Sentences with phrase «white wall between»

One if the sops that the MoMA is throwing to pacify the critics is the promise to open the wonderful sculpture garden to the public; it is now separated by that eighteen foot high white wall between it and 54th street.

The unassuming and empty inches of white wall between the artworks are all the years between 1962 and 2014.

A Restoration Hardware Astoria Flat Mirror is mounted to a white wall between Modern Taper Sconces with Linen Shades fixed above a light brown washstand accented with satin nickel pulls and a white marble countertop fitted with a sink with a polished nickel gooseneck faucet.

A scalloped vanity mirror is mounted on a white wall between nickel sconces fixed above a white washstand completed with a shelf holding vintage metal locker bins, square nickel knobs, and a marble countertop fitted with a sink and polished nickel faucet kit.

Not exact matches

White House press secretary Sean Spicer then followed this up with comments suggesting that the Trump administration is considering a 20 % tax on imports, starting with Mexico, that would help finance the building of a border wall between the US and Mexico.

Now the gritty space, its cinder walls repainted white, resembles a cross between a high - end laboratory and an industrial bakery.

Judy Batalion, author of White Walls: A Memoir About Motherhood, Daughterhood and the Mess In Between, shares the challenges of writing about mental illness.

With tensions between the U.S. and Mexico rising, the White House appeared to endorse a 20 percent tax on all Mexican imports as a means of raising revenue to build a border wall, only to insist hours later that it had not.

It almost looks white here but if you look down at where the wall meets the trim you will see the contrast between the wall and base boards.

It would add some depth and actually make the room feel bigger because it would soften the contrast between the dark blue sectional and bright white walls.

Brown and blue boy's cottage bathroom features a brown washstand fitted with a white quartz countertop finished with an oval sink with a polished nickel faucet beneath a porthole mirror mounted between Thomas O'Brien Bryant Sconces on a wall covered in world map wallpaper accented with a shiplap trim as blue hexagon floor tiles cover the floor.

An Allen + Roth Hovan Arch Frameless Mirror hangs from a white shiplap wall between glass and nickel sconces illuminating a light gray washstand.

A black 4 drawer washstand, finished with a towel shelf and brass pulls, boasts a white countertop holding a sink with a polished nickel faucet mounted beneath a frameless vanity mirror hung from a wall clad in large subway tiles between polished brass sconces.

Gorgeous contemporary bathroom features a frameless medicine cabinet mounted to white and gray marble herringbone wall tiles between crystal fringe wall sconces.

Between two brass cage sconces, a rope convex mirror hangs in front of a blue wall over a white single washstand accented with brass knobs and a gray countertop finished with a polished nickel sink.

A dark steel vent hood is mounted on a white beveled subway tile backsplash between nickel and glass wall sconces and above a swing arm pot filler and a Wolf dual range flanked by white cabinets finished with polished nickel cup pulls and a honed white marble countertop.

Stunning white bathroom with gold accents boasts a Restoration Hardware Rivet Mirror hung from a white shiplap wall between antique brass sconces.

The countertop is fitted with a round sink and polished nickel faucet fixed under a curved black metal vanity mirror hung from a white shiplap wall between bronze and glass sconces.

Black and white geometric backsplash tiles cover the floor and walls of this stunning black and gold bathroom fitted with gold octagon mirrors mounted between grass and white glass sconces.

Since we had already painted the entire wall white, we didn't need to paint the white stripes that would be in - between the colors.

I took down the existing artwork on the wall between the two windows and decided to move the antique mirror from my entryway into that spot, along with some pretty white plates surrounding it.

A French steel hood accented with brass studded straps is mounted between Boston Functional Library Wall Lights to a white quartz backsplash above a brass swing arm pot filler fixed above a Wolf range.

As Paul Peterson recently pointed out in the Wall Street Journal (August 7, 2013), between 1999 and 2008, on the NAEP, white nine - year - olds gained 11 points in math, African American students gained 13 points, and Hispanic student performance improved by 21 points.

Within a decade, the search for justice gave birth to another big idea: Not only would racial walls come down on campuses, no longer would it be right to have major gaps between the academic achievement of white and minority students.

White painted wall panels, upscale cottage furnishings, smooth hardwood floors and lines brilliantly blurred between indoors and out are welcoming highlights.

The great room opens to both the terrace and a courtyard via sliding glass walls on two sides; in between, cream - colored tile floors, white walls and clean - lined furnishings give the living area, dining area and fully equipped kitchen a look of understated modern luxury.

Where the first game saw you ransack a number of buildings that featured uniformly similar shades of pink floors, white walls and brown doors, here you're quickly moved between interior and exterior locations, gang hideouts and film sets, forests and night clubs.

This single, all - white cast of a Halloween mask is inset into the wall but is painted so that it alternates between looking like a cavity and a protrusion — a magical effect to say the least.

David Zwirner's own architecture provides an obvious example in the so - called reveal created by a narrow gap between the galleries» white walls and their concrete floor, which creates a sharp contour emphasizing the boundaries of the room.

Framed gelatin silver prints of Frazier, her mother, grandmother, grandfather, and family friends, taken in Braddock at various points between 2002 and 2011, line the two white walls of the installation space along with carefully selected cityscapes.

There is also a sense of tame psychedelia that pervades in all three artists» works, from Bergstrom's small formalist paintings that use text as a compositional device — a blue and white canvas that spells Bad Trip, abstractly scrawled across the canvas — to Norton's An Altered State, where peyote and poppies are pressed between sheets of glass and fired, installed on the wall.

Between and Including, Set H, 1998 framed black and white photographs and texts on painted wall dimensions variable acquired in 2008

Publications: General Idea: Imagevirus (Afterall, 2010); The AIDS Crisis Is Ridiculous and Other Wrirings, 1986 — 2003 (MIT Press, 2004); Volition (Printed Matter, 2009); Between Artists: Amy Sillman, Gregg Bordowitz (A.R.T. Press, 2007); Drive: The AIDS Crisis Is Still Beginning (White Walls, 2002).

And finally, in the show's namesake, «The Velocity of Change» (2015), which appears directly on the right wall as one enters the gallery, the intervals of white space between the clearly defined, occasionally fractured sets of colored wedges simultaneously pause and accentuate the rhythmic momentum within the mural.

Also included is a work from 1969 in which lengths of braided stainless steel wire form a horizontal sequence of five subtly - reflective squares, mounted flat against the wall; and Untitled (Eight - part Vertical Construction), 1992, a composition of black, gray, white, and red lengths of yarn stretched vertically between floor and ceiling in perpendicular and parallel configurations that relate to the surrounding walls of the gallery.

In our upcoming intervention, (ƒ) utility projects (a collaborative comprised of Paola Cabal, Michael Genge, and Chris Grieshaber) seek to elevate the natural elements of the back yard of the Riverside Art Center to «Art Object» status by selectively positioning white «gallery walls» between and around the landscaping and trees already located there.

Kos» shaped canvas is a giant arc, sandwiched between two white walls; it is a corridor that invites exploration.

Viewers must cautiously walk the narrow and dark path between the wall and canvas, following the painting's soft fields of muted beige gradations, outlined and entangled by the white, red and black lines traced with her signature oil sticks.

Set aside in their own room, hung on white walls and carefully lit, the paintings walk the lines between painting and drawing, and representation and abstraction.

As I entered Morningside Park, a white sunbather lay oblivious to passing eyes, in what once served as formidable wall between Columbia University and a neighborhood at risk.

Take the striped paintings in faded pastels of the Seventies, which look like chic, sun - bleached beach towels tacked to the wall, or The Islands, a spellbinding series of 12 rich - and - creamy «white» paintings from 1979... Often, with Martin's major works, there appears to be a hazy mist between their surfaces and us.

Highlights include Neshat's moving film, Rapture, 1999, a two - screen, black - and - white video projection in which an allegorical narrative about the stark divide between Muslim men and women plays out on opposing walls.

Maybe the excitement of the simple is most evident now in the largest and freest work, in the back room, with the choice between primaries on one wall and blacks against purples over white and yellow on another.

Nor has he given up geometry: the glass enclosure runs parallel to the gallery's white cube, and one can take its measure by circulating the narrow space between walls.

The medial gap between the two panels of this piece — a couple of inches of white wall (curators decide how wide)-- reminded me as well of two - part Rauschenberg works.

Incorporating both white walls and the surrounding ungainly, if eccentrically charming, brutalist architecture, the show makes corporeal connections between the splattered canvas works by VanDyke, the hand - pushed ceramic totem by Brie Ruais, and Meisenberg's delicate abstractions and impressed body prints on canvas, among others.

Lehmann Maupin sold Teresita Fernández's ceramic wall work Fire (America) 2 (2016) for between $ 400,000 — 500,0000, Tracey Emin's Feeling Sexy and Beautiful (2015) embroidery for # 150,000 — 200,000 (and the artist's installation in Unlimited, co-presented with White Cube and Xavier Hufkens, for an undisclosed price), and Nicholas Hlobo's Idabi (2016) for $ 80,000 — 120,000, among others.

Instead, by exhibiting his work on the wall of a hut that is in no way a white cube, Nara has revived a form of narrative in art and heightened the relationship between art and its environment - elements that have been slowly eroded by modernism over the years.

In this new body of work, which includes paintings, wall drawings and prints, Hancock continues a retelling of his sprawling, epic battle between the forces of good, as represented by Mounds and their color - filled world, and evil, as embodied by the skeletal Vegans who live underground in a world of black and white.

«Exemplary of [The Chicago Effect: Redefining the Middle's] strengths is a brief interlude in the middle of the main gallery marked by a stripe of grey paint that hangs on the walls and floor between two halves of the white cube... Isolated Fictions: A Reenactment, as the sub-show is titled, presents a provocative case study in the generative possibilities between art schools, small galleries, art centers, and other «middle men» of the art economy.»