Sentences with phrase «white war paint»

Not exact matches

Some abolitionist works like «Uncle Tom's Cabin» could paint slavery as a form of captivity, but the canonical captives of antebellum American literature were white women kidnapped by Indians, who after the Civil War were often replaced by freed slaves as objects of superstitious terror.

The Huntsman: Winter's War gets a second trailer that paints the Snow White spinoff as a grand (if also silly) helping of fantasy spectacle.

The castle which gave its name to the city after the Second World War is 17th century (built on the site of a 14th century one) and is surrounded by classic wood - beamed, white - painted German houses.

A special edition car with emerald green paint and white interior is set to debut in about six months, otherwise Ford's old war horse heads into the»90s unchanged and selling better than ever.

They became more colorful and less representational, leading to his first totally abstract piece, Composition I, a colorful painting destroyed during World War II, known now only through a black and white photograph.

In her Let us now Praise Famous Men (2012) series of acrylic paintings, Ruyter appropriated Depression - era black and white photographs from the archive of the Farm Security Administration / Office of War Information in the Library of Congress.

2005 The Last Generation, curated by Max Henry, Apex Art, New York, NY, USA; traveling to Jousse Entreprise, Paris, France Superstars: From Warhol to Madonna, Kunstforum / Kunsthalle Wien, Vienna, Austria The Painted World, P.S. 1 Center for Contemporary Art, Long Island City, New York, USA The Disasters of War: From Goya to Golub, Ezra and Cecile Zilkha Gallery, Wesleyan University, Connecticut, USA Post No Bills, curated by Matthew Higgs, White Columns, New York, USA Helga's Art Collection, Museo Extremeno e Iberoamericano de Arte Contemporaneo, Badajoz, Spain The Art of Aggression: Iraqi Stories and Other Tales, curated by Jean Cruthchfield and Robert Hobbs, Reynolds Gallery, Richmond, Vancouver, Canada 2004 Editions Fawbush: A Selection, Sandra Gehring Gallery, New York, USA Last one on is a soft Jimmy, Paula Cooper Gallery, New York, USA Bill Adams, Wayne Gonzales, Cameron Martin: Paintings, KS Art, New York, NY Word of Mouth, A Selection: Part 1, Dinter Fine Art, New York, USA La Lettre Volée, F.R.A.C. Franche - Comté Musée des Beaux - Arts de Dole, France The Freedom Salon, Deitch Projects, New York, USA Bush League, Roebling Hall, Brooklyn, New York, USA Painting (Wayne Gonzales, Roger Metto, Jason Middlebrook, Cristian Rieloff), Galleri Charlotte Lund, Stockholm, Sweden 2003 Parallax Views: Art and The JFK Assassination (Ant Farm & T.R. Uthco, Wayne Gonzales, Eric M. Jensen), Hallwals Contemporary Arts Center, Buffalo, New York, USA 150 artists make 150 T - Shirts, Daniel Silverstein Gallery, New York, USA Cartoon, Riva Gallery, New York, USA Melvins, Anton Kern Gallery, New York, USA 2002 The Presidential Suite, Nassau County Museum of Art, Roslyn Harbor, New York, USA Gravity Over Time, curated by John Pilson, 1000 Eventi, Milan, Italy From the Observatory, Paula Cooper Gallery, New York, USA Subject Matters, curated by Norman Dubrow, Kravets / Wehby Gallery, New York; Conner Contemporary Art, Washington, USA 2001 How is everything?

You started out with a series of monochromatic portraits of soldiers, either in red or in black, followed by a series of predominantly black paintings concerned with public war monuments and symbols of power, followed by a series of abstract white paintings and finally the gray abstract paintings.

Finding his place in the Abstract Expressionism hall of fame alongside Jackson Pollock and Mark Rothko, Robert Motherwell is best known for his Elegy to the Spanish Republic series which he worked on throughout his life — over 140 paintings memorializing the injustices of the Spanish Civil War featuring bold black shapes on a white background.

A 2007 auction bidding war pushed the price of his painting «White Canoe» (1991), estimated to sell for about $ 1.5 million, up to $ 11.3 million, making him the most expensive living European artist of that time.

These have included Francisco de Goya's prints of The Disasters of War, watercolours by Adolf Hitler and numerous paintings by unknown artists which their gallery, White Cube, normally buys for them.

SOLO EXHIBITIONS 2015 The Brooklyn Museum, Brooklyn, NY 2014 Roberts and Tilton, Los Angeles, CA 2013 The World Stage: Jamaica, Stephen Friedman Gallery, London, UK The World Stage: Israel, Boise Art Museum, Boise, ID Kehinde Wiley: Memling, Phoenix Art Museum, Phoenix, AZ The World Stage: Israel, The Contemporary Jewish Museum, San Francisco, CA Stephen Friedman Gallery, London, UK 2012 The World Stage: Israel, The Jewish Museum, New York, NY An Economy of Grace, Sean Kelly Gallery, New York, NY The World Stage: France 1880 - 1960, Galerie Daniel Templon, Paris, France 2011 The World Stage: Israel, Roberts & Tilton, Culver City, CA Selected Works, SCAD Museum of Art, Savannah, GA 2010 The World Stage: India, Rhona Hoffman Gallery, Chicago, IL Legends of Unity World Cup 2010 PUMA, Apparel Design Gallery, Berlin; Topographie de l'Arte, Paris; Deitch Projects, New York; Elms Lesters, London; UCCA, Beijing 2009 The World Stage: Brazil, Roberts & Tilton, Culver City, CA The World Stage: Africa, Lagos - Dakar, Artpace, San Antonio, TX 2008 Down, Deitch Projects, New York, NY The World Stage: Africa, Lagos - Dakar, The Studio Museum in Harlem, New York, NY Focus: Kehinde Wiley, Modern Art Museum of Fort Worth, Fort Worth, TX 2007 Kehinde Wiley, Portland Art Museum, Portland, OR The World Stage: China, John Michael Kohler Arts Center, Milwaukee, WI 2006 Scenic, Rhona Hoffman Gallery, Chicago, IL Columbus, Columbus Museum of Art, Columbus OH Columbus, Roberts & Tilton, Los Angeles, CA 2005 Rumors of War, Deitch Projects, New York, NY White, Conner Contemporary, Washington D.C. Bound - Kehinde Wiley Paintings, Franklin Art Works, Minneapolis, MN 2004 Passing / Posing: The Paintings of Kehinde Wiley, The Brooklyn Museum of Art, Brooklyn, NY Easter Realness, Rhona Hoffman Gallery, Chicago, IL 2003 Faux / Real, Deitch Projects, New York, NY Pictures at an Exhibition, Roberts & Tilton, Los Angeles, CA 2002 Passing / Posing, Rhona Hoffman Gallery, Chicago, IL

In another set of interactions, works by the perennially influential Philip Guston appear across three generational shifts: a Social Realist drawing of Klansmen, dated 1930, hangs amid politically progressive paintings by Jacob Lawrence (the great War Series from 1946 - 47), prints by Louis Lozowick, Hugo Gellert and Mabel Dwight, and photographs by Dorothea Lange, Margaret Bourke - White and Walker Evans; his modestly scaled abstraction, «Dial» (1956), is installed between Mark Rothko's imposing «Four Darks in Red» (1958) and Louise Bourgeois» classically phallic «Quarantania» (1941) in the galleries devoted to Abstract Expressionism; and a large, brooding, late figurative canvas of heads, shoes and eyeballs, «Cabal» (1977), turns up beside paintings by artists twenty - five to thirty years his junior, along with one from Cy Twombly, who was two years older than Guston, born in 1911, and one by Alma Thomas, who lived from 1891 to 1978.

At the Turner Prize show these works are displayed along with a new painting, White Flag 2010, a vivid yet sideways glance at the fallout of the Iraq war.

Berlin Abstraction incorporates general allusions to German military pageantry found in the other War Motif paintings: the sleeve cuffs and epaulets of uniforms; a helmet cockade denoted by two concentric circles; and the blue - and - white, diamond - patterned Bavarian flag.

To be sure, this painting (and its counterpart from the following year, Nazi War Cave # 2, which reverses the black ground and white foreground) is engaging on many levels.

The title of the show harks back to a previous piece — «Scorched Earth» is a 2006 map - like painting inspired by the war in Iraq and the 1921 Tulsa riots, when white mobs torched the city's prosperous African - American neighborhood.

Nazi War Cave # 1 (1985), a black - and - white acrylic painting, also from Plato's Cave, Rothko's Chapel, Lincoln's Profile, features some similar crystalline imagery and its own provocative text snippets running along the margins.

The phone is a standard flagship OnePlus 5T, but with a couple of tweaks: The back is painted in white, and has a red Star Wars logo at the bottom.

The surface of the planet of covered with a layer of mineral salts over red soil, and the 5T Star Wars edition tries to emulate the same with the white paint job and the red Alert Slider.

Accenting the white paint job are the Star Wars and OnePlus logos, Alert Slider, power button, and volume rocker all in red.

I have a cream kitchen (not white), with double stacked cabinets to the ceiling, pale yellow walls and Juperana Gold counters and faux travertine (heated) floors... I live in a very GRAY city (literally some of the least days of sunshine in the country)-- so for my mental health, I prefer a war, bright palette in my personal (historic, dark tudor) home... where there is tons of medium dark wainscoating throughout all the non-kitchen spaces, with only a little painted woodwork.