Sentences with phrase «white square wall»

Clad in black and white hexagon floor tiles, this modern black and white bathroom boasts a white washstand contrasted with oil rubbed bronze knobs an da charcoal gray quartz countertop fixed beneath a curved brass vanity mirror mounted on white square wall tiles beneath an oil rubbed bronze and glass sconce fixed beside a window dressed in a white shade.

Not exact matches

The stage backdrop recreates a courtyard with square white posts, green vines, and blue walls evoking the sky.

Aaron's most significant home runs have been marked where they came down — No. 500 by a white square on the Fan - A-Gram electric announcement board, No. 600 by the appropriate numerals painted in white high on the wall down the leftfield foul line and No. 700 by a seat painted red among its baby - blue fellows in the leftfield stands.

Mungall AJ, Palmer SA, Sims SK, Edwards CA, Ashurst JL, Wilming L, Jones MC, Horton R, Hunt SE, Scott CE, Gilbert JG, Clamp ME, Bethel G, Milne S, Ainscough R, Almeida JP, Ambrose KD, Andrews TD, Ashwell RI, Babbage AK, Bagguley CL, Bailey J, Banerjee R, Barker DJ, Barlow KF, Bates K, Beare DM, Beasley H, Beasley O, Bird CP, Blakey S, Bray - Allen S, Brook J, Brown AJ, Brown JY, Burford DC, Burrill W, Burton J, Carder C, Carter NP, Chapman JC, Clark SY, Clark G, Clee CM, Clegg S, Cobley V, Collier RE, Collins JE, Colman LK, Corby NR, Coville GJ, Culley KM, Dhami P, Davies J, Dunn M, Earthrowl ME, Ellington AE, Evans KA, Faulkner L, Francis MD, Frankish A, Frankland J, French L, Garner P, Garnett J, Ghori MJ, Gilby LM, Gillson CJ, Glithero RJ, Grafham DV, Grant M, Gribble S, Griffiths C, Griffiths M, Hall R, Halls KS, Hammond S, Harley JL, Hart EA, Heath PD, Heathcott R, Holmes SJ, Howden PJ, Howe KL, Howell GR, Huckle E, Humphray SJ, Humphries MD, Hunt AR, Johnson CM, Joy AA, Kay M, Keenan SJ, Kimberley AM, King A, Laird GK, Langford C, Lawlor S, Leongamornlert DA, Leversha M, Lloyd CR, Lloyd DM, Loveland JE, Lovell J, Martin S, Mashreghi - Mohammadi M, Maslen GL, Matthews L, McCann OT, McLaren SJ, McLay K, McMurray A, Moore MJ, Mullikin JC, Niblett D, Nickerson T, Novik KL, Oliver K, Overton - Larty EK, Parker A, Patel R, Pearce AV, Peck AI, Phillimore B, Phillips S, Plumb RW, Porter KM, Ramsey Y, Ranby SA, Rice CM, Ross MT, Searle SM, Sehra HK, Sheridan E, Skuce CD, Smith S, Smith M, Spraggon L, Squares SL, Steward CA, Sycamore N, Tamlyn - Hall G, Tester J, Theaker AJ, Thomas DW, Thorpe A, Tracey A, Tromans A, Tubby B, Wall M, Wallis JM, West AP, White SS, Whitehead SL, Whittaker H, Wild A, Willey DJ, Wilmer TE, Wood JM, Wray PW, Wyatt JC, Young L, Younger RM, Bentley DR, Coulson A, Durbin R, Hubbard T, Sulston JE, Dunham I, Rogers J and Beck S

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simple ceiling design for bedroom swifts masters bedroom is simple but classic with hardwood flooring small square rug white walls and glass latest pop ceiling design for bedroom.

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A scalloped vanity mirror is mounted on a white wall between nickel sconces fixed above a white washstand completed with a shelf holding vintage metal locker bins, square nickel knobs, and a marble countertop fitted with a sink and polished nickel faucet kit.

A two drawer blue floating washstand is accented with polished nickel square knobs and a white countertop completed with a rectangular undermount sink and a polished nickel faucet kit mounted in front of a white backsplash beneath a round salvaged wood mirror lit by two rope lights hung in front of a gray and white vertical paneled wall.

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Riley Jamison Photography - All white bathroom a white double washstand accented with satin nickel square pulls topped with white quartz fitted with his and her sinks and satin nickel modern faucets placed under nickel framed mirrors illuminated by Barbara Barry Aspect 1 - Light Wall Sconces.

Chic black and white bathroom features black walls framing a seamless glass shower clad in white subway surround tiles holding a square brass shower head and sprayer above marble hex floor tiles.

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Romantic powder room is boasts walls covered in Jocelyn Warner Flora Wallpaper illuminated by glass and brass globe sconces fixed on either side of a round gold vanity mirror mounted above a white onyx washstand countertop finished with a square sink and a sleek gold faucet.

Gorgeous bathroom with white vanity with white carrara marble top and carrara marble subway tile backsplash, blue walls, square pivot mirror flanked by polished nickel sconces, white carrara marble hex tile floor, walk - in shower with marble tile shower surround, marble shower bench and marble hex tile shower floor.

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The villa has more than 2,000 square feet of living space - and feels even larger, thanks to airy white walls and floor - to - ceiling doors to the terrace in the great room.

Inside, the house is breathtakingly spacious, designed on an open floor plan of 2,500 square feet, with 17 - foot ceilings, exposed rafters, white walls and white marble floors.

Encased by square medieval walls, this ancient fortified city is symmetrically perfect, white - washed terracotta topped houses contrast charmingly with the surrounding green countryside, in fact Aigues - Mortes is also famous for its nearby salt marshes.

A walking tour of old Marbella Town reveals the ruins of an old Arab wall and narrow streets full of cute white houses, tiny churches, fountains, statues and quaint squares.

The beautifully appointed rooms are larger than the Superior guest rooms and offer 456 square feet and modern decor, including marble floors, white and orange bedding and fabrics with contemporary yet rich wood furniture, an entryway with a seating area for two, a king size bed, a flat screen television built into the wall, an open Jacuzzi tub with marble and glass walls, and a separate vanity area.

The only one of its kind on the island, our presidential suite on the 3rd floor measures 61 square meters and features glass walls that let you take pleasure in an unobstructed view of the white - sand beach.

Built of white stucco and nestled behind a wall draped with brilliant bougainvillea, the villa offers 2500 square feet of interior -LSB-...]

The general maze design is simple with white squares acting as pathways and black squares acting as walls.

Bits of additional text and design elements adorned sections of the surrounding walls and white bench positioned in front of the square window.

In 2013, Riley claimed that a wall - sized, black - and - white checkerboard work by Tobias Rehberger plagiarised her painting Movement of Squares and asked for it to be removed from display at the Berlin State Library's reading room.

Revisiting manifestations of the black square and tracing its evolution over time to a more layered and frayed entity are a new suite of paintings by Ellen Gallagher riffing off of Kazimir Malevich's Black Square on a White Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the black square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capitsquare and tracing its evolution over time to a more layered and frayed entity are a new suite of paintings by Ellen Gallagher riffing off of Kazimir Malevich's Black Square on a White Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the black square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capitSquare on a White Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the black square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capitsquare, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capitsquare form as a historic reference to capitalism.

The back room has more overtly sculptural or conceptual work, including wall text by Lawrence Weiner, a circular wall incision by William Anastasi, a white square of fluorescent light by Dan Flavin, and a still frailer square of black yarn by Fred Sandback.

Some of the later works by contrast look achingly simple: Accord (1985) is a clean, vertical rectangle of aluminium, bolted to the wall at its four corners, with one part of it, near the top, projecting towards you into a Malevich - like white, oil - painted square.

Often a white wall or fabric serves as one color field among many, as for Jean - Pierre Pincemin beneath his parallel stripes or for Mark Devade below his red squares and chevrons.

Celacanto Provoca Maremoto is a mural covering four walls, made up of 184 painted canvas panels — white - and - blue squares that recreate original tiles the artist photographed, depicting parts of angels, wings, and other decorative motifs, as well as the texture of cracked tiles.

Also included is a work from 1969 in which lengths of braided stainless steel wire form a horizontal sequence of five subtly - reflective squares, mounted flat against the wall; and Untitled (Eight - part Vertical Construction), 1992, a composition of black, gray, white, and red lengths of yarn stretched vertically between floor and ceiling in perpendicular and parallel configurations that relate to the surrounding walls of the gallery.

For her first solo exhibition in L.A., Cameron - Weir expands the scale of her dystopian sculptures, which fill the sprawling 14,500 - square - foot space with a curved adobe wall affixed with neons, a hydrotherapy tub brimming with white sand, and other works that eerily blend the natural and the artificial.

The black and white photograph shows twenty - one square and rectangular paintings of varying size, hanging on adjacent walls.

Sol LeWitt cleanly tears a piece of white paper into stark geometric sections in R115, 1973, generating an elegant composition with a simple gesture, while Robert Ryman defamiliarizes the monochrome in Untitled, 1967, a white - painted canvas square affixed directly to the white wall with masking tape.

For his Innenprojektionen black - and - white photographs, he started using empty slide projections, creating empty squares of light, projected on a wall or in a darkened, closed - off room.

He used that method for inspiration when creating early abstract works such as «Colors for a Large Wall» and the series titled «Spectrum Colors Arranged by Chance» (both 1951), checkerboards of colour, black, and white squares assembled in a random order.

Wheeler's RM 669 (1969) comprises curved white walls encased by a floor and ceiling that seem to recede with every step one takes toward the square of light positioned on the far wall, rendering viewers unable to fix their eyes on any surface.

Illuminating in the main gallery was the juxtaposition of Fernandez's white square reflecting floor sculpture against Morris's steely gray but gently circular wall piece, titled Observatory (1972).

Patrick Caulfield, who lives in an exclusive square in north London, has a bare, white - walled studio on the second floor.

Sometimes her quiet stripes, zips, squares - within - squares and monochromes are paintings; sometimes they are paintings of paintings, their white grounds suddenly reading as gallery walls.

Everett's recent performances include Disappearance of Tal Ben - Yaccov, Times Square Gallery, Hunter College, New York (2010) and On The Wall, ArtBasel 09, Basel (2009), and solo exhibitions of his work have been presented at Altman Siegel Gallery, San Francisco (2012); Paul Kasmin Gallery, New York, (2011); and White Columns, New York (2009).

The image of the black paintings I have relied on over the years is not an image of any given work but a black - and - white installation shot of the Jewish Museum exhibition of the black paintings in 1966 — identical dark gray squares along the wall, one after another.

Carl Andre, 10 x 10 Altstadt Copper Square, 1967 Carl Andre, Fall, 1968 Robert Morris, Untitled (Corner Piece), 1964 Robert Morris, Untitled (Pink Felt), 1970 Donald Judd, Untitled, 1968 Donald Judd, Untitled, 1969 Bruce Nauman, Lighted Performance Box, 1969 Bruce Nauman, Green Light Corridor, 1970 Robert Ryman, Classico IV, 1968 Robert Ryman, Surface Veil I, 1970 Robert Ryman, Surface Veil II, c. 1970 Richard Serra, Belts, 1966 — 67 Richard Serra, Strike: To Roberta and Rudy, 1969 — 71 James Turrell, Afrum I (White), 1967 James Turrell, Lunette, Varese, 1974 James Turrell, Night Passage, 1987 Dan Flavin, greens crossing greens, 1966 Sol LeWitt, Wall Drawing # 146, 1972 Robert Mangold, Circle In and Out of a Polygon 2, 1973 Brice Marden, D'après la Marquise de la Solana, 1969

But as arresting as it is, the drop - everything, must - see painting in the show is «Off White Square,» an astoundingly beautiful work that, at 79 3/4 inches tall and 255 1/2 inches wide, commands an entire wall and everything else around it.

White Walls Gallery is proud to present Space / / Squared, a group exhibition centered around notions of the architectural landscape.

While large square tiles, light brown in colour goes well with the floor, you can use small white tiles for the walls.

If I were you, I would tear out and replace the mirror / vanity / wall divider with a prettier and more functional vanitiy / mirror combo, upgrade the lighting, have the tub and wall tile re-glazed in white, and then replace the floor tile with a smaller hex or honeycomb tile in white to break up all the squares.

To make this Nantucket cottage's small footprint (1,000 square feet) feel larger and the ceilings seem higher, designer Stephen Theroux brightened the walls, ceiling beams, and trusses with linen - white paint.