Sentences with phrase «white woodcuts»

German - born Buttner's work is typical of the Turner Prize's newfound humility - her signature pieces are nine simple, line - drawn, black - and - white woodcuts of beggars, while her other work shows a fascination with the lowly and mundane.

Yet, it was with the invention of her Tecelares, black and white woodcuts on rice paper, that Pape brought Brazil back into her art practice.

Her bold black - and - white woodcuts visually narrate her life experiences, religion, and history.

A Christmas card that I have cherished for many years features a black - and - white woodcut showing Mary and the baby in the stable — and in the background the silhouette of a devastated city with the shell of a burned window, twisted and bent, but unmistakably shaped like a cross.

There are other works (interestingly, many of which spring from the word «train») that retain their ambiguity through abstraction, such as the intensely blue, self - explanatory «AS THE CROW FLIES (the distance between my studio and the Drawing Center (3666 miles) drawn on scale 1/1, 5900000 lines of 39.37 inch» (2014) by Kris Van Dessel; the colorful, hard - edge monoprint silkscreen from the artist known as HENSE, «Shape» (2014); and Carl Fudge's black - and - white woodcut «Bricklayer 1» (2014).

Not exact matches

The «Persepolis» books are drawn in a deceptively simple, stark style, all in black - and - white: They're captivating and elegant in their austerity, like Japanese woodcuts.

The inspiration to use the typographic — a ready - made form — may have come from Nicholas Krushenick's graphic abstractions inspired by Matisse's cut - outs, Japanese woodcuts and comics; Jasper Johns» «alphabets» and «numerals,» which were shown in his groundbreaking debut solo show at Leo Castelli in 1958; and Willem de Kooning's black - and - white paintings «Orestes» and «Zurich» (both 1947).

Works on display will feature black and white and color images combined with words in woodcuts, intaglio and monoprints.

Genetic Inferiority: Darwin's Theory of White Superiority and Black Unintelligence, 2009, 42 x 58 inches, digital media and color woodcut reduction.

It sticks to black and white, with broad, wavy lines that suggest a woodcut.

Zarina, Dividing Line (2001), woodcut printed in black on Indian handmade paper mounted on Arches Cover white paper, image 40.6 x 33 cm, sheet 65.4 x 50.2 cm.

This color woodcut on White Richard B. Tullis II handmade paper was created by the artist in 1991.

Mangold's woodcuts premiering for the first time are also presented in conversation with works such as Movement in White, Umber, and Cobalt Green (1950) by early American modernist John Marin (1870 — 1953), known for his abstract landscapes, and with Duet and Murmur (2014), New York — based contemporary artist Cheonae Kim's (1952 ---RRB- paintings from her linear black - and - white seWhite, Umber, and Cobalt Green (1950) by early American modernist John Marin (1870 — 1953), known for his abstract landscapes, and with Duet and Murmur (2014), New York — based contemporary artist Cheonae Kim's (1952 ---RRB- paintings from her linear black - and - white sewhite series.

Recognized primarily as a painter, his first print project began at Pace Editions in 2007, which resulted in «White Roses,» a thirteen - block woodcut that combined his signature black outlines with vibrant colors to create a rich, beautiful, and dynamic work.

There is something for everyone — woodcut, intaglio, lithographs, digital prints and monoprints — and imagery that is representational, abstract, colorful, or simply black and white.

Relief and woodcut on white TLG, handmade, hand - colored paper, 66 x 52 inches.

HELEN FRANKENTHALER Radius (H. 234) woodcut in colors, 1992 - 93, on White TGL handmade, signed and dated» 93» in pencil, numbered 30/30 (there were also 8 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, the full sheet, one small area of surface soiling in the upper left sheet corner, hinged to the support in places at the reverse of the sheet edges, otherwise in very good condition, framed S. 28 x 28 in.

Woodcut on heavy off - white wove paper.

Helen Frankenthaler (1928 - 2011) ARIEL Color woodcut, etching and aquatint, 1996, on white wove handmade TGL paper, signed, dated and numbered 3/45 in pencil, published by Tyler Graphics, Ltd., Mount Kisco and with their blindstamp, with full margins, framed.

Grayson Perry, Animal Spirit, 2016, woodcut printed on 315gsm Heritage White 203.5 x 252 x 8.5 cm Published by Paragon Courtesy of the artist, Paragon Contemporary Editions Ltd and Victoria Miro, London

Helen Frankenthaler Grove 1991 Woodcut in colors, on off - white Awagami - Fujimori handmade paper, with full margins, I. 16 7/8 x 20 7/8 in.

When making woodcuts it is crucial to keep white space without sacrificing detail, which is not easy to do.

Woodcuts 10 December 2015 - 30 January 2016 Kate Shepherd Chunks 07 November 2015 - 02 January 2016 Mark Fox Giverny: Journal of an Unseen Garden 03 October 2015 - 05 December 2015 James Siena Typewriter Drawings 12 September 2015 - 31 October 2015 Joseph Havel How to Draw a Circle 01 August 2015 - 26 September 2015 Women Rule 01 August 2015 - 29 August 2015 Drew Bacon 13 June 2015 - 25 July 2015 The Circle and the Square 13 June 2015 - 25 July 2015 Michael Petry AT the Core of the Algorithm 11 April 2015 - 30 May 2015 Brooke Stroud Paintings 07 March 2015 - 25 April 2015 Rirkrit Tiravanija untitled 2008 - 2011 (the map of the land of feeling) I - III 14 February 2015 - 28 March 2015 Steve Dennie & Fred Sandback 17 January 2015 - 28 February 2015 Black and White, Mostly 20 December 2014 - 07 February 2015 Red, Yellow, Blue 20 December 2014 - 07 February 2015