Sentences with phrase «who paints the image»

It is MAN who paints the image of God to suit his needs at any given time.

«Erik den Breejen, the guy who paints images of musicians using lyrics from their songs, presented three small studies on canvas along with some larger work @ St Nicholas Studios.»

«Peter Cain, 37, Who Painted Images of Oddly Incomplete Cars.»

Not exact matches

U nder the influence of western painters who settled in Bali in the 1930s - Balinese artist started painting single scenes instead of narratives tales, using images from everyday life as their theme,

Accompanied by a troupe of dancers with gongs, drums, and banners, and by Australian aborigines in paint and loincloths, she invoked ancestor spirits and indicated that the best «image of the Holy Spirit comes from the image of Kwan In... [who] is venerated as Goddess of compassion and wisdom in East Asian women's popular religion.»

She painted an image of me that is the complete opposite of who I am.

The recording of an external likeness was denounced by the third - century neo-Platonist philosopher Plotinus, who refused to allow his portrait to be painted, in part because he believed it only an «image of an image» (in true Platonist fashion), and in part because he rejected his material existence, claiming that its mortal fragility demonstrated that it was essentially untrue and unreal.

It was Pope Julius II who commissioned Michelangelo to paint these White images on the ceiling of the Sistine Chapel.

Preston Smith, who is a local teacher, submitted an application to the city to erect the giant monument, which features a six - foot - tall pentagram painted red with a wooden image representing Satan in the middle of it.

Rain Without Thunder: The Ideology of the Animal Rights Movement by Gary L. Francione Temple University Press, 366 pages, $ 59.95 cloth, $ 22.95 Anyone whose image of the animal rights movement is one of nasty - tempered radicals who bomb laboratories and spray paint on fur coats will be in for a....

Coolest images: MSNBC highlights Alexa Meade, who applies paint directly onto living models and then photographs them in a way that makes the pictures look like paintings.

Aside from the grim image of every living thing on earth gasping for breath and choking on water as they sink beneath the waves, the flood story also paints a troubling portrait of a God who seems incompetent because He regrets that He made mankind (Didn't He know this would happen?)

We tapped San Diego artist Richard Hawk — who creates copper oxidation masterworks through the use of acid solutions — to render the image of a jet engine by dipping his brushes in our sauce, and letting its Carolina Reaper & Moruga Scorpion peppers serve as paint.

COLOR PHOTO: GREG FOSTER [See caption above] B / W PHOTO: ROBERT L. SMITH BUFFALO BOB With the Bills, Kalsu (61) worked as hard as he had at Oklahoma and started nine games as a rookie.B / W PHOTO: COURTESY OF AUDREY WRIGHTSELL BROTHER - IN - ARMS Johnson, who was practically inseparable from Kalsu on Ripcord, would die with him too.COLOR PHOTO: GREG FOSTER LASTING IMAGE At home in Oklahoma City, Leah Kalsu keeps a painting of Bob by another former Sooner, Tommy McDonald.

Weissman - Unni, who enjoyed painting and drawing as hobbies, mostly helped on the complex microscopy involved in capturing the images.

Everyone who participates in this week's Style Imitating Art challenge and submits a photo of their outfit will be entered to win either the painting itself or a notecard made from an image of the painting!

Some of the superheroes who will be introduced to the viewing audience include Peter Petrelli, an almost 30 - something male nurse who suspects he might be able to fly, Isaac Mendez, a 28 - year - old junkie who has the ability to paint images of the future when he is high, Niki Sanders, a 33 - year - old Las Vegas showgirl who begins seeing strange things in mirrors, Hiro Nakamura, a 24 - year - old Japanese comic - book geek who literally makes time stand still, D.L. Hawkins, a 31 - year - old inmate who can walk through walls, Matt Parkman, a beat cop who can hear other people's thoughts, and Claire Bennet, a 17 - year - old cheerleader who defies death at every turn.

In exploring the international terrorist who took the title's nom de guerre, Olivier Assayas, in Carlos, focused more on the vast disconnect between the man himself and the rock - star image he cultivated than in necessarily painting a detailed psychological portrait.

Trance Rated R for sexual content, graphic nudity, violence, some grisly images and language Available on DVD and Blu - ray Slumdog Millionaire director Danny Boyle tackles this story about a UK art auctioneer who foils an art heist only to be taken prisoner by the thieves until they can figure out how to clear up his amnesia and find where he hid the painting.

Those that did vote chose between candidates who had much more in common than the image highly polarized campaign ads painted.

On Friday, the faithful who made the pilgrimage to Bowling Green will see the wraps taken off the new Centennial Edition Corvette with its Carbon Flash black metallic paint and images of company namesake Louis Chevrolet.

I'm actually working with an artist now who is painting a custom design for my book cover, but has asked to retain rights to the image for marketing (sell prints of it).

A comprehensive look at the paintings of the last 40 years — oils, watercolors, and more — this $ 75 behemoth is full of stunning images and knowledgeable commentary from Tony Godfrey, who works at Sotheby's Institute of Art and is a Fine Arts professor.

The other challenge is I compare myself to mainstream book cover designers, who often commission custom 3D graphics, paintings or do a photoshoot for unique cover images.

We focused on some specific demographics to paint a more accurate image of who in America gets help through public assistance.

Myers is an artist who specializes in screw art — making elaborate images by putting screws in wood and painting them.

Though one of them paints images and the other does not, one might well feel that they have much more in common than either one does with a painter who prefers to work on a grand scale and with reference to important public issues.

Those who approach Richter's landscapes with a yearning for the exotic or the pastoral are greeted by images that first intensify that desire and then deflect it» (Robert Storr, Gerhard Richter: Forty Years of Painting, exh.

Each image is based in observation of the most nuanced sort — anyone who dates her paintings according to the month has a stake in how time and season change the quality of light.

it's frustrating to think that anyone of the perceptual painting mindset — who trace some lineage of image making via fairfield porter and edwin dickinson through to lennart anderson and others — wouldn't have a place for the appreciation of the sort of work that desiderio does.

Destroyed 1964 Richter painting, image from Gerhard Richter Archkiv via Spiegel I don't know if Joerg knew at the time he first tweeted about it — he is plugged in and German, so who knows?

As an undergraduate art history major who didn't start painting until several years later, I studied the paintings from an academic perspective, so stumbling across these old familiar images now that I've been painting for a while is exciting.

The intertwining of image and technique has long been a concern of Berkenblit, who has been showing in New York for thirty years, and is, with Dunham, one of a handful of painters, including Dana Schutz, Jason Fox, and Amy Sillman, equally concerned with the possibilities of expressive figuration and virtuosic paint - handling.

Rail: Greenberg had a whole theory — merge the image with the support and whatever — that was very convincing to people who really didn't love painting.

Ian and Mary, 1971, by the late American painter Alice Neel, is one of a handful of images in the exhibition painted directly from life, yet in her spare, urgent paintings Neel, who famously stated «I don't do realism» always alerts us to pictorial shifts and disjunctions that trigger psychological readings beyond the painted surface.

The 82 - year - old painter, who has lived most of his life in northern France near the Belgian border, has pursued his distinctive if somewhat conservative painting style for at least three decades, working for months and sometimes years on canvases whose paint surfaces are so obsessively thick that their images — mostly nudes, heads and still lifes — are virtually obliterated.

Together with legendary pop artists such as Roy Lichtenstein and Andy Warhol, Ramos was one of the first artistic figures who based his painting on the images from comic books.

The artists participating at the Grundy Art Gallery are Allison Katz, who displays a trilogy of works comprising painting, sculpture and print; Amy Stephens, whose practice centres on reclaiming objects and images from the native landscape; Ruth Beale with new large - scale works on paper, drawing on the British tradition of satire to critique current events; and Rebecca Birch, who brings an interactive installation investigating the politics of surface.

Why Zucker, Craig Kaufmann, Ed Moses, and the many others who labored similarly to trump painting didn't simply become sculptors and classify image illusion as a separate craft and culture is a historical puzzle.

The artist, who works frequently from the model and always in natural light, seems to start each canvas with a discernible image that gradually succumbs to the material and the process of painting.

Clare Woods is a painter who is essentially concerned with sculpting an image in paint, and expressing the strangeness of an object.

The photographer — who rose to fame in the early 1990s with a modern style characterised by the merging of digital manipulation and darkroom techniques — has since started «composing» his images by integrating an interest in the natural world with concepts typically associated with painting and cinema.

Innerst broke onto the New York art scene in the early 1980s with exquisitely executed small - scale paintings with hand - made frames, and his works were considered part of the Pictures Generation of artists who employed widely varied images as source material culled from the expanding media of the pre-digital age.

His paintings now include source photographs taken by various studio assistants and employees who travel internationally capturing images for possible use in the artist's paintings.

Each painting bears an identical image of the half - smiling artist from the neck up (she commissioned the paintings from an anonymous artist in China who produced the compositions from a photograph of Varejão), but they are otherwise unique.

By way of contrast, the New Image exhibition presented ten painters who were young and as yet unrecognized; they were allowed to show a good amount of work, from six to eight paintings.

«These days, beauty is not in fashion,» says Richter, who has explored painting and its role in image culture for decades on his quest for a form of painting that corresponds to contemporary challenges.

The panel will explore the timeliness of this recent iteration of digital abstraction, with three artists who variously work through issues such as: how gesture, expression, and authenticity might continue to be possible in a contemporary image - based culture; whether our digital era truly produces an ahistorical condition in which images and marks have no specific reference and no relevant point of origin; how structures of and interfaces with digital technologies have necessitated new models for thinking about memory, distribution, and reproduction, as well as degradation, rupture, breakdown, and the void; and how the ubiquity of the screen in all aspects of life has given rise to a renewed interest in the relationship between two - dimensional and three - dimensional space, with a refreshed focus on tromp l'oeil and «topographical» painting.

The current spotlight show is «Images of Autumn,» with Impressionist paintings by Tadashi Asoma, a Japanese artist who emigrated from Japan to New York and studied at the Art Students League.

During the exhibition, the scientific lab will interact with the visitors Following the investigations of the neuroscientist Vittorio Gallese who along with Giacomo Rizzolati discovered mirror neurons and how they response to colors in various artworks both in real paintings and reproduced images on screens.