Sentences with phrase «white underbelly»

A robo dwarf hamster is usually grayish - brown with a white underbelly.

When approached, she promptly rolls onto her back and paws the air, revealing a white underbelly.

The recognised colours are fawn and brindle, frequently with a white underbelly and white on the feet.

In addition, they have a white underbelly (chest and abdomen), and lower legs and paws.

The Fusion is Ford's best shot aimed directly at the soft white underbelly of the massive mid-sized sedan segment.

Did you know that it was previously believed that zebras were white animals with black stripes, since some zebras have white underbellies?

Not exact matches

As the boat drifted over 1000 - metre deep waters, the group was greeted by an incessant stream of Humboldt squid darting toward the boat and flashing their underbellies red and white.

Yet he finds himself thrust into the underbelly of white crime when a strange assignment falls into his lap: find Daphne Monet, a missing white woman with black «predilections» and suspicious ties to a prominent politician.

At last the boy lunged, unsheathing his knife, and a white crack exploded inside his head, and dreaming or dying he felt his blade plunge into the liquid underbelly of all that might have happened.

As the dog ages it is not unusual for it to lighten in color becoming almost white around the eyes and muzzle as well as the feet and underbelly.

Airedale ears, legs, head, and underbelly are tan while the back and upper sides are either black or black mixed with gray and white.

The Border Collie has a long fluffy coat that is predominantly black with white marking on the muzzle, neck, chest, and underbelly.

Most Airedales Terriers have a specific coat combination: the majority of the dog is tan (ears, legs, head, underbelly, and occasionally the shoulders) and the back and upper sides are either black or grizzled (black mixed with gray and white).

They can be seen at cleaning stations and sometimes have a white patch on their underbellies.

In his first New York City exhibition in 2009, titled The TV Show, PEET organized the concept around characters he coined «The Luxury Leaders» and «The Resistants» — symbolic metaphors for white - collar corporate America versus the anti-materialist, subcultural underbelly.3 Considering these fragmented story lines of rebellion and subversion, alongside the fact that the artist is sometimes positioned somewhere nearby covertly broadcasting an element of live feed into the gallery space, somehow it doesn't seem a stretch to imagine a grinning PEET tucked away in a dingy basement making human lard soap, à la Brad Pitt's nihilistic Tyler Durden from the 1999 film Fight Club.