Sentences with phrase «who experience the film»

Not exact matches

Those statistics make it plain why AMC's CEO had the right idea, even if the announcement ruffled the feathers of the moviegoers who wish the film - going experience would stay they way it was when they were kids.

It's going to take a lot more then «visions» experienced by people in emotional and suggestible states to convince me, something like something seen by dozens of people who are not in an emotional and suggestible state, which is caught on camera by a person who we can reasonably assume would not tamper with the film.

The film «Voices of the Silenced» shows how and why the 15 individuals introduced in the film have experienced exactly that, regardless of who disagrees with them - they have a right to do so, and it would be respectful to listen to them.

We asked him to talk with Harvey Cox, a theologian who had experience with television and film.

Instead, the film would be about a clown who comes riding into town on a donkey; he's with a rather motley circus; he experiences the human failings of the circus people; he encounters Magnus, who wants to dominate and control; he substitutes himself for a poor human - puppet and is killed by Magnus.

To improve and broaden its packaging options, Wornick Foods hired packaging technology resources who have extensive experience in working with flexible, high - barrier films.

«These new films let parents and employers hear the honest, lived experiences — both positive and negative — of those who have used SPL.

I was very surprised at the number of women who wrote to say that they had experienced what the film explored.

Many of these more biased websites and films portray hospital birth like a battle ground for many, if not all, pregnant women but especially those who would like a «natural» birth experience.

Inspired by the Oscar - winning film «Three Billboards Outside Ebbing, Missouri,» Kat Sullivan, a former Emma Willard student who was raped by her history teacher at the elite Troy private school, rented out three electronic billboards — one of which is in Albany — to highlight her experience and support the Child Victims Act.

The organization recently hosted a screening of the film Don't Tell Anyone (No Le Digas a Nadie), which tells the story of an undocumented woman who experiences sexual abuse.

Additionally, the legislation seeks to end the experiences most visibly depicted in recent cases of alleged abuse by actresses who worked for film producer Harvey Weinstein; their legal remedies were limited in many cases because they were considered independent contractors.

In studies, mothers who watched films of their infants (as opposed to watching unknown infants) experienced increased production of feel - good dopamine.

In her forthcoming Journal of Consumer Research paper, Dunn demonstrates that consumers who experience fear while watching a film feel a greater affiliation with a present brand than those who watch films which evoke happiness, sadness or excitement.

During the filming, did you get any firsthand accounts from farmers who had experience working with large corporations like Monsanto?

The performances throughout this film are all top notch and the script feels very inspired, as if the writer has experienced these specific things or knows someone who has.

The film, with its transcendentally beautiful visuals and mysterious and detached narration from Bill's actual younger sister Linda (Linda Manz), who tags along with them, is a rich and rewarding experience, then as now celebrated for its intricacy and slowness.

Getting short - shrift in all of this is Kevin (Thomas Ian Nicholas, The Rules of Attraction), who is pushed mostly to the side here — although that may be intended irony, since his character was the most sexually experienced in the original film, making him the guy most likely to have had his glory day in high school, only to go downhill from there.

Based on the autobiographical novel by Jan Guillou and set in the mid-1950s, the film relates the experiences of a troubled young man who's enrolled into a hidebound private school.

Starring writer - director - producer and enigmatic «auteur» Tommy Wiseau, who had unlimited funds but questionable talent, the $ 6 - million film has been hailed «The «Citizen Kane» of bad movies,» a fascinatingly inept and endlessly quotable cult sensation that has carved out a place for itself as a midnight - movie communal experience.

A national health care crisis in the United States yields this tense drama from screenwriter James Kearns and director Nick Cassavetes, who experienced a real - life dilemma with his daughter's congenital heart disease that mirrors the one in this film.

It is best to go into this movie as blind as possible because it is better to experience the film rather than read about it later, but the story focuses on biologist Lena (Natalie Portman) and a team of scientists who venture into a strange force - field - like area that mysteriously appears on Earth.

Essentially, the 2003 melodrama is a massive, and massively strange, vanity project for Tommy Wiseau, its writer, director, star and producer who, prior to the film's production, had no experience in the industry whatsoever.

As someone who saw The Room, I can only truly speak from one perspective, and there's certainly an aware layer of recognition and expectation that is experienced from seeing a film you know so much about come together before you.

I recommend this film to those who are comfortable looking at some of the more difficult things in life or who have experienced some of the same and wish to see an accurate portrayal?a film that empathizes with the pain that real life can bring.

Anyone who can still remember what happened after that fateful knock in the first film will have a pretty strong idea of what's to come and whether it's an experience they'd care to endure again.

«The Forbidden Room» is weird, esoteric, and probably not the ideal entry point for curious moviegoers who have not yet experienced the glory of a Guy Maddin film for themselves — those people might be better served with a look at «The Saddest Music in the World.»

Filmed without narration, subtitles, or any comprehensible dialogue, Babies is a direct encounter with four babies who stumble their predictable ways to participating in the awesome beauty of life.Needless to say, their experience of the first year of life is vastly different, yet what stands out is not how much is different but how much is universal as each in their own way attempts to conquer their physical environment.Though the language is different as well as the environment, the babies cry the same, laugh the same, and try to learn the frustrating, yet satisfying art of crawling, then walking in the same way.You will either find Babies entrancing or slow moving depending on your attitude towards babies because frankly that's all there is, yet for all it will be an immediate experience far removed from the world of cell phones and texting, exploring up close and personal the mystery of life as the individual personality of each child begins to emerge.

Damien Power, who wrote and directed, previously made a series of short films, and his experience becomes evident as the story develops.

The film is based on the true story of Pearson who after a life - changing experience challenges the faith of his congregation by preaching about universal salvation.

It's maybe not the movie for audiences who absolutely insist on a plot — The Guardian, in a 4/5 review, calls it «a film about nothing specific» — but if you're willing to just give yourself over to the experience, 20th Century Women looks like a warmhearted dramedy.

Patrick Marber, who is no stranger to controversial material, having adapted his play into film script with Closer, makes some alterations to the more subtle tone in Heller's book, but does make it more compelling for the purpose of a feature film experience.

At the film's press day, actor Paul Giamatti, who's also an executive producer on the movie, talked about what drew him to John Dies at the End, his most memorable experience of the shoot, working with such new actors, how he sees the industry now, and that he doesn't think a film like Sideways would even get made today.

Aaron Godfred's feature film debut, Little Blue Pill, is a raunchy indie comedy about a young man who accidentally takes Viagra like pills and experiences all the side - effects that comes

Extras Casting Atlanta, the extras casting director for Liam Neeson's new movie Felt, is looking for men and women who enjoy and have experience runners and cyclists to work on a scene filming in Atlanta, Georgia.

And that is the only reason why all of those exterior shots in the film look so tactile and beautiful and hand - crafted, and that is one of a thousand suggestions that people who have that depth of talent and experience can just bring.

The social change and political drama «Something In The Air» has been in the works for a while now and IFC — who experienced success with the aforementioned films — picked up the rights to his next effort at Cannes reports Cineurope, and filming is set to begin next month.

Unfolding like Roman Polanski's take on «The King of Marvin Gardens» while simultaneously serving as a suitable spiritual sequel to the director's debut, «Afterschool,» in which the male desire to connect meaningfully with others is frayed and warped by life experience, «Simon Killer» is Antonio Campos» latest chilly, chilling character study, with Corbet effectively replacing Ezra Miller, who led the previous film, as a neuroscience major who studied how the eyes and the brain relate, but has a seriously loose wire between his own brain and his heart.

Recommendation: An almost perfect film experience, watch Almost Famous for the nostalgia, for the music (there are 50 credited songs used here), for the performances, for the Philip Seymour Hoffman performance (who was sick the entire time), for the plane scene, for Penny Lane — for all of it.

Josh doesn't fully buy into Jamie's documentary idea — tracking down an old high school friend who submits a Facebook friend request for a filmed candid real life encounter — but he goes along for the ride and is surprised to see the project take a life of its own, when the subject turns out to be a decorated Army veteran traumatized by his experiences in Afghanistan.

Skipping from a neo-noir adaptation (Out of Sight) to a biopic (Che), social commentary (Traffic) to an Andrei Tarkovsky remake (Solaris), mainstream drama (Erin Brockovich) to an experimental film about prostitution (The Girlfriend Experience), Soderbergh is a man who doesn't like repeating himself.

The film is the feature debut of Elizabeth Wood, who evidently based it on some of her own experiences.

For starters, there's a feature commentary with director Nick Castle and production designer Ron Cobb, who warmly recall the experience of getting the film off the ground and fighting for their vision.

However as a whole, this is a satisfying, and truly unique viewing experience, and we get to see a director who is at ease with such grand ideas of storytelling, and in the end, we get an experience like no other, and for true film lovers, we couldn't ask for any more.

Chilean director Sebastian Lelio's recent string of films, Gloria and A Fantastic Woman, portray unique, intimate experiences of women characters who are disarmingly genuine and authentic.

In short, the film is quite well written, well acted and offers a different experience for those who like historical films.

Although director Tim Miller, who helmed the first film didn't return, director David Leitch (John Wick with Chad Stahelski, Atomic Blonde) does use his experience as a stunt coordinator to deliver some stylish action sequences, as did Tim Miller in the first movie.

To his credit, the film's lucky young star Cameron Bright, who played a similar role in Godsend, is able to keep pace with the more experienced actors, although the deadpan delivery to try to make him believable as an adult in a child's body tends to drag the scenes down.

Crazy Donny (Giovanni Ribisi) shows up again to menace the bear; one of the main characters has a near - death experience; Sam «Flash Gordon» Jones, who enlivened the first film, seems to be wedged into the second story out of friendly obligation.

We spoke to Kaluuya, who knew he'd «kill it» in the role as soon as he read the script, about the prejudice depicted in the film, his own experiences of racism, and Samuel L Jackson's recent criticism of black British actors taking African American roles in Hollywood films.