Sentences with phrase «who designed our exhibition»

The sculptor died in February, after two and a half years working with Barron and architect Frank Gehry, who designed the exhibition.

Not exact matches

«This exhibit was one we intentionally made very broad, because it covered the 230 - year history of music and politics in the US,» says the exhibition's guest curator Daniel Cavicchi, who also serves as an associate professor of American Studies at the Rhode Island School of Design.

most of them German expressionists, were gathered in a large - scale traveling exhibition designed to illustrate what he termed the «degenerate Jew - boy» tendencies of those so - called «artists» who wished to inflict their «humbug» on the German people.

If the average Super Mario Maker player is more interested in challenging platformer levels than in Rube Goldberg machines or art exhibitions, the Makers who focus on designing platforming courses will rise to the top of the rankings.

Tom Bramwell, editor, Eurogamer: For most people who attend E3, it is a frenzy of appointments to hear product pitches and discussions conducted in dark, imposing exhibition halls full of ludicrously expensive fibreglass dioramas that have been designed to reflect product features - usually science fiction, military or fantasy settings - while providing space to house demo units.

* A couple of really good galleries in premium places that invite you to have a solo exhibition or group showing once a year; * one or two pop up shows a year in a suitable spot in a town near you (empty shops in a main street are great and cheap); * an enthusiastic well networked agent (I asked a bright young girl who worked in visual merchandising / interior design / blogging to be my agent in a city 3,000 miles from home and she has been fantastic for me); * maybe one suitable art competition a year (I find art competitions expensive and often depressing); * and back it all up with the content marketing strategies for online sales and marketing.

Dawn DeDeaux and Lonnie Holley: Thumbs Up For the Mothership An exhibition designed to give an extended public forum to two artists who have participated in the Robert Rauschenberg Foundation Artists - in - Residence program in Captiva, Florida, Thumbs up for the Mothership features works by New Orleans conceptual artist Dawn DeDeaux and Atlanta - based sculptor and musician Lonnie Holley.

Finally, to open the door to what followed, and to pay tribute to one of artists who paved the way for American Pop Art, the exhibition will close with an emblematic work by Robert Rauschenberg (1925 - 2008): his Art Car designed in 1986 for BMW.

Those who commit themselves will receive an official I AM NO LONGER AN ARTIST badge designed by Bob and Roberta Smith, and shall be invited to create one final drawing for inclusion in the Art Amnesty gallery exhibition, using materials provided onsite.

They weren't that far off: The L.A. - born pioneer of the Light and Space movement, who is the subject of the gallery's inaugural exhibition, did design the green oasis, from its grassy terrace to the illuminated vines, as well as the skylights inside the galleries and a permanent Skyspace in the conference room.

The exhibition's theme is designed to attract artists who are working with unusual materials, an unusual process or creating art that may push boundaries.

However, the artist, who is also known for his unconventional operatic set designs, had a major exhibition at the Museum of Contemporary Art in North Miami, entitled Jonathan Meese: Sculpture, during 2010 during Art Basel Miami.

Carol Archer then expressed her gratitude to the many people who supported the exhibition, among them the Australian Embassy, the Macao Foundation, Esporao Wines, SNBA's Executive Director Mr Rui Penedo, Mr Bernardo Pinto, and Professor Sheri Wills (Rhode Island School of Design) for her excellent catalogue essay.

Lemonier co-curated the exhibition with Frédéric Migayrou, (Deputy Director, Collections of Architecture and Design, Musée National d'Art Moderne) and he states the importance of Tschumi in the architectural landscape: «He is one of the only practitioners who thinks of architecture in conceptual terms.

WHO: Pratt Artists League (PAL) and the History of Art and Design Student Association (HADSA) will present an exhibition of work by 28 first - and second - year master of fine arts students.

At Frieze London in October, the Haas Brothers, Los Angeles - based twins who are design collaborators, will have an exhibition at the Rosewood Hotel arranged by Mr. Roth, who represents both the artists and the hotel for this project.

Through his close relationship with this successful printer, Grasset met the highly talented jeweler Henri Vever, who later commissioned designs by him for 20 pieces of jewelry for the international exhibition in Paris in 1900.

This limited edition artist's book, designed by Olu Odukoya and published on the occasion of the exhibition Isaac Julien: «I dream a world» Looking for Langston at Victoria Miro (18 May — 29 July 2017), focuses on Isaac Julien's seminal work Looking for Langston (1989/2017), a lyrical exploration — and recreation — of the private world of poet, social activist, novelist, playwright, and columnist Langston Hughes (1902 — 1967) and his fellow black artists and writers who formed the Harlem Renaissance during the 1920s.

This exhibition pushes the boundaries for viewers accustomed to finding meaning in visual images and for artists who use words as inspiration, commentary, design and poetic dialogue.

Undergraduate and graduate industrial design students from Pratt Institute, who participated in an intensive, year - long collaboration with Herman Miller to design furniture that promotes physical and mental well - being, will present an exhibition of work as part of the 24th annual International Contemporary Furniture Fair (ICFF) from May 19 - 22, 2012, at New York City's Jacob K. Javits Convention Center at 655 West 34th Street in Manhattan.

Complementing the main exhibition is a display of design objects by Shiro Kuramata who collaborated with Takamatsu in the 1960s and 1970s.

RACHEL ROSE: EVERYTHING AND MORE The first United States solo exhibition by a young New York - based artist who will create a video environment that responds to Renzo Piano's design of the Whitney's new building.

Lukova, whose work has been featured in solo exhibitions worldwide and in permanent collections at the MoMA, the Library of Congress, and the Bibliotheque Nationale de France, was listed as number one in a Huffington Post article related to the MoMa exhibition titled «15 Women Artists Who Have Left Their Mark on Modern Design.»

Undergraduate and graduate industrial design students from Pratt Institute, who participated in an intensive, year - long collaboration with Herman Miller to design furniture that promotes physical and mental well - being, will present an exhibition of work as...

For more information, please see www.damelioterras.com Designed to highlight the prevalence of contemporary artists who are fascinated with the ephemeral, the transitory, and the temporary, miniMATRIX is a series of exhibitions comprising a single work of art, mounted not in the MATRIX Gallery but in atypical viewing spaces.

The Masters» Thesis exhibition is designed to showcase individual work and to premiere its participants as professional artists who will go on to form new projects and imagine as yet unthought - of possibilities in Houston and beyond.

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

The exhibition will bring together a group of artists who deal with these kinds of dilemmas as praxis and will produce a collaborative project integrating different techniques — design, visual art, craft — , into one cohesive ambient.

Curated by James Merle Thomas (Dept. of Art History, Temple University), the exhibition and related programming will support the English translation of Penser l'Afrique [Thinking Africa], a book by philosopher Bourahima Ouattara, and is the inaugural North American solo exhibition of Christian Nyampeta, a visual artist and researcher who works across art, design, and theory.

Astrup Fearnley Art Club is designed for visitors who are interested in contemporary art and wish to be in the know with the museum's exhibitions, events and permanent collection.

The exhibition series is designed to bring new creative talent to the Chicago area by artist who rarely exhibit in that region.

Presented in conjunction with CraftNow, a citywide exhibition devoted to expanding the boundaries of craft, art, and design, «Narrative Horizons» is a group show by three female artists who use craft techniques — or, depending on your perspective, craft artists who employ contemporary - art strategies.

This exhibition of 50 American prints surveys the activities of artists who put designs on paper during this exciting period.

The exhibition abstains from simply juxtaposing Art and Design, in order to focus on artists from the Daimler Art Collection who have been working parallel in both areas.

Led by Director of Education Mike Nourse, this six - month program is designed for a group of artists who create new works, connect with peers, present to visiting professionals, and culminate with an exhibition.

from may 11 to 23, NYCxDESIGN hits the city, attracting hundreds of thousands who wish to indulge in design - centric exhibitions, installations, trade shows, panels, product launches, and open studios.

Originally conceived by the Michener's former director Bruce Katsiff, these exhibitions were juried from submissions by some of the most accomplished artists in the Philadelphia region, using the experience and skills both of Michener staff members and two distinguished curatorial consultants: writer and independent curator Judith E. Stein and Judith Tannenbaum, who recently retired from her position as Richard Brown Baker Curator of Contemporary Art at the Museum of Art Rhode Island School of Design.

Artists who received a «Korea Artist Prize» will present new art ideas that have not been actualized despite spending much time designing for this exhibition.

WHAT: Pratt Institute's Center for Continuing and Professional Studies will present an exhibition of art, design, and architecture work by nearly 400 national and international students who have participated in its intensive, month - long Summer...

The Oiticica exhibition at the Irish Museum of Modern Art, Dublin (curated by César Oiticica Filho and Rachael Thomas), had the advantage of being conceived with Oiticica Filho, who visibly transmitted the spirit of his uncle into a joyful exhibition design that encouraged direct access to, and manipulation of, the artist's colorful objects and environments.

The group exhibition «Entangled: Threads & Making «at Turner Contemporary brings together 40 international female artists from different generations and cultures, who challenge established categories of craft, design and fine art.

This exhibition's strongest thread, however, is Isamu Noguchi, rarely shown in the UK, who personifies a dialogue between the Orient and the West, equally addressing design, sculpture, and architecture as well as acknowledging both tradition and modernity.

Upstairs a number of works by Bruno Munari demonstrate his playfulness with typography, representative of an Italian tendency to combine art and industrial design — although this is not true of many in the exhibition, who valued pure painting.

A sculptor and filmmaker known for his interrogation of glass as a material and paradigm in art, McElheny has conceived this exhibition in collaboration with Chicago architect John Vinci, who designed The Arts Club's current building.

What emerges from the Whitney's exhibition is a community of artists who appear compelled to limit themselves to ephemeral, transitory media, and whose work seems self - consciously designed to evanesce in a cynical age best forgotten.

Underscoring McKenzie's interest in design, theatricality, and architecture, the exhibition also includes a «sublet» of gallery space to McKenzie's peer, Scottish fashion designer Lipscombe, who will exhibit her fall clothing line in one of the constructed rooms within the gallery.

On Friday we'll get a good round up of voices, with Mia Fineman (curator of the Met's 2012 exhibition Faking It: Manipulated Photography Before Photoshop), Julia Kaganskiy (Director of New Museum's new Incubator for Art, Technology, and Design), and Cory Arcangel (who you probably know as digital artist who had a solo show at the Whitney Museum in 2011), and artist - Twitter mavericks Carla Gannis and Clement Valla.

«Studio Job MAD HOUSE is the first solo museum exhibition in the US to explore the creative vision of design collaborators Job Smeets (Belgian, b. 1970) and Nynke Tynagel (Dutch, b. 1977), who established their atelier Studio Job in Belgium in 2000.

This exhibition's strongest thread, however, is Isamu Noguchi, who personifies a dialogue between the East and the West, equally addressing design, sculpture, and architecture as well as acknowledging both tradition and modernity.

McQueen was known for his lavish, unconventional designs and this exhibition certainly opens the door to those who want to find out more about him, or simply to those who love fashion.