Sentences with phrase «white woman artist»

«We were a multiracial group picketing them, and they called the police... There was a friend of the director — a white woman artist — and she said, «Who do you think you are, coming down here and telling us what to do?

Speaking to their contrasting views on such «segregated» exhibitions, Morris and Hockley noted that while, in both title and subject, the exhibition «is focused purposefully on the work and experiences of black women... it also features the work of men and non-black women of colour, and, through ephemera, references the work of white women artists, feminists, and art world influencers.»

Not exact matches

The holdup artist was a large black man, his hostage a young white woman, and as an angry South Boston crowd moved in on him, he retreated to a bridge that put him in plain view of scores of gawkers.

Women and minority actors and stage managers are getting fewer jobs and often wind up in lower - paying shows than white male theater artists, according to a new study by Actors» Equity.

I m a talented artist painter... sculptor... poet... intellectual... white... mutilingual... and I adore women in uniform... I want to marry one;)

Sharing honors from the Society Dramatic Authors and Composers, given annually to a French film in Fortnight, were two very different tales of romantic possibility in Paris: Philippe Garrel's black - and - white «Lover for a Day» («L'Amant d'un Jour»), about a 23 - year - old woman who learns that her father is dating a girl her age, and Claire Denis» «Let the Sunshine In» («Un Beau Soleil Intérieur»), starring Juliette Binoche as a divorced artist looking for love in many of the wrong places.

Thus was born the story of Kennedy's presidency as a golden period, described as «a magic moment in American history, when gallant men danced with beautiful women, when great deeds were done, when artists, writers, and poets met at the White House, and the barbarians beyond the walls held back.»

Complete List of NAACP Image Award Winners Film Categories Best Picture - «The Secret Life of Bees» Best Director - Gina Prince - Bythewood, «The Secret Life of Bees» Best Actor - Will Smith, «Seven Pounds» Best Actress - Rosario Dawson, «Seven Pounds Supporting Actor - Columbus Short, «Cadillac Records» Supporting Actress - Taraji P. Henson, «The Curious Case of Benjamin Button» Independent Film - «Slumdog Millionaire» Documentary - «The Black List» Foreign Film - «The Class» Best Screenplay - Jenny Lumet, «Rachel Getting Married» Television Categories Best Comedy Series - «Tyler Perry's House of Payne» Best Actor in a Comedy Series - LaVan Davis, «Tyler Perry's House of Payne» Best Actress in a Comedy Series - Tracee Ellis Ross, «Girlfriends» Supporting Actor in a Comedy Series - Lance Gross, «Tyler Perry's House of Payne» Supporting Actress in a Comedy Series - Keshia Knight Pulliam, «Tyler Perry's House of Payne» Best Dramatic Series - «Grey's Anatomy» Best Actor in a Dramatic Series - Hill Harper, «CSI: NY» Best Actress in a Dramatic Series - Chandra Wilson, «Grey's Anatomy» Supporting Actor in a Dramatic Series - Taye Diggs, «Private Practice» Supporting Actress in a Dramatic Series - Angela Bassett, «ER» Made - for - TV Movie, Miniseries or Dramatic Special - «A Raisin in The Sun» Best Actor in a Made - for - TV Movie, Miniseries or Dramatic Special - Sean Combs, «A Raisin in the Sun» Best Actress in a Made - for - TV Movie, Miniseries or Dramatic Special - Phylicia Rashad, «A Raisin in the Sun» Best Actor in a Sopa Opera - Bryton McClure, «The Young and the Restless» Best Actress in a Sopa Opera - Debbi Morgan, «All My Children» Best Director in a Dramatic Series - Ernest Dickerson, «Lincoln Heights - The Day Before Tomorrow» Best Director in a Comedy Series - Kevin Sullivan, «30 Rock - MILF Island» Best Screenplay for a Dramatic Series - Shonda Rhimes, «Grey's Anatomy: Freedom Part 1 & 2» Best Screenplay for a Comedy Series - Erica D. Montolfo, «The Game: White Coats and White Lies» News / Information Series or Special - «In Conversation: Michelle Obama Interview» Talk Series - «The View» Reality Series - «American Idol 7» Variety Series or Special - «An Evening of Stars: Tribute to Smokey Robinson» Children's Program - «Dora The Explorer» Best Performance in a Children's Series or Special - Keke Palmer, «True Jackson» Music Categories Best Male Artist - Jamie Foxx Best Female Artist - Beyonce» Best New Artist - Jennifer Hudson Best Duo, Group or Collaboration - Jennifer Hudson, featuring Fantasia - «I'm His Only Woman» Best Jazz Artist - Natalie Cole - «Still Unforgettable» Best Gospel Artist - Mary Mary Best World Music Album - Cheryl Keyes - «Let Me Take You There» Best Music Video - «Yes We Can» - Will.i.am Best Song - «Yes We Can» - Will.i.am Best Album - Jennifer Hudson - «Jennifer Hudson» Literary Categories Fiction - «In the Night of the Heat: A Tennyson Hardwick Novel,» Blair Underwood, Tananarive Due, Steven Barnes Nonfiction - «Letter to My Daughter,» Maya Angelou Debut Author - «Barack, Race, and the Media: Drawing My Own Conclusion,» David Glenn Brown Biography / Autobiography - «The Legs are the Last to Go,» Diahann Carroll Instructional - «32 Ways to Be a Champion in Business,» Earvin «Magic» Johnson Poetry - «Hip Hop Speaks to Children: A Celebration of «Poetry With a Beat»» Nikki Giovanni Children - «Barack Obama: Son of Promise, Child of Hope,» Nikki Grimes (illustrator - Bryan Collier) Youth / Teens - «Letters to a Young Sister: Define Your Destiny,» Hill Harper

I think that female artists are still struggling for recognition - as evidenced by recent award complaints of prizes going mostly to white men, though women are starting to stand up for themselves more (see: http://blogs.indiewire.com/womenandhollywood/las-she-screen-series-showcases-movies-and-tv-shows-with-female-protagonists-20160216).

These black - and - white life - size photographs of naked women in their 90s posed against a pure white ground, as if they were already in another world, were shocking when they were first shown, about 12 years ago, when the artist was in his early 40s.

UNBRANDED: REFLECTIONS IN BLACK AND A CENTURY OF WHITE WOMEN Selected by Stephanie Cristello Foreword by Janet Dees and Tamar Kharatishvili > click here to download PDF For over fifteen years, conceptual artist Hank Willis Thomas has consistently explored the representation of stereotypes within mass media and American consumer culture, particularly as it relates to African --LSB-...]

Select Group Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM

Gray Matters is a multifaceted survey of 37 contemporary women artists working in the surprisingly vibrant space between — and including — black and white.

Japanese artist Stephanie Inagaki's black and white charcoal drawings depict female figures that are not only an embodiment of her roots, but also of herself as an artist and a woman.

She has received fellowships for performance art from the National Endowment for the Arts and the New York Foundation for the Arts; Bessie and Obie awards for commitment to artists» freedom of expression; a Yoko Ono Lennon Courage Award for the Arts; a Richard Massey Foundation - White Box Arts and Humanities Award; a Lifetime Achievement Award from Women's Caucus for Art; and the Audrey Irmas Award for Curatorial Excellence from the Center for Curatorial Studies, Bard College.

University of North Carolina Press (Cover Art) 2012 Gussie Fauntleroy, National Museum of the American Indian: American Indian Magazine, Direct From the Artist, The 2012 Santa Fe Indian Art Market: Dyani Reynolds - White Hawk, Summer 2012 issue 2010 Cynthia Chavez Lamar and Sherry Farrell Racette with Lara Evans, Art in Our Lives: Native Women Artists in Dialogue.

In the 1930s, she lived in France with the legendary English writer Ford Madox Ford; her brother Jack Tworkov was far better - known as a painter; in New York in the 1940s, she was in the heart of the Abstract Expressionist scene (she's the woman in the white blouse between Bradley Walker Tomlin and Robert Goodnough in a much - reproduced photograph of the «Studio 35 Artists» Session» of 1950), but never gained much recognition for her own paintings.

About half of this 26 - work exhibition comes from those series, particularly «Unbranded: A Century of White Women, 1915 - 2015,» alongside real ads from the artist's personal archives.

The past 12 months have seen the rise of artist - initiated platforms that extend their influence beyond the white cube, such as For Freedoms, an artist - run super PAC founded by Hank Willis Thomas and Eric Gottesman, and the collective Black Women Artists for Black Lives Matter, facilitated by Simone Leigh.

Local art collector Adrienne Davis said Thomas» images of black women stand in stark contrast to those of Kelley Walker, a white male artist whose Sept. 2016 exhibition outraged many visitors.

«We Wanted a Revolution» focuses on the work of black women artists during the emergence of second - wave feminism — a primarily white, middle - class movement (Judy Chicago's The Dinner Party might ring a bell).

Women after Pablo Picasso run riot amid an impeccably dressed cast of museum directors, critics, dealers, and the artist herself in white, idling ever so gracefully to the right.

Through paint, collage, and sculpture, she is locating herself within three histories she has inherited — of being black, of being a woman, and of being an artist working within the largely white, chauvinistic modernist vocabulary of photocollage and abstract painting.

Margaret Lee (b 1980, Bronx, NY) has organized and exhibited work at numerous venues domestically and internationally including The Windows, Barneys, NY; Concentrations HK: Margaret Lee, curated by Gabriel Ritter, Duddell's x DMA, Hong Kong; Made in L.A, 2014 Hammer Museum Biennial, Los Angeles; 2013 Biennale de Lyon; de, da do... da, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA; Caza, curated by Sofía Hernández Chong Cuy, Bronx Museum, New York; NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami; New Pictures of Common Objects, curated by Christopher Lew, MoMA PS1, New York, and Looking Back, White Columns, New York, amongst others.

Whether or not Hilary makes the White House, women are indeed commanding the 2016 - 2017 art season, with almost all the major New York institutions celebrating female artists.

This free artist's talk is part of our Spring Exhibition Opening Celebration for Gray Matters, a multifaceted survey of 37 contemporary women artists working in the surprisingly vibrant space between — and including — black and white.

Group Exhibition 2000 Charles Sumner School Museum and Archives, Washington, DC, Group Exhibition 1999 Rock Creek Gallery, Washington, DC, Group Exhibition 1986 Gallery 1199, New York, NY, Joining Forces, Group Exhibition, Curators: Charles Abramson, Senga Nengudi - Fittz 1986 20 West Theatre, Harlem, NY, Apartheid and Other White Lies, Solo Exhibition 1986 The Muse Community Museum, Brooklyn, NY, Group Exhibition 1985 Howard University, Washington, DC Birth of a Blackwomanartist, Thesis show 1985 The Center for Art & Culture of Bedford Stuyvesant, Brooklyn, NY, A Common Thread: Caribbean & African - American Women's Tribute to Wanda Ducoste Wiener, Esq., Group Exhibition 1980 Howard University Law School, Washington, DC, Group Exhibition 1979 Washington Conference of Artists, Chicago, IL, Group Exhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibition, show.

Ten days after the Women's March artist Jonathan Horowitz exhibited a pile of free posters at Petzel Gallery — an altered image of Trump photographed from behind playing golf, in all white except for his red MAGA hat.

Women artists have opposed scratchy clusters of paint and pencil marks to white space.

Described as a young African - American woman in press materials, she is, in fact, a creation of the mid-career white artist Joe Scanlan.

by R.Tufnell / White Columns / 320 W 13 enter onHoratio / thru 12/20 Betty Tompkins / Rines / 55 Gansevoort / thru 12/13 Dust, Dialogue, and Uncertainty: Slow knowledge in design thinking and practice / Pratt / 144 W 14 / thru 2/7 Opening12 / 4 Franscesco Clemente thru 2/2; All - Knowing Buddha thru 4/13; Etc. / Rubin Museum / 150 W 17 Ann Lislegaard / Murray Guy / 453 W 17 / thru 12/20 Spaced Out: Migration to the Interior curated by Phong Bui / Red Bull / 220 W 18 / thru 12/14 Sean Landers / Petzel / 456 W 18 / thru 12/20 Thomas Houseago / Hauser & Wirth / 511 W 18 (second NYC location) / thru 1/17 Willie Doherty / Alexander and Bonin / 132 10th Ave. @ 18 / thru 12/6 Susan Te Kahurangi King / Edlin / 134 Tenth Ave. / thru 12/20 Willard Boepple; Helen Miranda Wilson / Bookstein / 138 Tenth Ave. @ 19 / thru12 / 20 Batik d'Afrique / Cohen / 251 W 19 / thru 12/31 Ridley Howard / Koenig & Clinton / 459 W 19 / thru 12/13 Klaus Lutz / Kitchen / 512 W 19 / thru 12/20 Hugue Caland / Lombard - Freid / 518 W 19 / thru 12/20 Wu Jian» an / Chambers / 522 W 19 / thru 12/20 Christopher Williams / Zwirner / 525 W 19 / thru 12/20 Neo Rauch / Zwirner / 533 W 19 / thru 12/20 Barbara Chase - Ribold / Rosenfeld / 100 Eleventh Ave. @ 19 / thru 1/10 Lynette Yiadom - Boakye / Shainman / 513 W 20 / thru 1/10 Opening 11/21 Stephane Calais / Zieher Smith & Horton / 516 W 20 / thru 12/20 Nicolas Guagnini / Bortolami / 520 W 20 / thru 1/10 Opening 11/20 Small is Beautiful / Flowers / 529 W 20 / thru 1/10 Opening 11/20 Dylan Stone; Diana de Solares / Bienvenu / 529 W 20 — floor 2 / thru 12/13 Dan Miller / Ricco - Maresca / 529 W 20 — floor 3 / thru 12/6 Sui Park; Shonagh Adelman / Bibro / 529 W 20 — floor 4 / thru 12/13 Owusu - Ankomah / Skoto / 529 W 20 — floor 5 / thru 1/10 Pat Passlof / Harris / 529 W 20 — floor 6 / thru 12/20 Lisa Breslow / Markel / 529 W 20 — floor 6 / thru 12/20 Opening 11/20 David Goerk / Scott / 529 W 20 / floor 7 / thru 11/29 Cathy Diamond; Dana Gordon / Zarre / 529 W 20 / floor 8 / thru 12/5 Gladys Nilsson / Greenan / 529 W 20 — floor 10 / thru 12/6 Heri Dono / Rollins / 529 W 20 — floor 10 / thru 12/20 Andy Warhol / Kern / 532 W 20 / thru 12/20 Opening 11/20 Richard Serra thru 12/20; Franz West thru 12/13 / Zwirner / 537 W 20 Gabriele Beveridge / Dee / 545 W 20 / thru 12/20 Pier 54 (featuring 27 women artists, photographs by Liz Ligon) / 120 11th Ave. @ 20 / thru 12/13 Be Here How: J.Grubin; M.Hoferer; M.Kukla; D.Levine; I.Sunshine; S.York / 308@156 / 156 Fifth Ave @ 21 / thru 1/9 Opening 11/20

The artist's work has been featured in the book Half The Sky: Conversations With Women Artists in China, written by Luis Guest, Director of Education and Research at White Rabbit Gallery, Sydney.

Except for a smear of blue by Norman Lewis, Michael Rosenfeld avoids color, but with a striking mix of black and white artists, both men and women, from the 1930s to today.

The critical «intention» of a male white artist is trumped by those with a greater claim to the identity at stake — «As a black woman, I'm offended».

I first saw drawing by Wilson in a group show at P.S. 1, where writers often mentioned her in the same breath as Amy Cutler, another artist who works on paper with plenty of white space, spare outlines, and a cast of young women in allusively rural settings.

Athi - Patra Ruga gained international attention through his performance series The Future White Women of Azania (2010 - present) which features fantastical characters — usually played by the artist — whose upper bodies are engulfed by colorful, liquid - filled balloons, while their lower bodies are revealed in stockings and heels.

Working with videographer Patrick Kelley, the artist has produced three black - and - white videos that follow the story of the half - woman, half - bull Minotaur, her lust - crazed mother Pasiphae, and her helpless sister Ariadne through boldly drawn landscapes.

1975 Allan Stone Gallery, New York, NY Celebration: Women in the Arts, Ulster County Community College, Stone Ridge, NY Audubon Artists 33rd Annual Exhibition, National Academy of Design, New York, NY 150th Annual Exhibition, National Academy of Design, New York, NY Mamaroneck Artists Guild 22nd Anniversary Open Juried Exhibition, Community Unitarian Church, White Plains, NY

When in 2014 white artist Joe Scanlan introduces a character played by a black woman into the Whitney Biennial, the mostly queer and black Yams Collective withdraws from the show.

Through subtle processes of image reconstruction, African - American artist Hank Willis Thomas complicates seemingly simple meanings behind image - based adverts, revealing their capacity to have much greater power than selling products but also play a disturbing role in constructing and reinforcing social prejudice — with an emphasis on the portrayal of black men and white women in America.

Later, artist Betye Saar would criticize Walker on PBS: «I felt the work of Kara Walker was sort of revolting and negative and a form of betrayal to the slaves, particularly women and children; that it was basically for the amusement and the investment of the white art Establishment.»

This «rage» is powerfully present, and punctures the exhibition like a blast in the side — most specifically Pindell's powerful video work from 1980, Free, White, and 21, in which the artist recounts for the camera racism she has experienced throughout her life (from childhood to working professional), and then switches into the guise of a blonde white woman who reprimands Pindell for her paranoia and ungratefulWhite, and 21, in which the artist recounts for the camera racism she has experienced throughout her life (from childhood to working professional), and then switches into the guise of a blonde white woman who reprimands Pindell for her paranoia and ungratefulwhite woman who reprimands Pindell for her paranoia and ungratefulness.

Dreamers Awake is a group show, curated by Susanna Grieves, at White Cube Bermondsey which explores the enduring influence of Surrealism through the work of more than fifty women artists.

In a way, this is true because white men make the rules of Western art culture, but there are and have been great women and ethnically diverse artists throughout history.

The artists included in this section include an anonymous medieval wood carving from the 15th century to the hagiographic Catherine of Alexandria by Antonio Alonso Villamor (17th Century) to the contemporary «virgins» and «martyrs» by Elena Kovylina, Shirin Neshat, Charlie White, Simon Periton, Xan Medina, Nezaket Ekici, John Brophy, Carlos Aires, Djamel Tatah, Cristina Lucas, and Nicola Verlato; they all reveal in their work the shift from the biblical and idyllic image towards a more earthly woman that combats and questions in an active manner that which Carla Ricci defined as «the exegesis of silence» imposed by the holy writings.

The impulse to control art in order to reclaim one's history is only natural, as with protests against a white male artist's fiction of a black woman in the 2014 Whitney Biennial.

Because they took issue with Joe Scanlan — a white male — for masquerading as (and profiting from) Woolford, a fictitious artist portrayed by two hired black women, Jenn Kidwell and Abigal Ramsay.

An exhibition of this calibre deserves to be in the main gallery rather than tucked away in a side room; but these photographs and videos are by women artists, and with Donald Trump entering the White House, it looks as if treating women as second...

Rehistoricizing.org presents the work of women artists and artists of color from varied ethnic and cultural backgrounds who worked in a «pre post — race» environment, an era in which the artist hero was almost always a white male, in particular among abstract expressionists.

The Rehistoricizing Exhibition at the Luggage Store gallery presented the work of women artists and artists of color from varied ethnic and cultural backgrounds who worked in a» pre post — race» environment, an era in which the artist hero was almost always a white male, in particular among abstract expressionists.