Sentences with phrase «white wall paper»
The molding really pops and makes such a statement, especially against the black and white wall paper.
https://www.findingsilverpennies.com/ Not exact matches
NEW YORK / WASHINGTON Wall Street lobby groups urged U.S. policy makers and regulators to revamp rules to encourage more initial public offerings and to reduce the regulatory cost of staying public, in a white paper issued on Thursday.
A white board, chalkboard, or poster - sized paper that you can tape to walls for brainstorming / discussion notes
It was winter so we decided to give him a «snowball», which was a white piece of paper cut into a circle, and we would write his good deed on the snowball and then tape them up on the wall so he built a wall of snowballs.
I personally am not a fan of that method, and we have a small apartment with paper - thin walls so white noise machines can not drown out the sound.
The Framed Giclée Wine and Glass Print Wall Art showcases a detailed image of wine pouring into a glass on fine art paper with a white mat.
The Framed Giclée Winery Print Wall Art showcases a detailed image of wine barreling room on fine art paper with a white mat.
Vintage bathroom design with wall panels, rice paper roman shade, white bathroom vanity, vintage white stool, vintage clawfoot tub, white ruffled shower curtain, Viva Terra Lotus Flower Small pendant Chandelier and subway tiles shower surround.
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Shan and I shot these photos at the prettiest hotel on Balboa Park and the florals outside and the stunning wall paper inside were so picturesque and made a beautiful setting for this pretty black and white look.
Stunning bathroom features a gray - green grasscloth papered walls over a gray bathroom vanity with center console cabinet accented with polished nickel hardware alongside white quartz counters which frame his and her sinks with polished nickel medicine cabinets above.
Dan Slater (former Wall Street Journal reporter) wrote «A Million First Dates» for The Atlantic for Jan 3, and quoted «Internet dating has made people more disposable, and may be partly responsible for a rise in the divorce rates,» from the white paper.
Recent updates: Added 1/14: First Showing (additional critic), Slashfilm (additional critic) Added 1/8: Birth.Movies.Death (additional critics), Parallax View, The Tracking Board Added 1/7: Film Journey, The Film Stage (additional critic), First Showing (additional critic) Added 1/5: The Film Stage (additional critics), In Review, Moving Picture Blog, The Playlist (additional critics), Slashfilm (additional critics), Taste of Cinema Added 1/3: CBS News, Den of Geek [UK], Film Pulse, The Film Stage (substituted individual lists for consensus list), Hidden Remote, The Playlist (additional critics), PopCulture.com, Reverse Shot, ScreenAnarchy, Slant (substituted individual lists for consensus list), Slashfilm, Wichita Eagle Added 12/31: artsBHAM, Cape Cod Times, CinemaBlend (additional critics), Collider (additional critics), Criterion [The Daily], Criterion Cast, The Film Stage, First Showing, Flavorwire, The Globe and Mail, The Hollywood Reporter / Heat Vision, Lincoln Journal Star, Monkeys Fighting Robots, NOW Magazine, Omaha World - Herald, Paste, People, ReelViews, Salt Lake City Weekly, San Antonio Current, Screen Daily, SF Weekly, These Violent Delights, Toledo Blade, Uncut, Under the Radar, Vancouver Observer, Vancouver Sun Added 12/29: The Arts Desk, Austin American - Statesman, Austin Chronicle, Awards Daily, Boston Globe, Boston Herald, CinemaBlend (additional critics), Cleveland Scene, Collider (additional critics), The Daily Beast, Deadline, Film Journal International, Houston Chronicle, Ioncinema, Las Vegas Review - Journal, New Orleans Times - Picayune, New York Post, Paper, The Playlist, San Diego City Beat, San Francisco Chronicle, San Francisco Examiner, St. Louis Post-Dispatch, Salt Lake Tribune, Seattle Weekly, Shepherd Express, The Stranger, Tallahassee Democrat, Toronto Star, Tucson Weekly, Tulsa World, Uproxx, The Virginian - Pilot, Washington City Paper, White City Cinema Added 12/27: Awards Campaign, Baltimore Beat, Buffalo News, Chicago Daily Herald, CinemaBlend, Collider, Film School Rejects, GameSpot, JoBlo, Metro UK, Newsweek, Observer, San Jose Mercury News, Seattle Times, Sydney Morning Herald, Tampa Bay Times, Thrillist, USA Today, Village Voice (Wolfe), Wired UK Added 12/22: Chicago Sun - Times, Den of Geek [US], The Guardian, Mashable, Metro US, Sioux City Journal, Star Tribune, The Verge, Wired Added 12/21: BBC, Chicago Reader, The Commercial Appeal, IGN, Las Vegas Weekly, TimeOut New York, Village Voice Added 12/20: A.V. Club, Crave, Esquire, The Independent, Spectrum Culture Added 12/19: The Atlantic, Birth.Movies.Death., CineVue, Newsday, NPR, WhatCulture Added 12/18: Arizona Republic, Yahoo! Added 12/17: Dazed, Flood Magazine, New Zealand Herald, Salon, ScreenCrush, The Star - Ledger (NJ.com), Time Out London, Total Film Added 12/15: BuzzFeed, Christian Science Monitor, Detroit News, Los Angeles Times, Philadelphia Daily News, Vox Added 12/14: Associated Press, Chicago Tribune, Consequence of Sound, Little White Lies, Los Angeles Daily News, RogerEbert.com, TheWrap Added 12/13: Evening Standard, Variety Added 12/12: The Hollywood Reporter, Huffington Post, PopCrush Added 12/11: CBC, The Observer [UK], Wall Street Journal Added 12/8: The New Yorker, Rolling Stone, Slant Added 12/7: Culture Trip, IMDb, The Ringer, Slate, Time, Us Weekly Added 12/6: Cahiers du Cinéma, New York Times, Vogue, Vulture (Yoshida), Washington Post Added 12/5: Scorecard launched with 15 lists.
There was a lounging section (black leather sofa, two black leather chairs, glass coffee table) to his right, an executive desk (oval, cherry, black leather reclining chair for the executive, two green leather armchairs for visitors) in the center, and a wall unit (cherry, glass doors, white folders in neat rows) to his left, in front of which Clark Edwards, in a dark suit, was standing and feeding sheets of paper into a pullout shredder.
Oxford Review of Finance 2016, 20 July 2015, pp. 1081 - 1106; Fundrise White Paper, «Why Private Markets Outperform Traditional Publicly - Traded Stocks & Bonds,» May 16, 2017; Cambridge Associates» 2016 Q1 US Private Equity Index; and Wall Street Journal, «Calpers Is Sick of Paying Too Much for Private Equity,» April 16, 2017
I'd papered the bulletin board over the desk in my Brooklyn apartment with these missives, a map of love that fluttered across the empty white wall.
We take the hassle out of organising your event by providing everything you need on site, including a 42 - inch wall - mounted LCD, white board, flip chart, pens, paper, water and mints.
Standard equipment (blocks, pens, Flip - Chart with paper and pens, pin - wall, moderation suitcase), LCD projector and white screen)
Among the pieces displayed were plywood slats — angled pieces of wood that pointed, like split arrows, up to the ceiling; tin alphabet letters that appeared to have been hurled randomly at the wall but were actually carefully arranged (recently purchased by MoMA); cloth octagons in dyed pastels and white paper octagons glued to the wall; «string pieces,» or drawings dancing across the floor; and wire works.
Works included Bob Law's «drawing machine» on a spooling roll of cartridge paper, a removal of a section of plasterboard above a fireplace by Lawrence Weiner, a quote for professionally repainting a wall by Barry Flanagan, as well as a Sol LeWitt wall drawing, a gridded wallpaper pasting by Richard Wentworth and a «white line of a hand's breadth» as proposed by Blinky Palermo.
At the age of twenty - eight, she became the youngest artist to receive the John D. and Catherine T. MacArthur Foundation Genius Grant Award for her large - scale black paper silhouettes cut and applied to white walls.
Most recently he has been experimenting with negative shapes created on white walls, to create subtle pools of color that appear through reflections of his paper.
Bill Beckley [American, b. 1946] The Bird Who Lived With Lincoln, 1988 Wall paper, formica, aluminum, wood, black and white photograph 45 1/2 x 98 x 26 1/2 inches 115.6 x 248.9 x 67.3 cm (Inv # AB11748)
Black - and - white hanging scrolls line the gallery walls; paper fans and album leaves fill cases in the center.
This will be Kofie's second solo show with White Walls, and will include 30 recent works including smaller collage case studies on paper, hand painted multiple screen prints, assemblage on wood, paintings on canvas and wood and a large wall installation.
Mia Perlman's or Eva Mantel's white swirl resembles a cloud, Thomas Weaver speaks of the Birdhouse Blues, Casey Ruble's birds skid through paper branches, and Jin Lee imagines a gallery wall as a White Landswhite swirl resembles a cloud, Thomas Weaver speaks of the Birdhouse Blues, Casey Ruble's birds skid through paper branches, and Jin Lee imagines a gallery wall as a White LandsWhite Landscape.
Sol LeWitt cleanly tears a piece of white paper into stark geometric sections in R115, 1973, generating an elegant composition with a simple gesture, while Robert Ryman defamiliarizes the monochrome in Untitled, 1967, a white - painted canvas square affixed directly to the white wall with masking tape.
Rarely was there a situation where a student is capable of attracting so much attention with her piece as was the case with Kara and her mouthful of a mural — it wasn't just the theme of the piece that caught the notice of critics, but its notorious form of placing black paper silhouette figures against a white wall.
Kiki Smith, another notable artist seldom seen here, presents a wall - size patchwork of stars in black and white on thin, handmade paper.
The artist was smart to strip the white paper off the walls, uncovering a history which she used to her advantage in creating a squatter's poetics.
At that time, when I was doing installations in the 1980s and»90s, I used a black - and - white letterpress plate to print the images and then, instead of using metal plates to print on paper, I used polymer plates to print onto the wall.
Installation view Murray White Room, 2014 9 inkjet prints on paper, polychrome frames and synthetic polymer wall drawing, 295 x 500 cm
Against the gallery's white walls, the sculptures resemble drawings with black pen on paper that have come to life to claim a three - dimensional existence.
Group Exhibitions 2018 Official Selection, Garden State Film Festival, Asbury Park, NJ 2017 Worm's Work, curated by Mild Climate, The Finishing School, Athens GA Unloaded, Marcia Wood Gallery, Atlanta GA Official Selection, 5th Annual Short Shorts, White Space Atlanta GA Official Selection, Best Shorts Competition (Award of Recognition), La Jolla, CA Official Selection, The World's Independent Film Festival, San Francisco, CA 2016 Acts of Sedition: A Group Exhibition, White Box, NYC, NY Transitions: States of Being, Zuckerman Museum of Art, Kennesaw GA Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA 2015 Drawing Experiment, Chastain Gallery, Atlanta GA Birdwatching, Gallery Walk at Terminus, Atlanta GA 2014 Exquisite Exhibit, curated by Joey Orr, Atlanta Contemporary Art Center, Atlanta GA Score: Artists in Overtime, MOCA GA, Atlanta GA 2013 Ant Linkage, Welch Gallery, Georgia State University, Atlanta GA Drawing Inside the Perimeter, High Museum of Art, Atlanta GA 2012 Paper Moon, Clayton Gallery, Kennesaw State University Museum and Galleries, Kennesaw GA Soltem Os Bichos, Atlelie397, Sao Paulo, SP, Brazil 2011 Watching Hands: Artists Respond to Staying Healthy, David J. Spencer Museum at the CDC, Atlanta GA Something Along The Lines of Rock «N» Roll, Solomon Projects, Atlanta GA New Media from the Permanent Collection, MOCA GA, Atlanta GA 2010 Hand to Hand, AthICA, Athens GA Limitless, Agnes Scott College, Dalton Gallery, Decatur GA Everything and the Space between Everything, Agnus Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Chaffee Art Center, Rutledge VT 2009 More Mergers and Acquisitions, Atlanta Contemporary Art Center, Atlanta GA Accessing the Artist's Brain: Drawing as Metaphor, AVA Gallery, Chattanooga TN Three Small Deaths (film screening), DiverseWorks, Houston TX Everything and the Space between Everything, Jackson - Hartsfeild Airport, Atrium Gallery Atlanta and Agnes Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Western Kentucky University Gallery, Bowling Green KY 2008 The World's Smallest Art Fair, Anna Kustera Gallery, NYC NY Hand to Hand, Spruill Gallery, Atlanta, GA 2007 Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA Tablet: Contemporary Southern Painting, Tanner Hill Gallery, Chattanooga TN Tenth Annual Arizona State University Art Museum Short Film and Video Festival, ASU Museum of Art, Tempe, AZ Exile From The Land Of Reason, Eyedrum, Atlanta GA The Petrified Man, Welch School of Art and Design Art Gallery, Georgia State University, Atlanta GA 2006 Flamingo Sculpture Garden, Scope Art Fair, Miami FL Run For Your Lives, DiverseWorks, Houston TX Hand to Hand, Ruby Green Gallery, Nashville TN 2005 Toy, Fe Gallery, Pittsburgh PA SouthXeast: Contemporary Southeastern Art, University Galleries, Florida Atlantic University, Boca Raton FL Gas, Food, Lodging: Imagining Escape, Welch School of Art and Design Art Gallery, Ga..
Shown across five monitors, the work seeks to create an alternate reality in which five totemic entities recite an eerily subjective poem.A second piece of work utilises the cables from each of the five monitors, so that they become an integral part of a large black and white paper collage displayed on the other side of the wall, questioning what is the back, what is the front, and what the subject is?
A large blank white paper sheet with an inch - wide black border, from Untitled (The End)(1990), a paper - stack work by Felix Gonzalez - Torres, hangs on my bedroom wall.
A solid staple in San Francisco's art scene, Mike Giant's clean, black and white illustrations can be seen gracing everything from skin to walls, paper and tattoo flash.
It was in 1996 that Wall's artistic practice shifted to the production of black - and - white prints on paper with elements of documentary.
She was speaking of the gallery's White Room 1, now painted gold by Yuji Agematsu, the better to display the delicate sculptures of pressed paper, wire, and dust that he pinned to the walls like butterflies collected by a visionary.
Inquiry's End features one of the artist's most challenging works to date: a ninety - one part wall installation titled A Pattern or Practice (2015) that uses inkless embossing to punch portions of the US Department of Justice report on the Ferguson Police Department into blank white sheets of paper, making the findings all but inscrutable to the viewer.
Ms. Herrera, who has shoulder - length white hair and wire - rim glasses and was wearing a black cardigan sweater, held up a small, rectangular piece of painted vellum and compared it to the larger version of the same work, one done on paper, which was hanging on the wall of her large, floor - through home and studio on East 19th Street.
How have people reacted to the downstairs gallery where the walls are papered with six decades of Jet's Beauty of the Week, from black - and - white images in the 1950s to the women featured in the magazine's final print issues earlier this year?
All cut from black paper by the able hand of Kara Elizabeth Walker, an Emancipated Negress and leader in her Cause, 1997, cut paper on wall, approx. 144 × 1020 in, 365.76 × 2590.8 cm, installation view: Kara Walker: My Complement, My Enemy, My Oppressor, My Love, Hammer Museum, Los Angeles, 2008, © photo: Joshua White, Courtesy Kara Walker & Sikkema Jenkins & Co..
«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003
SELECT EXHIBITIONS — SOLO (S) GROUP (G) 2015 Context Art Miami, 532 Gallery Thomas Jaeckel, New York (G) 2014 Context Art Miami, 532 Gallery Thomas Jaeckel, New York (G) 2014 Ian Hughes Paintings 532 Gallery Thomas Jaeckel New York, NY 2013 Ten Artists Adelson Galleries Boston, MA 2012 Untitled Art Fair, South Beach, 532 Gallery Thomas Jaeckel, New York (S) 2012 Context Art Miami, 532 Gallery Thomas Jaeckel, New York (G) 2012 Ian Hughes Paintings, 532 Gallery Thomas Jaeckel, New York (S) 2012 Art Wynwood, Miami, 532 Gallery Thomas Jaeckel, New York (G) 2011 Aqua Art Miami, 532 Gallery Thomas Jaeckel, New York (G) 2010 Inside Out, Ian Hughes Paintings, 532 Gallery Thomas Jaeckel, New York (S) 2010 Aqua, Miami, 532 Gallery Thomas Jaeckel, New York (G) 2009 Paper in the Wind, curated by David Gibson, 532 Gallery Thomas Jaeckel, New York, NY (G) 2003 New Works on Paper, Victoria Munroe Fine Art, Boston, MA 2002 25th Anniversary Exhibition, The Drawing Center, New York, NY Watercolor: In the Abstract, conceived by Melissa Meyers, curated by Pamela Auchincloss and Alex Muse 2002 Michael C Rockefeller Arts Center Gallery, SUNY College, Fredonia, NY (G) 2002 Butler Institute of America, Youngstown, OH (G) 2002 Ben Shahn Gallery, William Patterson University, Wayne, NJ (G) 2002 Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa, AL (G) 2001 Hyde Collection Art Museum, Glens Falls, N.Y. (G) Nina Freudenheim Gallery, Buffalo, NY 1999 Surfing the Surface, DFN Gallery, New York, NY 1998 Abstraction in Process, Artists Space, New York, NY; (G) curated by Irving Sandler and Claudia Gould 1991 White Room: Paintings, White Columns Gallery, New York, NY 1991, White Columns Gallery, New York, NY 1990 Hall Walls, Albright Knox Museum, Buffalo, NY 1989 Climate «89, Condeso / Lawler Gallery, New York, NY 1988 Drawings, Massachusetts College of Art, Boston, MA 1985 Selections 31, The Drawing Center, New York, NY
In the darkened gallery large - scale, white - chalk wall drawings, projected drawings, and intimate drawings displayed on table - tops coexist with video footage, benches, and paper lamps.
James is known for his stark black paper - cuts, displayed without frames on white walls to insinuate shadows and depth in his 2D world.
Here, he discusses rubbing / loving, 2016, a large - scale piece that began with a painstaking process of wrapping all of the surfaces of his former apartment with white paper — including walls and cabinets, light switches and door handles, as well as his house key in its lock.
Thin, approaching dematerialization, they are affixed to a white wall, which can be seen through the paper surface.