Sentences with phrase «who viewed this movie»

The one who views the movie is always changed by the movie, whether they realize it or not, and also whether or not they understand that point the director was trying to make.

A majority of the people who viewed this movie did solely based off of the controversy surrounding it and the fact that Franco and rogen were in it.

Not exact matches

Donovan, who started out in the movie business and won an Oscar in 2003 for producing Michael Moore's Bowling for Columbine documentary, created a media company for the Netflix era, where once beloved shows are held in massive digital libraries, sold to streaming services, and viewed on demand, often on laptops, tablets and phones.

Groups of young friends who go to see some of the more death - focused horror films in vogue of late will routinely take bets on which stock character will face a grisly end soonest, as when viewing the Final Destination series» a film series that is, essentially, the apex of the set - piece disaster horror movie as orchestrated by MacGyver.

I put these facts on the record not to support a return to Prohibition, which I strongly oppose, but to set the historical record straight and temper the revisionist view of legalizers who take their history from celluloid images of 1930s gangster movies.»

This makes viewing the movie great fun because we, who are so often buffeted about in the world by not knowing how life works, here know what the world doesn't.

Afterwards, as we were sitting on the couch, a little depressed from all the people who die, the women who get treated like trash, and the overall view in the movie that life is cheap, my wife said, «Of all the traditional Christmas movies, «Miracle on 34th Street,» «White Christmas,» or «A Christmas Story «why do you watch this movie?

It's not often that one leaves a movie theater feeling speechless, but anyone on the right side of the culture wars who views the recent film Blast from the Past will find his jaw scraping the sidewalk» and not out of disgust.

I never fail to get amused by people who view football like a rambo movie where one superstar does all the job singelehanded!

For example, a person with autism who is viewing a movie of people in a room will spend a relatively large amount of time looking at non-social objects — such as chairs — and is more likely to look at the mouths or bodies of the characters than their eyes.

I put this view more gently to Randal Keynes, Darwin's great - great - grandson, who wrote the book Annie's Box — an account of Darwin's family life and of his relationship with Annie in particular — and who gets a writing credit on this movie.

With the look of a big - budget movie, Falling Skies offers up - close views of CGI extraterrestrials who are kidnapping human children for reasons unknown — but presumably nefarious.

What can I say, am very simple person who like to laugh, listen movie, music, walk by Th beach, park, enjoy naturel view

am just a guy who sees the world from a 360 view, am hard waorking I respect people and I like bein happy playing video games and Watching movies.

I am a gamer / anime / board game / RPG enthusiast who is just trying to find someone who doesn't mind getting know me maybe going out to a movie or dinner and honestly can hold a conversation without getting anger about some views I'm just easy to talk to and want to find the same as of August I'm...

1)» Network Wide Access» to the other 260 + sites within Passions Network, opening up access to millions more member profiles (instead of restricting yourself to the profiles on Movies Passions) 2) Audio / Video chat 3) Surfing Incognito 4) Hiding one's profile from search engines and non-logged in members 5) Seeing «LIKES» first, before reciprocating 6) Having an unlimited number of members in your «WHO VIEWED ME» area (Non-upgraded members have a limit on how long members are displayed) 7) Enjoying member photos 300 % larger within the WHO VIEWED ME section of your site profile pages

There's a way things should be done, a way a family should be raised, there's the moral fiber of a family, and these considerations are on the table of a loving couple who nonetheless disagree about the answers to these thoughts and battle the whole movie for their own point of view, and battle each in their own way.

In general, those few white people who speak up in the movie against white brutality are viewed with contempt, even as the agents of that brutality are offered a chance at redemption.

Too many critics talk about the cinematography of the film, who cares about the skylines, odd view points, etc let us just focus on the story and the message of the movie.

And while it's no surprise that the movie omits and elides important players and crucial episodes, its honed focus jibes with the view of the former New York Times columnist Anthony Lewis, who wrote that the «public disclosure of the Pentagon Papers challenged the core of a president's power: his role in foreign and national security affairs.»

2001: A Space Odyssey is highly recommended, especially for a whole new generation of young people who have probably never viewed the original 1968 movie in its entirety.

This is my way to respond to what's going on,» was how Josh Singer, who joined the project as a co-writer before shooting began, summed up Spielberg's view of the movie.

And while women's rights advocates such as Betty Friedan took exception to the lurid premise of female victims being skinned alive (based on the real - life crimes of Ed Gein, who also was an inspiration for «Psycho»), a closer viewing will reveal it is probably one of the most feminist - forward - thinking horror movies ever made.

His last review, about this movie, was viewed through the prism of this wonderful man, who at the very end of his life, had to see the movie through that lens.»

That said, how discomfited are you by the idea of a Woody Allen movie about a man starting over by entering into a relationship with a much younger woman, specifically one who might view him as an authority figure?

(This movie came out this year, but who has really heard of it, other than — yes — those with a cynical view of human nature?)

The movie is from the point - of - view of the eponymous evil sorceress (Angelina Jolie), who cursed Aurora (Elle Fanning) to a permanent sleep on her 16th birthday.

Mixing sweeping views with the back story of three men — Jimmy Chin, Conrad Anker, and Renan Ozturk — who attempt the titular summit in the Himalayas, the documentary captures the real tension and superhuman feats that movies like Everest have to portray through actors.

Rating: 7/10 — it's easy to forget that there are other animation studios in Japan beside Studio Ghibli (here it's Madhouse), but despite some obvious flaws, The Girl Who Leapt Through Time is a positive reminder; engaging and unpretentious, it's a movie that treats its more serious themes with genuine integrity, while adding a lively sense of humour, all of which makes for an entertaining, if not entirely polished, viewing experience.

The movie delivers an unprecedented view into the lives of two modern - day vigilante leaders who have taken up arms against the murderous Mexican drug cartels on separate sides of the Mexico and U.S. border.

Instead, the more «out - there» character work is given to Kate McKinnon in a role so daffy that she will likely be seen as stealing the movie for a sizeable percentage of the viewing audience, as well as for Leslie Jones, who isn't as hilarious in a more earthy character, but I do think she offers more to the comedy than Ernie Hudson had been afforded in his stint as the non-scientist member of the quartet, Winston, in the first two original movies.

Ill Manors Imagine That Jack Goes Boating Jeff Who Lives at Home Jennifer 8 Kingpin Leonard Cohen: I'm Your Man License to Kill The Living Daylights Love Crimes A Mermaid's Tale The Million Dollar Hotel Moonraker Mr. Majesty National Lampoon's Dirty Movie National Lampoon's Dorm Daze 2: College @ Sea On Her Majesty's Secret Service Pudsey the Dog: The Movie Regarding Henry The Secret of N.I.M.H. Southie Sprung The Square A Stork's Journey Stuart Little Stuart Little 2 Tales of the Grim Sleeper This Old House, Complete Seasons 30 & 38 Tomorrow Never Dies Twenty Twenty Four Veni Vidi Vici, Complete Season 1 A View to Kill We Blew It Where the Skin Lies Who Killed Nancy?

Fredrik Bond has been making «short» movies for the past decade as an award - winning commercials director (view some here) and luck would have it that he gets to work from a top tier 2007 Blacklist Screenplay and a solid ensemble with the likes of Shia LaBeouf (who reportedly dropped acid for some scenes), Aubrey Plaza, Rupert Grint, Evan Rachel Wood, Mads Mikkelsen, Til Schweiger and Melissa Leo.

The movie stands with «The Remains Of The Day» (1993), «A Room with a View» (1985) and «A Soldier's Daughter Never Cries» (1998) among the best work by the team of director James Ivory and producer Ismail Merchant, who between 1961 and Merchant's death in May 2005, made a series of films that could be described as «Merchant - Ivory» and everyone would know what you meant.

For those who tend to spend there movie time with only American films, this is one that will provide proof of just how different the view can be through the same camera lens.

Reduced to its essential narrative elements, Hardware is an elaborate «stalk and slash» movie, with a relentless killer as its antagonist, onscreen sexual encounters shown from the killer's point of view, ineffectual authority figures, and an androgynous heroine who eventually succeeds in killing the killer (9).

About halfway through the movie, the point of view shifts to that of Nick and Jake, who explain that they're randomly selecting Brooke and Caleb as their target couple to illustrate the dangers of presenting too much personal information on social media.

Josh and Benny Safdie, who made this year's kaleidoscopic crime movie Good Time, split their childhood between a responsible mother in Manhattan and a manic father in Queens who introduced them to stuff like A Clockwork Orange way too young and purposefully blurred the line between reality and fiction after viewings of Kramer vs. Kramer.

It's not so interesting so as to warrant a viewing by those who aren't fans of the movie in the first place, but I did find it significantly less tiring than the actual film.

While many scenes will likely be too intense for very young viewers, this movie, packed with whispering tomes and colorful secondary figures, is aimed at older children who won't suffer from nightmares after viewing the frightening adventures portrayed on screen.

Perhaps more relevant to family viewing is the obvious message embedded in this film — one that is likely close to the heart of the aging Clint Eastwood, who skillfully directs this movie.

In the case of Imelda Staunton, who plays Elliot's horribly overbearing Russian - Jewish immigrant mother, she's such a stock caricature that the bottom drops out of the movie every time she waddles into view, and, as Elliot's father, Henry Goodman is only slightly less stock.

Thus, we view the movie not only from her point of view but also through the other characters — including the woman running an anger management group meeting who turns out to be a psychotic killer.

There will be many people — my viewing companion was one of them — who'll be as repelled by Greenberg the movie as most of the people in it are repelled by Greenberg the man.

Though this is Aniston's movie, Adriana Barraza, so wonderful as Amelia in Alejandro Gonzaléz Iñárritu's «Babel,» in my view the best film of 2006, knocks out the movie's most comic scene as a woman who, like others in her boss's life, wonders why she didn't leave her rich employer months earlier.

While the movie is worth a viewing for those fond of cuddly - looking animals like the little floppy - eared canine and four adorable orphaned cougar cubs which command the screen here, Benji the Hunted won't do much for those who aren't.

Observe and Report ranks as one of those kinds of movies that I think will hit only a very small fraction of the viewing audience, and the majority of those who see it will find increasingly abhorrent.

With a fresh - faced cast (except for that guy who played a hobbit in the Lord of the Rings movies) and some clever writing, Lost features the sort of unpredictable, character - driven drama and adventure that makes for addictive viewing.

The movie is told, more or less, from the point of view of Judd Altman (Jason Bateman), the engineer for a shock jock radio show who has carefully managed his life so as to avoid any major upheavals.

Featuring a predominantly male ensemble that amounts to McDonagh's ad hoc repertory troupe, the film is cheerfully violent on all manner of topics including the nature of movie - making itself, and its «meta» quality is sure to divide audiences, who will either be entranced or irked by what's on view.