Sentences with phrase «who curated the exhibition»

«He and his subjects are looking at each other,» said Rachel Liebling, who curated an exhibition of her father's work, which is to run at the Steven Kasher Gallery from March 13 to April 19.
His trajectory can be seen as a search for Modernism, according to Guild Hall Museum Director and Chief Curator Christina Mossaides Strassfield, who curated the exhibition.
Created in close collaboration with the artist, this fully illustrated publication includes texts by Christopher Bedford, who curated the exhibition during his directorship at The Rose Art Museum, Suzanne Hudson, Catherine Lord, and Siddhartha Mukherjee, and features an interview with the artist by Katy Siegel.
And it was Johnson who curated an exhibition featuring works from Gilliam's early, fruitful period that opens tonight at David Kordansky Gallery in L.A.
Lucy Byatt of Hospitalfield Arts, who curated the exhibition, first worked with Fagen on the artist's acclaimed public art project in Royston, Glasgow, which was the genesis of ROSE, Fagen's multiple published by The Multiple Store in 2013.
The Senior Curator at the Royal Academy of Arts, Adrian Locke, who curated the exhibition along with Hayle Gadelha, the Cultural Attaché in London and researcher, stated that:
At Viridian we have a Director who curates exhibitions.
It was good citizenship manifest as art patronage,» said Dr. Susan J. Rawles, Associate Curator of American Painting and Decorative Art, who curated the exhibition and wrote the accompanying catalogue.
The catalog opens with an insightful interview with Marshall conducted by Dieter Roelstraete and closes with essays by Navi Haq, who curated the exhibition, and Okwui Enwezor.
How did you begin working with Lucien Terras, who curated the exhibition in the gallery space of your apartment building?
Senior Curator Heather Pesanti, who curated the exhibition Lionel Maunz: Discovery of Honey / Work of the Family, and Carter Foster, Deputy Director for Curatorial Affairs and Curator of Prints and Drawings at the Blanton Museum of Art, consider two perspectives on the artist's work.
Join us to consider two perspectives on the artist's work in this talk by Senior Curator Heather Pesanti, who curated the exhibition on view Discovery of Honey / Work of the Family, and Carter Foster, Deputy Director for Curatorial Affairs and Curator of Prints and Drawings at the Blanton Museum of Art, who collected Maunz's drawings during his previous tenure with the Whitney Museum of American Art.
In God & Country, Niki Johnson (who curated the exhibition with artist Amelia Toelke) repurposes the commemorative plates of rural American churches.
«We didn't anticipate that there would be such clear links between our show and contemporary events,» said Mark Godfrey, who curated the exhibition with Zoe Whitley.
Please join us for an informal conversation with curator Cecilia Alemani, who recently organized Pier 54, a response to a 1971 exhibition by Willoughby Sharp on Pier 18, artists Greta Byrum and Annabel Daou, who curated an exhibition in the gallery that is now EFA Project Space in 2006 of unrealized artist projects, which they are reprising for A Wicked Problem, and critic Marcia E. Vetrocq, who guest - edited a special section of the July - August 2013 issue of The Brooklyn Rail on the subject of re-staging exhibitions.
«Black is not ever a neutral color, especially in the hands of a black painter,» said Mr. Bedford, who curated the exhibition with Katy Siegel.
Called the «definitive ART AIDS America showcase» by Jonathan Katz, who curated the exhibition with Rock Hushka, because of its size and inclusion of artists of color, Art AIDS America offers visitors to Alphawood Gallery a chance to trace the impact of the AIDS crisis on American art.
He will be joined on the Peristyle stage by TMA director Brian Kennedy, who curated the exhibition and wrote a companion book Frank Stella: Irregular Polygons 1965 - 66.
A Guggenheim publication accompanying Josef Albers in Mexico features essays by Lauren Hinkson, who curated the exhibition, and Joaquín Barriendos, a map, and reproductions of works in the show.
As to the charge that a director's job is not to curate shows, Deitch argued, «The first director of moca was Pontus Hulten, who curated exhibitions.
Before television supplanted magazines as the most important mass medium, «the magazines were so important to the advertisers,» said Terrence C. Brown, a former director of the Society of Illustrators who curated the exhibition with a consulting curator, D. B. Dowd of Washington University in St. Louis.
Lecture Abstract Expressionism: Looking East from the Far West Theresa Papanikolas, Ph.D., Deputy Director of Art and Programs Sept 7 • 5:30 pm • Doris Duke Theatre • Free Theresa Papanikolas, who curated the exhibition, gives an in - depth look at the museum's biggest show of the year from the curator.
As Kevin Moore, the artistic director of the Cincinnati biennial FotoFocus (which ran for the month of October), who curated the exhibition, Roe Ethridge: Nearest Neighbor, points out, «These photographs do not perform like an Alec Soth documentary project.
This documentation, chosen by the French art critics Guillaume Désanges and François Piron, who curated the exhibition, creates a web of formal and structural associations with Kovanda's work.
«Engman's sculpture is as beautiful as it is distinctive,» said Kirsten M. Jensen, Ph.D., the Gerry and Marguerite Lenfest Chief Curator of the Michener Art Museum, who curated the exhibition.
Light Work features the controversial video, Fire in My Belly, by David Wojnarowicz, and hosts a lecture by Jonathan Katz, who curated the exhibition at the National Portrait Gallery from which Wojnarowicz's work was removed after complaints from members of Congress about its content.
«These artists are interested in exploring how artists work, and exploring the creative process,» said Bruce Museum deputy director Susan Ball, who curated the exhibition with museum assistant Kathy Reichenbach and resident intern Caroline Nelson.

Not exact matches

One of my favorite projects was working with Michael SHVO, a real estate developer and an art collector who curated a Claude & Françios - Xavier LaLanne exhibition at Sotheby's and the Lalanne Sheep Station, a public art installation at the Getty Station on 23rd Street, facilitating my exposure to sculpture that I would later imitate in my own apartment.
For someone who clearly knows his stuff when it comes to art, he seems slightly baffled at a preview of the exhibition of his works — both at the idea of curating a show of it, and at the idea of being a collector itself.
Alan Solomon, who organized the Cornell show, would go on to curate both precocious artists» solo exhibitions at the Jewish Museum, in 1963 and 1964, respectively.
At the Brooklyn Museum she has championed curators who take an «anticolonial approach to curating» with exhibitions like «The Legacy of Lynching: Confronting Racial Terror in America» and «We Wanted a Revolution: Black Radical Women, 1965 — 85.»
Organized and curated by Jason Andrew, this historic exhibition includes important works by Jack Tworkov, who taught painting at Black Mountain College during the summer of 1952.
Featuring work by more than a score of artists like Max Beckmann, Otto Dix, Oskar Kokoschka, and August Sander, the show is curated by Olaf Peters, who also organized the Neue Galerie's 2014 «Degenerate Art» exhibition, examining the derisive treatment to which Hitler's regime subjected progressive artists from 1937 onward.
Welcome to Art Provocateurs Week, in collaboration with Art Alliance, where we interview artists who are a part of the Shepard Fairey - curated «The Provocateurs» exhibition during Lollapalooza.
Alexandra Schwartz, author and the founding curator of contemporary art at Montclair Art Museum, who conceived and curated this exhibition and the accompaying publication was originally scheduled to moderate this event.
What follows, in the exhibition, are works by artists who have persevered in defiance of portrait fatigue, such as Alex Katz and Chuck Close, and some creative curating that asks us to think of 1970s Body Art, anonymous street photography, and certain still lifes as portraits.
The exhibition, curated by gallery director Indira Cesarine, will feature over fifty watercolors by the artist, who will be presenting a new series of large - scale watercolor paintings along with many of her signature works.
, a group exhibition curated by Beth Rudin DeWoody featuring works in various media by both well - known and emerging artists who work in the field of contemporary realism to visually or conceptually challenge the viewer.
The exhibition is curated by SFMOMA's Henry Urbach, who is also a faculty member in CCA's Graduate Program in Curatorial Practice.
Curated by Charlotta Kotik, the former chairman of the Department of Contemporary Art at the Brooklyn Museum, the exhibition will feature approximately forty works, the majority of them large in scale, by ten New York artists who use eccentric and frequently obsessive techniques to create singular works on paper.
Curated by Nicole J. Caruth, the exhibition focuses on «contemporary artists who Grace Jones has influenced and inspired, and artists who address black bodies and queer identity in ways that recall aspects of Jones» oeuvre,» she said in an interview with Crave.
Osman, who holds a BA in Comparative Literature and an MA in Art Management, contributes to various online publications on contemporary art and curates exhibitions around NYC.
This groundbreaking exhibition, curated by Alex Donis, features the works of five seminal artists and artist groups: Rachel Rosenthal, Barbara T. Smith, Suzanne Lacy / Leslie Labowitz - Starus, Electronic Café International and EZTV; all who have been central to the alternative artist space movement in Southern California since the early 1970's.
In this excerpt from Phaidon's Mary Kelly monograph, Kelly speaks to renown art historian and AIDS scholar Douglas Crimp (who curated the first Pictures exhibition that introduced appropriation artists like Sherrie Levine and spearheaded postmodern art theory) on how she sees her work in relation to feminism (s) and why the later conceptual or «theoretical» feminism's turn to the psychoanalytic subject is always political.
Opening tonight is a group exhibition curated by Ricky Swallow titled, «GRAPEVINE ~» featuring artists who have all worked in clay, in California, for more than 40 years.
There is no more appropriate moment to examine new and recent contemporary art from Iraq and we are privileged that this talk will be led by curator and Director of Ikon Gallery in Birmingham, Jonathan Watkins, who curated the highly acclaimed Pavilion of Iraq at the 55th International Art Exhibition at the Venice Biennale in 2013.
Overlapping with this exhibition will be one curated by the film director Wes Anderson and his wife, the set and costume designer Juman Malouf, who have picked out objects from across the KHM's encyclopaedic collections (11 September 2018 — 20 January 2019).
May also signifies the return of seasonal museums, who open for the season with curated exhibitions.
Curated by Sara Reisman, Executive and Artistic Director of The Shelley & Donald Rubin Foundation, The Supper Club is comprised of three components: an ongoing series of socially - engaged dinners, an exhibition of 60 photographic portraits of the artists who participated in the dinner conversations, and a book scheduled for publication in 2018.
From the artists who ran coop galleries of the 1950s to Michelle Grabner curating her Suburban exhibition space near Chicago and beyond, painters, sculptors, and performers have served as impresarios and cheerleaders for their friends.
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