Sentences with phrase «white version of this film»

Bonus features include: - Logan Noir: a black - and - white version of the film - Audio commentary by director James Mangold - Deleted scenes with optional audio commentary by Mangold - Making Logan — behind - the - scenes documentary

Included with every release is LOGAN NOIR, director James Mangold's «fully regraded» black and white version of the film.

You can read Mangold's comments on the deleted scenes here, while he also confirmed the Blu - ray release will feature a black & white version of the film.

In addition to nearly 90 minutes of original content, including deleted scenes and a behind - the - scenes documentary, the Blu - ray ™ will also include Logan Noir, a black and white version of the film that gives the acclaimed story an all - new look.

Not exact matches

It comes right out of Disney's film productions, a place where we meet animated «real - life» versions of goodness personified (Snow White, the third Little Pig, Dumbo, Pollyanna) and the essence of evil (the Wicked Queen, the Big Bad Wolf)-- and thus learn to divide the world into good and evil, watching goodness triumph with a smile and a song.

Following his acclaimed role in American Beauty, Bentley appeared in The White River Kid, in which he played the film's titular murderer.In the wake of American Beauty, Bentley starred in Michael Winterbottom's The Claim, as well as yet another version of the classic adventure tale The Four Feathers.

He occasionally tries to bolster its sense of danger with montages of white - supremacist movements and imagery that plays like cheap tricks, this film's version of a jump scare.

Unfortunately, this poor - man's version of The Usual Suspects is so convoluted and poorly scripted that this flawed film noir's only compelling theme is the recurring question of whether its femme fatale is black or white.

Along with a lot of potty - mouthed ass - kicking action, the film features a collection of urban white kids engaged in their own version of public service.

In «Tangerine,» a film that takes place in the L.A. version of this milieu, director Sean Baker (also white, it should be noted) gave his main characters lots of space and time to speak for themselves.

Pastor Paul (2015 — Nigeria) When a white tourist travels to West Africa, gets cast in a micro-budget version of «Hamlet», and is possessed by a ghost, anything can and does happen in this film that multi-hyphenate director - writer - actor Jules David Bartkowski calls «the world's first American Nollywood film.»

Also in this collector's set we get both the color version of the film along with the original black - and - white format.

The Blu - ray's menu moves around the cover image and two more suggestive publicity photos while playing Kitty White's night club version of «Rather Have the Blues», an original tune Nat King Cole sings over the radio in the film's opening sequence.

A one night only screening event of the black and white version of the landmark film, beamed to 26 theaters!

Henry Street Settlement Presents «Sidewalk Stories» (April 5) Catch the harrowing black - and - white silent film as it retells a more contemporary version of Charlie Chaplin's «The Kid.»

«Welcome to Sherwood: The Story of The Adventures of Robin Hood» is an excellent making - of documentary that literally covers everything, using rare film clips from early Robin Hood versions, and fascinating outtake and 16 mm color / black & white behind - the - scenes footage (archived separately as well, with good commentary from Behlmer).

Samantha is, to some extent, the best possible version of the decent, liberal but unavoidably white, middle - class woman, and a patient, inspirational teacher too — but it is Jasmine who, by being so completely herself, makes the film's most important point: No matter how good your intentions, «rescue» is not ever really yours to give.

There have been several TV versions of his plays (A Cheery Soul, 1966; Big Toys, 1980; The Ham Funeral, 1990); Jim Sharman made a moderately interesting film of the novella, The Night the Prowler (1978), for which White wrote his own screenplay; and there was talk of a film version of Voss, to be directed by Joseph Losey from a screenplay by David Mercer, that never came to anything.

The film's racially diverse cast, a distinct departure from the white - dominated 1960 version directed by John Sturges, has garnered a great deal of attention, with some accusing...

Whatever one has to say about the idea that they kind of want real fans to own two versions of the same film just to have all the special features, «Snow White» is still a timeless classic.

If you prefer to watch the colorized version of a black - and - white movie you are a fucking retard and it's because of you that Fox spent the funds that could have gone into properly restoring the film on this lousy dye job.

THE DVD Fox's two - platter, 2006 DVD release of Miracle on 34th Street presents the film colorized on Disc 1, relegating the original black - and - white version to the second disc along with the extras.

The action in «Wild Card» is markedly more adept, thanks to the work of Hong Kong choreographer Cory Yuen, who put Statham through his paces on the «Transporter» films and who has a grand old time here staging an epic casino brawl scored to the Drifters» cover version of «White Christmas.»

Walt Disney's version of Snow White and the Seven Dwarfs, based on a Grimm's fairytale, was released in 1937 as the first full - length animated feature film to come out in the United States.

That the film includes some star - studded voice talent for this American version (the film will be translated for a variety of territories), including Nick Offerman, Rashida Jones, Paul Giamatti, and Eddie Spears, is a nice touch, but even their contributions are overshadowed by the lush animation and memorable moments that make «White Fang» such a standout.

Featuring both an original copy of the black and white film and a colorized version, the disc also offers audio tracks in English (Dolby Digital Mono) and French, with subtitles in French and Spanish.

«I don't smoke,» she tells the reporter, between drags on her cigarette, and the film contrasts the behind - closed - doors Jackie with the all - smiles version who appears in a reenacted 1962 documentary, leading the first televised tour of the White House.

This box set version also contains, within its plush exterior, a set of eight limited edition card prints, an exclusive Senitype still with 35 mm film frame, a collection of six black - and - white screen - captures, and a 27» x40» theatrical poster.

Disc one features the full feature in three versions: the U.S. release, the U.K. release (which includes a slightly expanded finale), and an easter egg which presents the film as originally intended in O'Brien and Sharman's original script — in an homage to The Wizard of Oz, the film was to be in black - and - white until «The Time Warp,» at which point the film becomes color.

Given that films are text types in their own right, directors can often be seen as adding or discarding scenes and lines or incorporating their own devices into their films, such as Zeffirelli's use of music in his 1968 version of Romeo and Juliet or Brannagh's use of black and white as symbolism in his 1995 version of Othello (such as with Othello's mask in the beginning, and the chess pieces during Iago's soliloquy at the end of Act 1, Scene 3).

The 505 keeps the 6» E Ink display of the original Reader, but uses an improved version of E Ink Vizplex imaging film with faster refresh time, brighter white state, and 8 - level grayscale.

GROSS: So there's a scene in the first «Beethoven» film, which you both worked on that - you and your father, that's the kind of family - friendly comedy version of a scene in «White God,» the Hungarian drama.

Now, back when the Iron Man 3 movie came out, there were toy versions of a «Deep Space Suit» version of Iron Man released (which is a black and white version), but that version was not prominently present in the film.

«LOOKING BACK» - SPECIAL CLOSING EVENT / SCREENING AT ANTHOLOGY FILM ARCHIVES A special one - night screening as a part of the exhibition «Looking Back - the 4th White Columns Annual», curated by Primary Information PAUL SHARITS SHUTTER INTERFACE (1975, 32 minutes, double 16 mm, color, sound) This 2 - projector version of the 4 - projector «locational» installation reorganizes the four reels into an equally engaging work meant for theatrical screening.

A version of his cinematic portrait of Zidane — a black and white film in which the camera follows just the footballer in the space of a 90 - minute game and which was shown to great acclaim at the Cannes Film Festival — has also been bought by Scottish National Gallery of Modern Art.