Sentences with phrase «white videos this exhibition»

Known for their stylised black - and - white videos this exhibition will be Mary Reid Kelley and Patrick Kelley's first museum solo exhibition in the UK.

Not exact matches

The artist has also participated in various group exhibitions, including Field Studies, Group Show, Altes Finanzamt, Berlin (2011), The Snow White Banquet, Screening, Centre de Pompidou, Paris (2010), Runaway Train, Bonniers Konsthall, Stockholm (2010), Loop International Festival and Fair for Video Art, Barcelona (2008), and One Must Be So Careful These Days, Alma Enterprises, London (2007).

McCarthy's performative practice (both live and video — not included in this exhibition) encompasses violent and carnal outbursts, but here has gradually shifted to kinetic (Alpine Man, 1992) and static sculptures (White Snow, Flower Girl, 2012 — 13) as well as works on canvas (SC, ECK, 2014), works that have been previously exhibited at Hauser & Wirth London in 2014.

A shanty made of dark pieces of plywood is installed diagonally in the exhibition space, recalling, yet also denying, the notion of a pristine «white cube,» as a video tracing a journey caused by hallucinogenic mushrooms alternately illuminates and goes dark in the space.

Her work has been featured in distinguished group exhibitions including Reactivation - the 9th Shanghai Biennale at the Shanghai Museum of Contemporary Art, N Minutes Video Art Festival, Shanghai, Decade of the Rabbit, White Rabbit Gallery, Sydney, and DAS ICH IM ANDEREN, Stiftung Mercator, Essen, in 2011; Double Act — 2010 Chinese Contemporary Art Exhibition, Red Town Warehouse, Shanghai, and Centennial Celebration of Women in Art, Shanghai Art Museum, in 2010; and in solo exhibitions at James Cohan Gallery, Shanghai, in 2012, and White Space, Beijing, in 2010 and 2013.

In this video we attend the Vernissage of Ordre Imagine, a joint exhibition by the artists Rafaël Carneiro and Chico Togni at the gallery White Project in Paris, France.

For her first solo exhibition in Houston, Cheryl Donegan will debut a silent video projected onto a dress - form wearing a plain, white, full skirt.

They painted monitors white from MFTA for their» XX as in female chromosomes» (Fall 2012) exhibition, which featured several video art installations.

This time - lapse video shows how SFMOMA visitors interacted with Robert Rauschenberg's White Painting [three panel](1951) during a one - week period when the work was installed as part of the exhibition 75 Years of Looking Forward: The Anniversary Show (the painting was on view July 1, 2010 — January 16, 2011).

The exhibition features a selection of photography, painting, sculpture, mixed media, and video by 20 female artists including Ellen Jong, Leah Schrager, Logan White, Meredith Ostrom.

Her iconic, large - scale, black - and - white photograph Walking House, 1989, was recently acquired by the Modern and is featured in the current exhibition Framing Desire: Photography and Video.

The Los Angeles County Museum of Art (LACMA) mounted a comprehensive exhibition of this series and a three channel video installation entitled The Believers in a two - person show in 2012, titled The Sun and Other Stars: Katy Grannan and Charlie White.

This «rage» is powerfully present, and punctures the exhibition like a blast in the side — most specifically Pindell's powerful video work from 1980, Free, White, and 21, in which the artist recounts for the camera racism she has experienced throughout her life (from childhood to working professional), and then switches into the guise of a blonde white woman who reprimands Pindell for her paranoia and ungratefulWhite, and 21, in which the artist recounts for the camera racism she has experienced throughout her life (from childhood to working professional), and then switches into the guise of a blonde white woman who reprimands Pindell for her paranoia and ungratefulwhite woman who reprimands Pindell for her paranoia and ungratefulness.

Not yet a widely acknowledged post-digital subgenre, but seemingly the organizing principle behind Frances Stark's disappointing greengrassi solo show: a neatly ordered exhibition of seven paintings, a collage, and four videos (Sony cubes placed on white plinths in a white cube) that offer a glimpse into culture clashes that take place in the eclectic world of Stark's cloud - space.

For his solo exhibition «the eight White Within angel», Cecilia Edefalk presents painting, sculpture, and video from the 1990s until today.

at Rob Tufnell, London; Maid in Heaven / En Plein Air in Hell (My Beautiful Dark and Twisted Cheeto Problem) at White Cube Masons Yard, London; Eustachy Kossakowski and Goshka Macuga: Report from the Exhibition at Kate McGarry, London; GENERATION: 25 Years of Contemporary Art in Scotland at Scottish National Gallery of Modern Art, Edinburgh; Hayley Tompkins: Digital Light Pools at the Common Guild, Glasgow; Douglas Gordon: Pretty much every film and video work from about 1992 until now, at Glasgow Museum of Modern Art; Mood Is Made / Temperature Is Taken at Glasgow Sculpture Studios.

An exhibition of this calibre deserves to be in the main gallery rather than tucked away in a side room; but these photographs and videos are by women artists, and with Donald Trump entering the White House, it looks as if treating women as second...

Supernature: An Exercise in Loads, AMP, Athens, Greece Suitable Video: Works form the Suitable Exhibitions Archive, Western Exhibitions, Chicago, IL, United States Long Live the Amorphous Law: Videos by Sterling Ruby 2002 - 2009, School of the Art Institute of Chicago, IL, United States The Quiet Edition, White Slab Palace, New York, NY, United States

The exhibition includes some 80 photograph of varied sizes and formats: color and black - and - white, digital and analog, as well as video works composed from stills, all photographed throughout Israel.

The exhibition begins with Scott King's titular wall painting and continues with a rhythmic black - and - white video by Rondinone projected onto four screens that portrays Giorno, shoeless and wearing a tuxedo, reciting «Thanks 4 Nothing» (also the title of the video), a liberating poem he wrote for his seventieth birthday.

This video provides you with a walk - through of artist Josiah McElheny's solo exhibition The Crystal Land at the gallery White...

A key to unpacking «Big Wig,» her tightly structured recent exhibition in Zurich, was provided by an untitled video projection, 2006 - 2007, showing a white man attempting to find his rhythm while surrounded by a group of people (both white and black) dancing; he never succeeds.

In the exhibition, «Power Has a Fragrance,» Gardar Eide Einarsson explores the principal structures of social conflict in modern society.The dual theme of authority and rebellion is a departure point for his visually hermetic, mostly black and white paintings, carefully constructed sculptures, photographs, videos, flags and flyers.

The exhibition is in two parts; a sculptural installation The White Lite, and a video installation; The Eye Don't See Itself.

New York, NY Short Stories, Epoche Gallery, Brooklyn, NY 1989 Vulgar Realism, Hallwalls Contemporary Art Center, Buffalo, NY No Relief, Ridge Street Gallery, New York, NY 1988 Sculpture 1988, White Columns Gallery, New York, NY Annual Small Works Show, Sculpture Center, New York, NY 1987 Small Wonders, Barry Whistler Gallery, Dallas, Texas Introductions, Barry Whistler Gallery, Dallas, Texas VIDEO EXHIBITIONS 2012 Hermaphrodite video, Opera Povera: To Valerie Solanas and Marylyn Monroe in Recognition of their desperation, by Sean GriVIDEO EXHIBITIONS 2012 Hermaphrodite video, Opera Povera: To Valerie Solanas and Marylyn Monroe in Recognition of their desperation, by Sean Grivideo, Opera Povera: To Valerie Solanas and Marylyn Monroe in Recognition of their desperation, by Sean Griffin.

The solo exhibition features selections from three groups of Muholi's works: black - and - white portraits from her ongoing project Faces and Phases, a sequence of color photographs from the Beulah series, and a documentary video work.

That exhibition, featuring George Holliday's video of the Rodney King beating and Daniel J. Martinez's buttons that read «I CA N'T EVER IMAGINE WANTING TO BE WHITE,» is the most politically charged and critically despised in recent memory.

The National Portrait Gallery exhibition, with about 100 images, takes us from early black and white images, to well - known as well as previously unseen works in colour, via a fragment of video.

Group Exhibitions 2018 Official Selection, Garden State Film Festival, Asbury Park, NJ 2017 Worm's Work, curated by Mild Climate, The Finishing School, Athens GA Unloaded, Marcia Wood Gallery, Atlanta GA Official Selection, 5th Annual Short Shorts, White Space Atlanta GA Official Selection, Best Shorts Competition (Award of Recognition), La Jolla, CA Official Selection, The World's Independent Film Festival, San Francisco, CA 2016 Acts of Sedition: A Group Exhibition, White Box, NYC, NY Transitions: States of Being, Zuckerman Museum of Art, Kennesaw GA Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA 2015 Drawing Experiment, Chastain Gallery, Atlanta GA Birdwatching, Gallery Walk at Terminus, Atlanta GA 2014 Exquisite Exhibit, curated by Joey Orr, Atlanta Contemporary Art Center, Atlanta GA Score: Artists in Overtime, MOCA GA, Atlanta GA 2013 Ant Linkage, Welch Gallery, Georgia State University, Atlanta GA Drawing Inside the Perimeter, High Museum of Art, Atlanta GA 2012 Paper Moon, Clayton Gallery, Kennesaw State University Museum and Galleries, Kennesaw GA Soltem Os Bichos, Atlelie397, Sao Paulo, SP, Brazil 2011 Watching Hands: Artists Respond to Staying Healthy, David J. Spencer Museum at the CDC, Atlanta GA Something Along The Lines of Rock «N» Roll, Solomon Projects, Atlanta GA New Media from the Permanent Collection, MOCA GA, Atlanta GA 2010 Hand to Hand, AthICA, Athens GA Limitless, Agnes Scott College, Dalton Gallery, Decatur GA Everything and the Space between Everything, Agnus Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Chaffee Art Center, Rutledge VT 2009 More Mergers and Acquisitions, Atlanta Contemporary Art Center, Atlanta GA Accessing the Artist's Brain: Drawing as Metaphor, AVA Gallery, Chattanooga TN Three Small Deaths (film screening), DiverseWorks, Houston TX Everything and the Space between Everything, Jackson - Hartsfeild Airport, Atrium Gallery Atlanta and Agnes Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Western Kentucky University Gallery, Bowling Green KY 2008 The World's Smallest Art Fair, Anna Kustera Gallery, NYC NY Hand to Hand, Spruill Gallery, Atlanta, GA 2007 Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA Tablet: Contemporary Southern Painting, Tanner Hill Gallery, Chattanooga TN Tenth Annual Arizona State University Art Museum Short Film and Video Festival, ASU Museum of Art, Tempe, AZ Exile From The Land Of Reason, Eyedrum, Atlanta GA The Petrified Man, Welch School of Art and Design Art Gallery, Georgia State University, Atlanta GA 2006 Flamingo Sculpture Garden, Scope Art Fair, Miami FL Run For Your Lives, DiverseWorks, Houston TX Hand to Hand, Ruby Green Gallery, Nashville TN 2005 Toy, Fe Gallery, Pittsburgh PA SouthXeast: Contemporary Southeastern Art, University Galleries, Florida Atlantic University, Boca Raton FL Gas, Food, Lodging: Imagining Escape, Welch School of Art and Design Art Gallery, Ga..

This video provides you with a walk - through of artist Josiah McElheny's solo exhibition The Crystal Land at the gallery White Cube in London.

Hashimoto Contemporary's latest show is a solo exhibition by Woodrow White titled Babel Video.

Now, White House is displayed as a video made by the artist in collaboration with film director Ricardo Pons, and is one of the opening pieces of the group exhibition Excéntricos y Superilustrados (Eccentrics and Ultra-Enlightened), at the Museo de Arte Moderno de Buenos Aires.

1987 Message Units, 516-277-4338, New York, US About Sculpture, Anthony d'Offay Gallery, London, UK Perverted by Language, Hillwood Art Gallery, Long Island University, Brookville, New York, US Saga 87 (premiere foire), Eric Linard Editions, Grand Palais, Paris, FR Ohne Die Rose... Grusse an Beuys von 199 Kunstlern, Stadtisches Museum Haus, Monchengladbach, and Koekkoek, Kleve, DE XXX Anniversary Exhibition, Leo Castelli Gallery, DE Group Exhibition, Rudiger Schottle Gallery, Munich, DE Hyperspaces, Art City, New York, US Group Exhibition, Marian Goodman Gallery, New York, US Snow, Weiner, Nannucci, Art Metropole, Toronto, CA; Alberta College Art Gallery, Calgary, CA; MacDonald Stewart Art Center, Guelph, Ontario, CA; Anna Leonowens Gallery, NSCAD, Halifax, CA; Forrest City Gallery, London, Ontario, CA; Emily Carr College of Art, Vancouver, B.C., CA Marc Hostettler und die Editions Media, Graphik - Sammlung ETH, Zurich, CH Stichting Fort Asperen, Asperen, NL Group Exhibition, Galerie Francoise Lambert, Milan, IT Group Exhibition, Castello di Rivoli, Museo d'Arte Contemporanea, Turin, IT Jack Goldstein, John Lamka, Lawrence Weiner, Piezo Electric, New York, US Folkwang Video, Videogalerie Gerry Schum, Essen, DE Incrocio - Un Racconto, La Saleriana, Erice, Sicily, IT Aspects of Conceptualism in American Work, Part II, Avenue B Gallery, New York, US Leo Castelli y Sus Artistas, XXX Anos de..., Centre Cultural Arte Contemporaneo, Polanco, MX Leo Castelli: A Tribute Exhibition, Butler Institute of American Art, Youngstown, Ohio, US Comic Iconoclasm, ICA, London, UK; Douglas Hyde Gallery, Dublin, IR; CornerHouse Gallery, Manchester, UK Dessins, Gallerie Catherine Issert, Paris, FR In Print - Artists» Books, Power Gallery of Contemporary Art, University of Sydney, AU Director's Invitational, David Brown Gallery, Provincetown, Massachusetts, US Musee St. Pierre Art Contemporain Lyon, Frankfurter Kunstverein, Frankfurt, DE Strong Statements in Black and White, James Goodman Gallery, New York, US Hommage a Leo Castelli, Galerie Daniel Templon, Paris, FR Group Show, Galerie Johnen and Schottle, Cologne Art Fair, Cologne, DE Group Show, Galerij de Lege Ruimte, Brugge, BE Nachtvuur, Stichting De Appel, Amsterdam, BE

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

Traveled to The Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY (catalogue) 2000 Double Fantasy, Matthew Marks Gallery, New York Gallery Paule Anglim, San Francisco 1999 Gorge, (performance), Matthew Marks Gallery, New York 1998 Feeder 2 and Corollary, Matthew Marks Gallery, New York 1997 The Black / White Album, Matthew Marks Gallery, New York April Hare, Gallery Paule Anglim, San Francisco 1996 Hare Attitudes, Contemporary Arts Museum, Houston (catalogue) 1995 Video, Matthew Marks Gallery, New York 1993 Stoney End, Matthew Marks Gallery, New York 1989 The Schreber Suite, MATRIX Gallery, University of California, Berkeley Art Museum 1987 Inscription, XS Gallery, Western Nevada Community College, Carson City, NV Selected Group Exhibitions: 2018 Way Bay, Berkeley Art Museum and Pacific Film Archive Tag: Proposals on Queer Play and the Ways Forward, curated by Nayland Blake, Institute of Contemporary Art Philadelphia 2017 Living Apart Together, Hammer Museum, Los Angeles Trigger: Gender as a Tool and a Weapon, New Museum, New York (catalogue) «I hear it everywhere I go», Franklin Street Works, Stamford, CT Let Me Be an Object that Screams, Gallery 400, College of Architecture and the Arts, University of Illinois at Chicago 2016 Black Pulp!

This exhibition's private view saw Alex Buldakov's videos, SEXLISSITSKY and XXXMALEVICH, exit the gallery via a window and find themselves projected onto the side of the neighbouring White Cube Gallery.

Glenn Ligon's neon sign Untitled (I Sell the Shadow to Support the Substance) and William Pope.L's video The Great White Way, 22 miles, 9 years, 1 street, also highlight how the exhibition is also a brilliant visual history of the politics of race.

Her work has been exhibited widely in museums, galleries, and festivals including The New Museum, New York, The Museum of Modern Art, New York, MoMA PS1, New York, White Columns, New York, The 1995 Biennial Exhibition at the Whitney Museum of American Art, and the New York Film and Video Festival.

Christian Marclay @ White Cube, Bermondsey This diverse and sprawling exhibition closes soon and it has everything, wall based art, video, performances and even a printing press on site.

In the video below, Odutola reveals that her favorite work in the exhibition is one that features bright white socks.

In the video below, Odutola reveals that her favorite work in the exhibition is the one above, featuring bright white socks worn by one of her brothers.

From early examples of music in film to the work of music video masters such as David Bowie and Madonna and contemporary artists such as The White Stripes and Kanye West, the exhibition reveals the enormous influence music videos have had on contemporary culture over the past 35 years.

The exhibition at Telfair Museums includes a selection of the artist's early conceptual videos in black and white, focusing on the early works when Wegman began working with Man Ray in California.

Boarded off from the outside by white exhibition walling, there's a window smashed through the panelling and supporting pinewood frames with a view inside that's blocked by the back of Tubbs» «untitled (the sea)» (2014) video.

Over the past few years, as her work has gradually transitioned more and more into the three - dimensional, real space of the white cube with group and solo exhibitions of her video along with other works like a series of flags and «paintings» on aluminum, Cortright has also continued to become more and more infamous within Internet communities of artists and other visually - minded, new media thinkers who are utilizing the unique terrain of the Internet to modify how art can be made, disseminated and even bought and sold.

This video provides you with a tour of the exhibition on May 9, 2012 (as you can see, it's rather a black than a white space).

White Cube Mason's Yard iannounces the exhibition of a major new video work by Christian Marclay.

The anecdote is prompted by a question about what motivated the Los Angeles - based artist and writer to make «Wata (Yazoo, MS),» a video included in White ppl think I'm radical, a joint exhibition with Melbourne - based artist Hamishi Farah — whom we await on a Google Doc form.

She has presented her video installations in solo exhibitions at La Centrale, Montreal, QC; White Columns, New York, NY; Berkeley Art Museum, CA; and Presentation House Gallery in Vancouver, BC.

The exhibition begins with a group of three black & white sculptures on video tape, IN THE BUSH (1972), GORDON»S MAKES US DRUNK (1972), and A PORTRAIT OF THE ARTISTS AS YOUNG MEN (1972), all shown on monitors.