Sentences with phrase «who edited the text»

The man who edited the text was a Roman Catholic priest and humanist named Erasmus.

The conversations were with curator and writer Jenny Richards, a regular collaborator of Lynch's who edited the text into its current form.

Not exact matches

Auto - editing or flat - out rewriting the prescribed text of the Mass is virtually epidemic among priests who attended seminary in the late Sixties, Seventies, or early Eighties; it's less obvious among the younger clergy.

I want to add to this list my own expressions of thanks to those who made what might have been a difficult undertaking a rewarding one instead: Ruth Hopewell, who gave me the privilege of editing the book and consistently aided me in doing so; the Directors of Auburn Seminary, who granted a generous leave for my work on the project in Atlanta; Jim Waits and Elizabeth Smith, who anticipated everything I would need for the work to be done comfortably and efficiently; Lurline and James Fowler, who provided housing and friendship; Channing Jeschke, Candler's librarian, who made available and helped to arrange Hopewell's books and papers; Brooks Holifield, who worked with me on the last and knottiest problems in the text; and David Kelsey, on whose encouragement and sagacity I relied heavily when my assignment seemed most formidable.

Fr Roger Nesbitt, another of the young priests Fr Holloway influenced and who was to become his chief collaborator and the co-founder of the Faith Movement, has edited this text for publication.

«Students who were able to accurately identify and edit spelling errors were also more likely to craft a quality persuasive written text, as measured using the NAPLAN Writing Test criteria.»

Teachers who want a primer on measurement concepts and issues can download the full text of What Teachers Need to Know About Assessment, edited by Lawrence M. Rudner (see p. TK) and William D. Schafer, at http://ericae.net/books/nea/teachers.pdf.

A user who wrote in to Good e-Reader outlined exactly how print and e-book copyright editing works in the publishing world «My fiance works as an proofreader for a publisher and does a mixture of print and electronic texts.

So that's good news for people who had purchased the webOS tablet as the lack of a feature as basic as text editing is a glaring omission from a full fledged tablet device and was the subject of some harsh criticism.

They are not trained to really read the text, but only to use it as a reference for proper image placement.For my children's books, I initially used CreatesSace for editing, but have subsequently found reviewers who do a much better job.

The latter echoes loudly among indie authors who might want to make great use of their editing function to produce a better eBook with nicely designed reflowable texts.

Her editing packages include: (1) developmental editing, the deepest level of editing, focused on story and audience appeal and ideal for authors looking to ensure their story has a strong foundation; (2) line editing, focused on the language of the text and ideal for authors with a well - developed story who are looking to improve the language in their manuscript; (3) proofreading, a superficial edit focused on punctuation and formatting, designed for manuscripts that are virtually ready for publication, and (4) the critique, an in - depth, multi-page review designed to highlight strengths and troubleshoot weaknesses in the book as a whole — and an affordable introductory package at $ 119 (for most manuscripts).

You'd edit text about who manages which accounts, how much they're worth, if they're tax - qualified or not, and what investment strategies will be utilized (the combination of market timing, security selection, and asset allocation).

On the other hand members who keep ignoring the N4G posting guidelines and just copy and paste text from other websites without doing the proper editing will get their CRank lowered.

She has edited several titles including the recently released Dorothy Iannone; You Who Read Me With Passion Now Must Forever Be My Friends, along with It Is Almost That: A Collection of Image + Text Work by Women Artists & Writers, Torture of Women by Nancy Spero, and The Nancy Book by Joe Brainard (co-edited with Ron Padgett), among others.

She employs a surfeit of images, incorporates text, and uses feverish editing to alter the normal flow of the narrative, while the presence of her own voice and the direct participation of the viewer — who is pulled into the thick of it and often invited to perform actions — eliminate the conventional distance between cinematic fiction and its audience.

Making Biennials in Contemporary Times: Essays from the World Biennial Forum No 2, edited by Galit Eilat, Nuria Enguita Mayo, Charles Esche et al Limits to Culture: Urban Regeneration vs. Dissident Art, by Malcom Miles Cosmonauts of the Future: Texts From The Situationist Movement in Scandinavia and Elsewhere, edited by Mikkel Bolt Rasmussen and Jakob Jakobsen Who Cares?

The four collaborators, if you will, for this exhibition include Christopher Williams, the foremost conceptual photographer of our time, who edited an anthology of texts and images specific to this show.

Strongly fluctuating snow cover in Switzerland appears to be coupled to ocean cycles By Dr. Sebastian Lüning and Prof. Fritz Vahrenholt (German text translated / edited by P Gosselin) For those who love snow, there are supposedly dark clouds on the horizon.

He was the fellow who paid me for the work, let me install an internal search engine, heavily edit one of his lengthy speeches — when he handed it to me it was one solid block of text which I broke into paragraphs, then collected into sections then parts, then titled the sections and parts.