without eating up too much real estate.

When making woodcuts it is crucial to keep white space without sacrificing detail, which is not easy to do.

Not exact matches

From one end of the country to the other, from play spaces to water slides to museums, momstown makes it easy to find fun this winter, without having to wade through the white stuff

In October, a report by a White House panel headed by former Lockheed Martin CEO Norman Augustine said NASA would be unable to support meaningful human space exploration without at least $ 3 billion more per year.

The eye make up can be amped up with shimmer particles and this can be done in a number of ways — use metallic eyeliner at the base of the lash or press shimmer powder across the entire eye make up (without smudging the existing work), or, my personal favourite — in the negative space between the latte shadow and the underlay gently blend in metallic shimmer eyeshadow that matches the jewellery you are wearing with your dress — gold with gold, silver with silver and white with platinum.

Decorative touches — like green soapstone counters and tole fronts on the upper cabinets — add color and style to the white kitchen without taking up space.

Today's spaces show how beautiful non-white kitchens can be, and that it is possible to create a clean fresh look in the kitchen without white cabinetry.

Difficult only because after much prepping from my Nail Stylist — Wing — from 10/10 Space, I finally moved away from the classic white tipped French into looks that added a little more personality to my fingertips without straying from my natural inclination towards the classic.

2007 Weather Report, Centro Atlantico de Arte Morderno, Las Palmas de Gran Canaria Absent Without Leave, Victoria Miro Gallery, London, UK Unholy Truths, Initial Access, Frank Cohen Collection, Manchester, UK Effigies, Stuart Shave / Modern Art, London, UK Fractured Figure, Curated by Jeffrey Deitch, Deste Foundation, Athens, Greece Beyond the Zero, Peres Projects, Athens, Greece Destroy Athens, The First Athens Biennale, Athens, Greece Get Lost: Artists Map Downtown New York, The New Museum, New York, NY How Much Longer, Belkin Staellite, Vancouver, B.C., Canada Out of Art, Centrepasquart, Kunsthaus Centre D'art, Biel Bienne, Switzerland Sweet Bird of Youth, Curated by Hedi Slimane, Arndt & Partner, Berlin, Germany Chi Peng's Journey to the West, White Space, in association with Alexander Ochs Gallery, Beijing, China New York — States of Mind, Haus der Kulturen der Welt, Berlin, Germany Terence Koh and AA Bronson, Galerie Fredric Giroux, Paris, France Between Two Deaths, Zentrum Für Kunst and Medietechnologie, Karlsruhe, Germany Time Difference, Initial Access, Frank Cohen Collection, Wolverhampton, UK Body Politix, Witte De with Center for Contemporary Art, Rotterdam, Netherlands

Fontana and Yves Klein had worked closely with Günther Uecker, Piero Manzoni, Heinz Mack and Otto Piene as part of ZERO, a group dedicated to a direct, tabula rasa exploration of light and space without representation or illusion, in which the purity of white played a crucial role.

Hard edges, playful gestures, spatial conundrums and a masterful, unpredictable use of white paint — sometimes to erase or conceal, sometimes to open and enliven spaces — come together in compositions that call attention to how painting are put together without demystifying their power.

Gazing upon a small image of 87 x 68 mm against the white background, viewers encounter time and space that extends without limit, perhaps also serving as a moment of «rediscovery» for us.

His recent exhibitions as an independent curator (2014 - 16) include: Aerosolar / Space Without Rockets and «Aerocene» by Tomas Saraceno at the Rubin Center, University of Texas at El Paso and White Sands Desert, New Mexico, When the Future was About Fracking, Centrespace at Dundee Contemporary Arts, and Exoplanet Lot, Maison Des Arts Georges Pompidou, France and sites thoughout the Lot Valley, SW France.

Black & White Project Space is a 501c (3) not - for - profit art space dedicated to providing artists the freedom to experiment with new ideas and mediums without commercial pressSpace is a 501c (3) not - for - profit art space dedicated to providing artists the freedom to experiment with new ideas and mediums without commercial pressspace dedicated to providing artists the freedom to experiment with new ideas and mediums without commercial pressures.

Black & White Project Space is a 501c (3) not - for - profit exhibition space dedicated to providing artists the freedom to experiment with new ideas and mediums without commercial pressSpace is a 501c (3) not - for - profit exhibition space dedicated to providing artists the freedom to experiment with new ideas and mediums without commercial pressspace dedicated to providing artists the freedom to experiment with new ideas and mediums without commercial pressures.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

The strangest feeling, as I remember it, was to locate the white shapes locked safely into the colour grid, but to see them also as free and ready to enter our space, our world... The conundrum of these masterpieces is that they are decorative without being designs, pictorial without being paintings, heart - stopping in their directness, their economy, their inventiveness.»

Oorebeek endeavors in his curatorial exercise to allow the participant to (or not to) engage with the art in a potentially open structure without being separated by (white) space that isolates the works from each other.

Additionally, along with gallery space L21 initiated a mini project: «The Window» — a street facing white cube that invited 24/7, day and night viewing uninterruptedly, even from the exterior, without the necessity to enter the gallery and just by strolling down Doctor Fourquet Street.

The buoyant impact of Calder's creatures has spread far and wide, in the likes of Chris Burden, Mark di Suvero, George Rickey, Pae White, Tim Hawkinson, Niki de Saint Phalle, Nick Cave, Andy Goldsworthy, Olafur Eliasson, Dale Chihuly, and others — where would contemporary art be without his discovery that animation was an essential expansion of Cubist collage, Futurism's frozen dynamism, and the Constructivist expansion into space?

Wider White Space Exhibition Series: — Warmest Kirsty and Emma / Featuring APFEL — Walker Without Walker / Featuring The Walker Art Center — Meta Data / Featuring Project Projects — The Making of... / Featuring Experimental Jetset

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and MarfWithout Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfwithout a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

Tomás Saraceno Aerocene, launches at White Sands Missile Range (NM, United States), 2015 The launches in White Sands Missile Range and the symposium «Space without Rockets», initiated by Tomás Saraceno, were organized together with the curators Rob La Frenais and Kerry Doyle for the exhibition «Territory of the Imagination» at the Rubin Center for the Visual Arts.

My work is about fragility (porcelain), sensitivities (cut paper), and the magic of paint shining through space, placed on a white background, almost without weight, seemingly bodiless - just like life.

Still reeling from the epic scale of the I outside, the thing that hits you inside is the massive gallery space and how Wallinger's installations enliven its surfaces without otherwise effecting its cavernous, white volume.

Instead of a lofted option, Ana White of Spruc'd came up with an affordable solution to create more space without sacrificing comfortability.

But Butterick is right that hyphenation reduces the awkward white space and breaks that can appear in fully justified text without hyphenation.

Too much information on the page, in a tiny font size, and without enough white space, sacrifices readability and can dissuade readers from paying any attention to the content.

If your letter is short, you can make the margins larger, so the letter looks balanced on the page without too much white space.

White space allows the eyes to focus on the critical information without getting overwhelmed.

Stay away from fancy, scripted fonts and make sure that your cover letter has enough white space so that the employer can easily navigate it without squinting his or her eyes.

White space can make a resume look elegant without even trying, so take advantage of your brief work history to make effective use of white space to center and focus your written conWhite space can make a resume look elegant without even trying, so take advantage of your brief work history to make effective use of white space to center and focus your written conwhite space to center and focus your written content.

Without white space, all of the content blends together and nothing stands out.

All you need to do is cut off the bottom three inches of white space on your legal - sized sheet before you fax it out and you will be sure to receive the fax back without all the text being shrunk and illegible.

Against the cool grey and white walls, and neural rug, a collection of warm blue, teal and yellow accents complement the period features of this living space, without overpowering them.

And while there's no doubt about it that white walls in a bright sun - drenched space can feel clean and bright in the summer, there's nothing cozy about it without the light or a lot of texture to warm things up.

To create the clean all - white space she wanted, Jillian had the orange and black granite countertops replaced with white quartz, which offers the look of marble without the maintenance.

A custom white vanity with chrome faucet and sleek hardware creates a contrast against the grey wall tiles while a glass enclosed tub allows the space to feel open without compromising on comfort.

Don't leave her blog without checking out the progress on her beautiful white office space!

At the far end of the family room, blend - into - the - wall white storage cabinets offer function without adding visual weight for a bright, airy space.

Big doses of white keep the space bright and cheery, while the wallpapered walls bring in the perfect amount of pattern without being overwhelming.

Light and lovely, the fresh black - on - white patterned wall has a lightness about it that's ideal for a children's room, as it makes a feature, without overpowering the space.

Above the white panels, a fun pink shoe wallpaper gives the space suitably girlie appeal without being overly pink.

When you include white on cabinetry, countertops, walls, and the ceiling, you create a seamless space without edges or boundaries.

Quartz countertops, a tile backsplash, and a modest island — all in shades of white — further freshen the space without requiring reconstruction.

White beaded board balances the wall pattern without overpowering the small space.

I love painting any room in the European style of all one color because — without contrasting trim colors and white ceilings — the space seems more serene and the room appears larger.

Dark hardwood flooring adds beautiful contrast to the predominately white space, while molding from cabinet tops to ceiling gives the illusion of custom cabinetry without the high cost.

I love the pop of color it brings to the space and the grey is a perfect way to lighten the walls without going totally white.