Chuck close's grids, Gabriel Orozco's checkered patterns, the frame itself, or the smooth
white walls of a gallery space all strive to achieve the same end as a pencil guided along a straight edge - respite from the expressive responsibility of mark - making, submission to something sure, inert, and objective.
The strikingly vibrant artworks by artist Jacky Tsai, currently adorn the
pristine white walls of gallery Contemporary by Angela Li, for his solo exhibition, Human Nature.
Despite the subtle variations of white dividing the work into three vertical sections, Corse's painting camouflages against
the white wall of the gallery.
In one of the exhibition's largest installations, The Obliteration Room, Kusama encourages visitors to enact a communal «obliteration» of space by coating
the white walls of a gallery — complete with furniture and objects — with colorful sticker dots provided by the artist.
In the high light of mid-afternoon, the seemingly weightless glass refracts sunlight onto
the white walls of the gallery, painting them with other - worldly streaks of blue and green.
Bulgarian artist Nedko Solakov presents A (not so) White Cube (2001), a site - specific installation of tiny wall drawings only visible when the viewer moves close to
the white walls of the gallery space.
[1] With the «Spot Room», Hirst applied the formulaic grid structure of the paintings directly to
the white walls of the gallery foyer.
The exhibition consisted of an installation in which
the white walls of the gallery foyer were painted in their entirety with «Pharmaceutical» spots.
Viewed against
the white wall of the gallery, shape and volume are foregrounded, recalling the socially acute minimalism of Rachel Whiteread's «Ghost House».
But for Ms. Antunes,
the white walls of the gallery have been challenging compared with some of the more rustic spaces she's used for installations in the past, such as the Centre of Contemporary Visual Arts in Bordeaux or the Berlin Biennale.
Trey Egan's second solo exhibition at Cris Worley Fine Arts includes eight large - scale abstract oil paintings on canvas that animate and transform
the white walls of the gallery into a torrential color storm.
With their whimsical shadows against
the white walls of the gallery, they convey the fantastical aspect of Butler's practice, along with an elephant whirligig installed below demonstrates his homegrown inventiveness.
Yet, stripped of context, they also appear vulnerable and naked, awkwardly exposed against
the white walls of the gallery.
It suggests
the white walls of a gallery, rather than the cluttered wall of Facebook; a well - worn easel or carefully lit studio rather than a zig - zag Ikea mirror.
For museum visitors, the distinctive views of State Street afforded by the Viewing Scope suggest that art can address issues beyond
the white walls of the gallery.
The exhibition consists of 7 canvases painted as if they were part of a graffiti piece over
the white walls of the gallery.
With
the white walls of the gallery still visible, the paneling acts as an allusion that ultimately recognizes itself as an imitation.
In its finest moments, Leap Before You Look exposes
the white walls of the gallery as a permeable membrane through which the ideas and creative energies of generations of students can flow alongside some of the finest artists of the last century.
The tradition of artists and galleries discovering places to exhibit art that goes beyond
the white walls of galleries is hardly a new idea on the East End.
Urban sidewalks and architectural elements like doors and windows, and
the white walls of the gallery are echoed in the works.
Wooden boards (similar to those used in temporary construction sites), some painted pink, were placed over
the white walls of the gallery, creating a uniform base for the works included in f....
The anchor of the exhibition is «Walldrawing 2013», an installation featuring 120,000 lines of text, stamped directly onto
the white wall of the gallery.