Sentences with phrase «white video image»

The result is akin to a highly detailed black & white video image.

BILL VIOLA The Sleepers 1992 Seven channels of black - and - white video images on seven small monitors, each sumerged on the bottom of a 55 - gallon white metal barrel filled with water; large dark room Room dimensions: 12 x 20 x 25 ft (3.7 x 6.1 x 7.6 m) Continuously running Edition 2 of 2

Not exact matches

In addition to interviewing leading legal scholars and activists, like Angela Davis, DuVernay said she reviewed about 1,000 hours of archival footage, including of images of lynchings, cellphone videos of police abuse, and The Birth of a Nation, the 1915 D.W. Griffith film that glorified the Ku Klux Klan (and was screened at the White House for President Woodrow Wilson).

Several very graphic images and videos have been posted on social media showing dozens of dead civilians with white foam coming out of their noses and mouths.

The images abound in stock video footage accompanying stories on evangelicals, the religious right, megachurches and the culture wars — the obligatory shots of middle - class worshipers, usually white, in corporate - looking auditoriums or sanctuaries, swaying to the electrified music of «praise bands,» their eyes closed, their enraptured faces tilted heavenward, a hand (or hands) raised to the sky.

The images abound in stock video footage accompanying stories on evangelicals, the religious right, megachurches and the culture wars — the obligatory shots of middle - class worshipers, usually white, in corporate - looking auditoriums or sanctuaries, swaying to the electrified music of «praise bands,» their eyes closed, their enraptured faces tilted heavenward, a hand (or hands) raised to...

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Although blurry and pixelated, the video images reveal five diagnostic features of the ivory - billed woodpecker, including its size (as determined based on the known trunk diameter of the tree on which the bird was perched), the distinctive black - and - white markings on its wings and the white plumage on its back.

The AI detects the basic shape of a horse in the first video and can play with the aesthetic on top of that image, immediately and seamlessly swapping a shiny brown coat of hair for one with black - and - white stripes while the image is moving.

The image was so powerful (white cops beating up a black man) and the medium so new (camcorders were still a relative novelty) that the video shot around the world overnight, leading to massive feedback: urban rioting in a dozen American cities.

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Complete List of NAACP Image Award Winners Film Categories Best Picture - «The Secret Life of Bees» Best Director - Gina Prince - Bythewood, «The Secret Life of Bees» Best Actor - Will Smith, «Seven Pounds» Best Actress - Rosario Dawson, «Seven Pounds Supporting Actor - Columbus Short, «Cadillac Records» Supporting Actress - Taraji P. Henson, «The Curious Case of Benjamin Button» Independent Film - «Slumdog Millionaire» Documentary - «The Black List» Foreign Film - «The Class» Best Screenplay - Jenny Lumet, «Rachel Getting Married» Television Categories Best Comedy Series - «Tyler Perry's House of Payne» Best Actor in a Comedy Series - LaVan Davis, «Tyler Perry's House of Payne» Best Actress in a Comedy Series - Tracee Ellis Ross, «Girlfriends» Supporting Actor in a Comedy Series - Lance Gross, «Tyler Perry's House of Payne» Supporting Actress in a Comedy Series - Keshia Knight Pulliam, «Tyler Perry's House of Payne» Best Dramatic Series - «Grey's Anatomy» Best Actor in a Dramatic Series - Hill Harper, «CSI: NY» Best Actress in a Dramatic Series - Chandra Wilson, «Grey's Anatomy» Supporting Actor in a Dramatic Series - Taye Diggs, «Private Practice» Supporting Actress in a Dramatic Series - Angela Bassett, «ER» Made - for - TV Movie, Miniseries or Dramatic Special - «A Raisin in The Sun» Best Actor in a Made - for - TV Movie, Miniseries or Dramatic Special - Sean Combs, «A Raisin in the Sun» Best Actress in a Made - for - TV Movie, Miniseries or Dramatic Special - Phylicia Rashad, «A Raisin in the Sun» Best Actor in a Sopa Opera - Bryton McClure, «The Young and the Restless» Best Actress in a Sopa Opera - Debbi Morgan, «All My Children» Best Director in a Dramatic Series - Ernest Dickerson, «Lincoln Heights - The Day Before Tomorrow» Best Director in a Comedy Series - Kevin Sullivan, «30 Rock - MILF Island» Best Screenplay for a Dramatic Series - Shonda Rhimes, «Grey's Anatomy: Freedom Part 1 & 2» Best Screenplay for a Comedy Series - Erica D. Montolfo, «The Game: White Coats and White Lies» News / Information Series or Special - «In Conversation: Michelle Obama Interview» Talk Series - «The View» Reality Series - «American Idol 7» Variety Series or Special - «An Evening of Stars: Tribute to Smokey Robinson» Children's Program - «Dora The Explorer» Best Performance in a Children's Series or Special - Keke Palmer, «True Jackson» Music Categories Best Male Artist - Jamie Foxx Best Female Artist - Beyonce» Best New Artist - Jennifer Hudson Best Duo, Group or Collaboration - Jennifer Hudson, featuring Fantasia - «I'm His Only Woman» Best Jazz Artist - Natalie Cole - «Still Unforgettable» Best Gospel Artist - Mary Mary Best World Music Album - Cheryl Keyes - «Let Me Take You There» Best Music Video - «Yes We Can» - Will.i.am Best Song - «Yes We Can» - Will.i.am Best Album - Jennifer Hudson - «Jennifer Hudson» Literary Categories Fiction - «In the Night of the Heat: A Tennyson Hardwick Novel,» Blair Underwood, Tananarive Due, Steven Barnes Nonfiction - «Letter to My Daughter,» Maya Angelou Debut Author - «Barack, Race, and the Media: Drawing My Own Conclusion,» David Glenn Brown Biography / Autobiography - «The Legs are the Last to Go,» Diahann Carroll Instructional - «32 Ways to Be a Champion in Business,» Earvin «Magic» Johnson Poetry - «Hip Hop Speaks to Children: A Celebration of «Poetry With a Beat»» Nikki Giovanni Children - «Barack Obama: Son of Promise, Child of Hope,» Nikki Grimes (illustrator - Bryan Collier) Youth / Teens - «Letters to a Young Sister: Define Your Destiny,» Hill Harper

-LSB-...] to check these out): Exploring the Khan Academy's use of Learning Data and Learning Analytics Create Digital Learning Content By Easily Combining Parts of One or More Videos with Images, Text, a... 6 Free Online Collaborative Interactive White Boards — 2012 -LSB-...]

Contrary to the teaser video released sometime ago in which the GT500 was finished in red, the teaser image brings back the signature Shelby blue paint job with dual white racing stripes.

The video goes on to explain the science behind E Ink displays, how tiny ink microcapsules placed between two electrodes rearrange charged white and black pigment chips suspended in clear fluid to form the text or images we see materialize on the display.

Turning Photos to Black and White Outlines for Coloring Books This video isn't perfect but gives you a pretty good idea of how to turn a photo into an outline image for a coloring book, https://photoshop-tutorials.wonderhowto.com/how-to/convert-photo-into-line-art-drawing-photoshop-160046/

The Adaptive Display screen mode provides real - time adaptive processing to dynamically adjust images and videos — for some applications it will vary the White Point, Color Gamut, and Color Saturation based on the image content and the color of the surrounding ambient lighting measured by the Ambient Light Sensor (which measures color in addition to brightness).

But if you use iTunes to add a cover to your EPUB, as described in this video by Terry White, and then upload that EPUB to iTunes Producer, that EPUB will not validate and thus will not be accepted into the iBookstore, because the cover image is not properly contained in the OPF file.

Animal League content, includes without limitation and for example but not limited to, research materials, photographs, illustrations, text, graphics, logos, icons, images, content, sound and video recordings, tutorials, white papers, audio / visual clips and designs («Materials»).

You can rotate the Pokemon image a full 360 degrees, zoom in and out, andPokedex 3D is a free application that lets you collect data on more than 150 Pokemon from the Pokemon Black Version and Pokemon White Version video games!

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenImages (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenimages of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

Her photographs, videos, sculptures, and installations feature images familiar to the north Florida and Tennessee landscapes that are home to her family: boiling swamps and tall pines, vespid wasps and green anoles, wild horses and white clapboard houses.

Hương Ngô, The Voice is an Archive, 2016, single - channel digital video, black - and - white, sound, 6 min., dimensions variable, edition 1 of 5 (artwork © Hương Ngô, image provided by Hương Ngô) Purchased with funds from the Contemporary Associates.

Yang Fudong: Tonight Moon, 2000; installation view; multi-channel video installation (1 projected image, 24 LCD screen = s, 6 monitors), color and black and white, sound; 10 min; collection Museum of Contemporary Art Antwerp (M HKA), Antwerp, Belgium, and Collection Eric X. Li (AB (1990) and Mrs. Li, Shanghai.

Image Credits: Untitled, 2010, Silkscreened acrylic on dye - printed linen with vinyl ribbon, 78 x 51 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; A Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108 min.

Recently on view at the start of the Venice Biennale at Spazio Tana White, de Neige's project consists of an AI arrangement of projected videos, images, and sounds that are ultimately out of the duo's control once installed.

These works have been read as visual metaphors of Vietnam - era war images broadcast on television, and references early experimental video practices of the 1970s, with its dynamic black and white horizontal lines and ghosted movement.

In the biennale video below, she went on to talk about one of the installations she presented, a series of primarily black - and - white images in which the faces of all her subjects are erased and replaced with the typewritten phrase «Everything will be taken away.»

Simultaneously, he presents films / videos which look at the movement of people working, slides, or computer driven black and white abstract images floating through time.

In the nine - second video loop «Untitled (Touchscreen),» a still image of a smiling young couple is split into overlapping blue and red versions that flicker from place to place, alternating with moments of black; the handsome print «Untitled (Coil Whine)» puts a large, black and white image of fingers beside wavering green lines of video distortion and under a block of marbleized orange and a fragment of sans - serif text reading «UP YOUR DAY.»

White Space featured Wang Haiyang's abstract paintings — created to cope with his sexual energies during a recent hospitalization — along with videos and installations depicting human communications through images of gums and saliva.

2011Out of Focus Photography, Saatchi Gallery, London, UK (catalogue) Second Nature: Abstract Photography Then and Now, deCordova Sculpture Park and Museum, Lincoln, MA «Render: New Construction in Video Art», California Museum of Photography, University of California, Riverside, CA The Only Rule is Work, Galerie Waalkens, Finsterwolde, Holland Painters Painting, Atlanta Contemporary Art Center, GA Eslov Wide Shut Part II, Mallorca Landings, Mallorca, Spain Movable Facture, Vivo Media Arts Centre, Vancouver, B.C., Canada (catalogue) A Useful Looking Useless Object, Sierra Metro, Edinburgh, Scotland Sound + Vision: Crossroads, Plug - In, ICA, Winnipeg, Canada Effects & Affects: The Alphabet, Fumetto Festival, Lucerne, Switzerland You Killed the Underground Film or the Real Meaning of Kunst bleibt... bleibt... & The Sisters, (Group show with Bettina Koester, Wilhelm Hein and Jennifer West), Lost Property, Amsterdam Update no. 2, White Columns, New York (catalogue) Another Kind of Vapor, White Flag Project, St. Louis, MO Contour 2011, 5th Biennial of the Moving Image, Mechelen, Belgium Adult Contemporary, Kavi Gupta, Berlin How Soon Now, Rubell Family Collection, Miami, FL (catalogue) California Dreamin, Arte Portugal Biennial, Lisbon, Portugal Home Show Revisited, Contemporary Arts Forum, Santa Barbara, CA (catalogue) Abstract Moving Image, Taka Ishii Gallery, Tokyo, Japan One Person's Materialism is Another Person's Romanticism, Remap 3, Athens Greece

Over time, my production has evolved from black and white photographic portraits and narrative videos to creating hybrid «sites», images and installations employing photographs, videos and film, archives and found materials, projected sounds and reflective surfaces, works focusing on the individual's role in history and in time.

Image, above: Christian Marclay's «The Clock,» 2010, single - channel video, edition 6 of 6; courtesy Paula Cooper Gallery, New York and White Cube, London.

The black - and - white video was shown on three adjacent screens, each of which offered a series of nearly still images that had been shot in and around the church by Young's team.

It was installed at the city's Contemporary Arts Center and invited you down a long saloon - like hallway into a gallery of artifacts, black - and - white images, light boxes, and a black corner booth showing a video.

The National Portrait Gallery exhibition, with about 100 images, takes us from early black and white images, to well - known as well as previously unseen works in colour, via a fragment of video.

The ever - shifting series of images in Thomas's dynamic video include many historical referents such as classicizing, white women of the French academic tradition and pictures of Sarah Baartman, so - called «Hottentot Venus,» a South African woman who was exhibited in Europe in the late 18th and early 19th centuries.

Earlier this month, he presented a video narrative, «Afro - Cosmonaut / Alien (White Noise)» at the Moving Image New York art fair.

Jefferson Pinder also just won the Moving Image Museum Acqusition award by 21c Museum Hotels this week through his gallery, Curator's Office's presentation of his video «Afro - Cosmonaut / Alien (White Noise)».

There's a quality of William Burroughs's cut - ups to his remorseless, frantic hybrid works of art, like his Soundsystem, which splices together fragments of high and low culture and everyday life, and his brilliant video The March of the Big White Barbarians, which weaves images of London's 20th - century public art - all those clunking metal sculptures by Eduardo Paolozzi - into a hypnotic, endlessly fascinating dream of the city's secret life.