Sentences with phrase «white tree last»

I did a mostly white tree last year.

:) I got the white trees last year at World Market, but I just checked and sadly it looks like they're out of stock online now (http://www.worldmarket.com/product/white+glitter+trees.do).

Not exact matches

The last time we put a president in the White House, and he supposedly heard God speak to him, we got attacked by terrorists, we got floods, we got into two trillion dollar wars, the bottom of our economy fell, jobs left our country in droves, and started handing out taxpayers money to banks and businesses like they were growing on trees.

But last week at Rose Tree an early threat of rain soon dissipated, and the sun broke through on green brush and timber fences flagged in red and white.

The giant ivory - billed woodpecker, which could peel a tree like a banana with its bone - white bill, once haunted the old - growth bottomlands of the American South but was last spotted in Cuba in 1987.

I Filled it with white books and a beachy Christmas items such as my Star Fish Tree I created last year.

Last year I had white pointsettieas on my tree (which will be used on one more tree I'll be sharing next week in my bedroom) so I needed to replace them with something and these fit the bill perfectly (similar here).

Call me a fashion victim but I can't wear my jackets and coats properly anymore; I constantly feel the need to open the shoulders, button it wrong or at least choose the most oversized design possible, all the while feeling glad I kept my still - relevant - last - season white booties, found the tree - that - keeps - on - giving vintage Levi's 501s and recently bought freakish - bargain - find Forever21 handbag..

white floral hair clip - The Dollar Tree, NYC Color Expert Last Lip Color in Forever Fuschia - courtesy of Influenster, Sally Hansen Complete Salon Manicure Nail Polish in Pat on the Black - courtesy of Influenster, Barbie necklace - courtesy of CBT's Closet, SmartHealth Walking FIT pedometer watch - Amazon

I switched up our bedding to all - white, swapped out our throw pillows for some festive new ones, added a few cozy blankets, adorned our bed with some string lights and last but not least, found the perfect mini Christmas tree for my bedside table.

-- Strange Fruit lyrics by Lewis Allen On August 31st of last year, a small group of black freshman at Jena High School approached the assistant principal to ask whether it was okay for them to enjoy the shade under a big tree located in what had come to be considered the «white only» section of the schoolyard.

Jessica Chastain, who made a lasting mark in a dialogue - light turn earlier this summer in Terrence Malick's The Tree of Life, continues to show great promise as well as some comic charm to her talents as a white trash - y housewife / high society outcast.

Finally we came down the last hill and saw Rincon beach before us: 3 miles of flat, sandy, white beach, lines of palm trees, turquoise water, and a chain of dramatic mountains framing it at the far edge.

EUROPEAN and AMERICAN paintings framed by Gill & Lagodich include (in alphabetical order): Milton Avery, Conversation in Studio, 1943; Jules Adolphe Breton, The Song of the Lark, 1884; Elbridge Ayer Burbank, six Native American portraits, Kah - Kap - Tee / Moqui, Wick - Ah - Te - Wah / Moqui, Ko - Pe - Ley / Moqui, Pah - Puh / Moqui, Shu - Pe - La / Moqui, Ho - Mo - Vi / Moqui, 1898; Gustave Caillebotte, Paris Street; Rainy Day, 1877; William Merritt Chase, North River Shad, c. 1910; Thomas Cole, New England Scenery, 1839; Jasper Cropsey, Blasted Tree, c. 1850; Gustave Courbet, Reverie (Portrait of Gabrielle Borreau), 1862; Thomas Doughty, Coming Squall (Nahant Beach with a Summer Shower), 1835; Thomas Eakins, Study for «William Rush Carving His Allegorical Statue of the Schuylkill River», c. 1876 - 77; DeScott Evans, The Irish Question, 1880s, Marsden Hartley, The Last of New England — The Beginning of New Mexico, 1918/19; George Hitchcock, Flower Girl in Holland, c. 1887; Winslow Homer, Peach Blossoms, c. 1878; Edward Hopper, Nighthawks, 1942; George Inness, Crossing The Ford, 1848; George Inness, Summer in the Catskills, 1867, George Inness, The Mill Pond, 1889, George Inness, Early Morning, Tarpon Springs, 1892; George Inness, The Home of the Heron, 1893; George Inness, After A Summer Shower, 1894, Joshua Johnson, Mrs. Andrew Bedford Bankson and Son, Gunning Bedford Bankson, 1803/05; Otis Kaye, Heart of the Matter, 1963; Fernand Leger, Reclining Woman, 1922; Fernand Leger, Still Life, 1926; Edouard Manet, Still - Life with Carp, 1864; Edouard Manet, Bullfight, 1865/66; Julius Gari Melchers, Mother and Child, c. 1906; Jean - Francois Millet, In the Auvergne, 1866/69; Jean - Francois Millet, Bringing Home the Calf; Jean - Francois Millet, The Shepherdess; William Sidney Mount, Bar - Room Scene, 1835; Camille Pissarro, The Place du Havre, Paris, 1893; Severin Roesen, An Abundance of Fruit, 1860; Albert Pinkham Ryder, The Essex Canal, 1896; John Singer Sargent, Venetian Glass Workers, 1880/82; John Singer Sargent, Thistles, 1883/89; John Singer Sargent, The Fountain, Villa Torlonia, Frascati, Italy, 1907; Elihu Vedder, The Fates Gathering in the Stars, 1887; Charles Wilbert White, This, My Brother, 1942; Hale Woodruff, Twilight, 1926; and more...

Late works, like the two diptychs titled Trees, 1990 - 91, are composed of broad, downward strokes and loose, calligraphic knots of jarring color against a white, light - filled ground, conveying a sense of Mitchell's personal struggle as she approached the last year of her life.

His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).

In a new study, a team led by researchers from the tree - ring lab at Columbia University's Lamont - Doherty Earth Observatory has found that white spruce trees on the edge of the tundra in Alaska's far north have thrived in the past 100 years, and especially the last 50, in the face of sharp Arctic warming.

«Unprecedented levels of high temperature in the last decades (Barber, 2004) have led to nonlinear patterns of white spruce tree growth responses to warming at Alaska's treeline and temperature thresholds appear to be operating.

Strikes can last 2 - 3 seconds, hitting white firs that normally don't burn well, boil the pitch in the tree, which then explodes sending flaming goo all over the place.

Last year my sparkly beaches made a nest in my dining room chandeliers,,,, this year they are joking the Christmas tree cuttings in a basin with white lights on my front porch!

It reminds me of a tree done for the White House in recent years, maybe last year?

I sprung last year and purchased an artificial 7 - foot White Christmas tree and decorated it with hot pink, gold, and turquoise ornaments and a white fur tree sWhite Christmas tree and decorated it with hot pink, gold, and turquoise ornaments and a white fur tree swhite fur tree skirt.

I'll probably want the little trees to stay up through the winter, I love the white lights at night (honest confession, we left a white birch tree up ALL YEAR in our bedroom this last year!).

I wanted to create a tree that felt light and airy this year and I was inspired by the Christmas Mantel I created for my house last year and wanted to keep it simple and all white.

Last Thursday I showed you how my dining room was shaping up for the holidays and promised to show you my new white tree.

I love white trees and had several up last year but am doing things as simply as possible this year and have limited myself to only one tree — I have to have a real one so it's the winner.

The living room tree (which is our largest tree) in the front window wears white lights (we tried the LED white lights on it last year... we will NOT do that again!).

The tree is usually done with coloured lights, but last year we did white and green and it looked very simple, but still sparkly.

We just bought a pre-lit tree for the first time last year, and it has all white lights on it..

With the trend of white and flocked trees we have seen a lot more black and white Christmas Decorations the last few years.

I added a pair of antlers I painted white and gold last year, a brass ram I bartered with Sarah for, a thrifted squirrel and tree vase I painted white years ago, feathers, a brass candlestick, and a little white pumpkin.

I Filled it with white books and a beachy Christmas items such as my Star Fish Tree I created last year.

Black and White Plaid Buffalo Check Christmas Tree ~ 2015 Michaels Dream Tree Challenge #michaelsmakers Once November arrives, I get pretty excited thinking about the last 8 weeks of the year.

Last year though, our newest tree was very different, with only white, red and silver for the decorations.