Sentences with phrase «who supported the exhibition»

Carol Archer then expressed her gratitude to the many people who supported the exhibition, among them the Australian Embassy, the Macao Foundation, Esporao Wines, SNBA's Executive Director Mr Rui Penedo, Mr Bernardo Pinto, and Professor Sheri Wills (Rhode Island School of Design) for her excellent catalogue essay.

Local sponsors who support the exhibition in their communities, and volunteer docents who disseminate important information to the school children and adults of Nebraska have been equally invaluable to the success of Sheldon Statewide.

Not exact matches

Those who stayed loyal to British crown examined BY ROBERT KNIGHT City Editor An exhibition, possibly the first ever held in Rockland County, will spotlight loyalists residing here during the revolutionary War who supported continued linkage with Great Britain rather than separation from Mother England and the formation of a new and independent United States -LSB-...]

An exhibition, possibly the first ever held in Rockland County, will spotlight loyalists residing here during the revolutionary War who supported continued linkage with Great Britain rather than separation from Mother England and the formation of a new and independent United States of America.

Significant space and priority is given to the professional category of Illustrators, who can find at Bologna Children's Book Fair support and encouragement to develop their work and opportunities to meet with other operators in the publishing market and other sectors: first of all, the annual Illustrators Exhibition, but also the Illustrators Café — a space for conferences and meetings — and the Illustrators Survival Corner, with a rich programme of workshops, portfolio reviews and meetings with international artists.

The exhibition is being held at the prestigious Fosse Gallery in Stow on the Wold, Gloucestershire from 4th — 24th September, who have chosen to show their support for iCatCare by donating 10 % of the profits from the exhibition sales to the charity.

The exhibition includes photos by Ming Smith, who was an early member of the Kamoinge workshop, a group of black photographers who collaborated and supported one another in their creative endeavors.

Art A-listers like Ian Davenport, Tracey Emin and Brian Eno will be taking part in an online auction and one - day exhibition, Art on the Mind, in order to support and raise awareness of Cardboard Citizens, a charity which uses theatre and wider creative means to help people who have experienced homelessness.

Supported by an Art Fund Jonathan Ruffer curatorial grant, the exhibition brings together work by more than 70 artists working from 1850 to the present, and highlights the many connections between the author, her contemporaries and those who share an affinity with her work.

Terms & Conditions: This juried exhibition is open to all San Francisco bay area artists who incorporate creative reuse in their work, with special consideration given to artists who are affiliated with the Bayview neighborhood of San Francisco in some way (i.e. reside, work, shop, support).

Rather than assembling a group of artists who are concentrating on the demise of traditional painting supports — torn, shredded or punctured canvasses, exposed stretcher bars, paintings hung backwards, oddly shaped canvases, painting as sculpture, etc... this exhibition will focus on works that address time as a subject, or are time - sensitive.

The exhibition is supported by artist Christiane Kubrick, the director's wife of 41 years, who will be exhibiting a painting and Jan Harlan, Kubrick's Executive Producer for 28 years.

This juried exhibition is open to all San Francisco bay area artists who incorporate creative reuse in their work, with special consideration given to artists who are affiliated with the Bayview neighborhood of San Francisco in some way (i.e. reside, work, shop, support).

-- Emily Jacir: Europa has been generously supported by the Emily Jacir Exhibition Circle and those who wish to remain anonymous.

We welcome the support of individuals who wish to become involved in a particular exhibition, event or education project.

It is presented by Bank of America with generous exhibition funding also provided by The Andy Warhol Foundation for the Visual Arts, Vicki and Kent Logan, the donors to the Annual Fund Leadership Campaign, and the citizens who support the Scientific and Cultural Facilities District (SCFD).

In addition to supporting year - round AiB programming, Making History is the first step in preparation of a commemorative book, in which each artist who donates work to the exhibition will be featured.

Curated by Paton Miller, the now fourth year of this popular exhibition continues to celebrate 29 new artists, honors the collectors who have supported them, and marks Southampton Arts Center as a home where the East End arts scene can continue to thrive.

Although all of the artists have donated works to help to support the magazine and the development of the art school, this exhibition has been carefully considered to reflect that which is current, significant and critical in contemporary painting, including abstract works by Thomas Nozkowski, Mali Morris and Phil Allen, and painters who have championed a figurative approach such as Chantal Joffe, Neal Tait and Dinos Chapman.

But this time around it was not my usual amazement that anyone alive today was naïve enough to believe the old avant - garde orthodoxy of shocking the bourgeois, the tired old line offered in support of Deitch by Aaron Rose, a curator of one of Deitch's recent exhibitions: «I feel like [Deitch] is shaking the foundation of the castle, and the people who've been living quite comfortably in that castle for the last 20 years are nervous about it.

With the vigorous support of Hyde Park Art Center (HPAC) director Don Baum, the resulting exhibition, the Hairy Who, was a sensational departure from the typical sober - sided display: a comic for a catalog, brash, sharp - elbowed works full of the detritus of everyday life, artists jumping into the air rather than posing for the ages.

The exhibition and the accompanying publication was made possible with support from Kanton Basel - Stadt Kultur, kulturelles.bl, Stanley Thomas Johnson Stiftung, Roldenfund, Hans und Renée Müller - Meylan Stiftung, Erna und Curt Burgauer Stiftung, Ernst und Olga Gubler - Hablützel Stiftung as well as supporters who wish to remain anonymous.

The first major UK exhibition dedicated to Paul Durand - Ruel, * Inventing Impressionism * explores the man who discovered and dedicated his life to support the Impressionists.

There was also continued interest in Peter Hujar supported by his recent exhibition at the Morgan Library, along with appreciation for Gillian Wearing and Yale graduate newcomer Felipe Baeza who we have first introduced at the fair together with our more recognised artists to great effect.

We would like to thank the many artists, private collectors and colleagues from other galleries, who are supporting this exhibition through generous loans.

The Prize produced in collaboration with Whitechapel gallery supports UK - based female artists who have not previously had a solo survey exhibition, making it the only visual art prize of its kind the UK.

This exhibition is generously supported by The Robert Lehman Foundation and those who wish to remain anonymous.

The Curators Lab Exhibition greatly enhances FOCA's goals by reaching out to and funding young curators who will present exhibitions in support of a curatorial thesis.

On November 18, 2016, the Clyfford Still Museum begins a full year of celebratory exhibitions, events, and programs dedicated to all those individuals and organizations — including the citizens of Denver and the seven - county Scientific and Cultural Facilities District, numerous philanthropic donors, and more than fifty fellow non-profit organizations and local businesses — who have supported and partnered with the Museum, enabling it to redefine the boundaries of what a single - artist museum can achieve.

Additional support for this exhibition is provided by C L E A R I N G, New York / Brussels, Marianne Boesky Gallery, Jessica Silverman Gallery, and those who wish to remain anonymous.

Classes, lectures, workshops, exhibitions, and professional development programs continue the League's legacy of supporting students who intend to make art a profession, and cultivating a spirit of community among artists.

This group exhibition features work by eight compelling local artists who participated in the The Contemporary Austin's Crit Group — a seven - month - long program that supports a strong artistic practice through monthly critiques and professional development workshops.

VernissageTV also met with the director of the Kunsthaus Bregenz, Yilmaz Dziewior, who talks about the idea behind the show, the concept of the exhibition, the significance of Ai Weiwei's architectural work, and the supporting program.

It identifies, recognises and supports contemporary visual artists who engage with the human condition, social reality and lived experience and is best known for its biennial international Exhibition and Prize which takes place in Cardiff.

Curated by James Merle Thomas (Dept. of Art History, Temple University), the exhibition and related programming will support the English translation of Penser l'Afrique [Thinking Africa], a book by philosopher Bourahima Ouattara, and is the inaugural North American solo exhibition of Christian Nyampeta, a visual artist and researcher who works across art, design, and theory.

Two years earlier, Tworkov had a solo exhibition of new work with Charles Egan, one of the few New York dealers who supported the Abstract Expressionists in that period.

The first exhibition failed to draw positive criticism, driving the artist to give up painting in 1921, but the second exhibition received strong support from critics, including Henry McBride of The New York Sun, who, admitting his own delay in recognizing Eilshemius» talent, wrote «Suddenly, like another St. Paul, I see a great light and the scales drop from my eyes.

This benefit event supports Flux's 2015 operations — over 50 artists - in - residence, who produce over 40 exhibits, concerts and workshops in addition to 4 major annual group exhibitions.

The Art Studio after - school program at the Abbe Clubhouse is supported by the Joan Mitchell Foundation and led by Artist - Teacher Meghan Turbitt and Steve Rivera, who worked to organize the exhibition for their students.

In 2016, Johnson received Center support to present Making / Breaking the Binary: Women, Art, & Technology 1970 — 1985, an exhibition that surveyed a generation of pioneering female artists and related their work to the technology innovators who helped shape the information age.

: A few blocks to the west, David Zwirner is showing employee support with an exhibition entitled, and comprised of works by, «People Who Work Here.»

I was generously supported by people who were commissioning projects, and I got opportunities and very open prompts to make exhibitions.

Galerie Lelong is pleased to present Stretching Painting, an exhibition featuring the work of ten artists who engage «supporting» elements of painting, such as the frame, the wall, stretchers and hanging devices, as critical components of their work.

The exhibition will include works by international artists who will be selected by Berta Sichel, artistic director of the Biennial, with the support of a curatorial team of international experts; and will feature «La Meduse» 2008, a c - type photograph by Yinka Shonibare MBE.

Céline Condorelli is an artist who works with architecture, combining a number of approaches from developing structures for «supporting» (the work of others, forms of political imaginary, existing and fictional realities) to broader enquiries into forms of commonality and discursive sites, resulting in projects merging installation, exhibition, politics, fiction, display, public space, sound, writing, and whatever else feels urgent at the time.

The exhibition opens with a 1945 portrait of the musician Armando Perez and includes other figures from Harlem's cultural circle, including Sarah Shiller who, with her husband, supported left wing artists such as Neel during the period.

Notably, 1953 was also a pivotal year for de Kooning, who finally found staunch critical support and solid financial success following the exhibition of paintings and drawings from his Woman series at the Janis Gallery that spring.22 By then, Rauschenberg had known de Kooning for a year or more and had seen him on occasion, often through their mutual friend Jack Tworkov (1900 — 1982), who sublet studio space from de Kooning.23 Even as other details of the Erased de Kooning Drawing story changed, Rauschenberg always insisted that he chose de Kooning out of deep respect for his work and because there was no question that a drawing of his would be considered art — and this was more true than ever in 1953.24 Critic Leo Steinberg later reported asking Rauschenberg whether he would have erased a drawing by Rembrandt, to which he replied no.

It's also a community - driven exhibition where many of the artists living and working on the East End turn out to support the show or to discover the artists who took wins from the judged show.

Dispute continues over Anselm Kiefer show in Beijing The organisers of Beijing Central Academy of Fine Arts Museum's recent Anselm Kiefer show have spoken out against the artist and his galleries, who have refused to give their support to the exhibition.

«POWer of 13» is an exhibition at the Barrett Art Center in Poughkeepsie NY by thirteen artists from the metro New York area who support each other as friends and critics.