Sentences with phrase «whole experience of filming»

Not exact matches

This whole experience from visiting Morocco again and filming DVF's Journey of A Dress in Morocco feels very special to me since my best friend Jennia filmed it for me (edited by my Wesley Mason) and to think how far I've come.

Although it isn't really a significant film as a whole, there are enough good moments of interest and insights to make Trees Lounge a worthwhile experience for fans of slice - of - life independent flicks.

There's no suspense about what will become of Anne: The whole film is a recounting of the events leading up to the one haunting pre-credit image, of Anne in her final repose, with which Haneke brings us into this experience.

It is good to exercise the brain and participate in or experience philosophical discussions, which is pretty much what this whole film is: a 100 minute plot free series of (not necessarily connected) discussions about various aspects of life, philosophy, and film.

However as a whole, this is a satisfying, and truly unique viewing experience, and we get to see a director who is at ease with such grand ideas of storytelling, and in the end, we get an experience like no other, and for true film lovers, we couldn't ask for any more.

You've shed tremendous light on the artistic side of filmmaking that frankly enhances the viewing experience not just for film critics, but for the whole world.

Suffice to say that, despite being comprised of variations on things we've been experiencing directly (in «Star Wars» films) and indirectly (in «Star Wars» - inspired entertainment) since 1977, «The Last Jedi» still manages to maneuver in unexpected ways, starting with the decision to build a whole film around a retreat where the goal is not to win but to avoid being wiped out.

As you might remember from my review of seeing Cub at Fantastic Fest, it was one of the most satisfying film experience I had the whole festival.

Coming from the US, I take as much as I can from films that depict a culture I am unfamiliar with, but having the opportunity to discuss the technique and story of a French drama with someone who is more than familiar with the director's work and the social commentary surrounding a film brings about a whole new understanding and experience from what I initially left the theater with.

The whole experience isn't quite as good as actually sitting down and watching a movie with Wright — whose clear enthusiasm for film and gabbing about it is pretty much unquestionable at this point — but it does make for a pretty good excuse to bust out one of our best comedies since 2000 and give it another watch.

Their screening as the Closing Night film of Directors» Fortnight at Cannes this year brought a shot of adrenaline and a whole lot of passion to the Croisette; we can't wait for the rest of the world to experience the Jersey magic when the film hits theatres this August.

Add to that the usual problems of sequel-itis and the death of the theatrical experience and having to constantly figure out whether film critics are unimportant or too important, and you end up with a whole lot of gloom and doom.

Whilst it does take a lot of queues from the recent Avengers film, TT have said they want to offer a more complete Marvel experience, so expect to see characters and stories from a whole range of Marvel franchises, films and comics.

Every scene, moment and shot of «Mud» is spot - on, necessary, and adds to the whole, making for a satisfying film experience that will please many a varied film - goer's taste.

Malick's film aims to provide tastes of the whole human experience and he strings episodes together without much concern for chronology or linearity.

Also, part of me felt as though everything we had seen so far in the film was leading up to this punch line, which took away from the whole movie experience.

71 - year - old West, a former movie stuntman and Elvis bodyguard, distils a lifetime of experience into his first lead role, to silently heartbreaking effect; novice Savane struggles occasionally to riff off an evidently bare - bones script, but it his guileless charisma that colours the whole film.

After experiencing the film as a whole, it comes across as one of the most beautiful ever made in Hollywood — as if Ford had actually photographed the human spirit.

Hans Zimmer's «Dunkirk» work is part of the experience of the film (he also has, with co-composer Benjamin Wallfisch, «Blade Runner 2049» in play), and Dario Marianelli adds a whole other dimension to «Darkest Hour» with his work, so he makes sense.

She spends the whole film in a state of vacant, wide - eyed, smiley catatonia — that is, whenever she's not passing off a constipated look as one of «sadness» or lipsynching to her own prerecorded vocal tracks (and quite horribly at that; one would think that a decade's worth of music video experience would've given her that one ace - in - the - hole).

Of course time exists very clearly in painting, although in the opposite way to music or film; it's telescoped into the structure of the work, and expands into its constituent elements only after the whole has been experienceOf course time exists very clearly in painting, although in the opposite way to music or film; it's telescoped into the structure of the work, and expands into its constituent elements only after the whole has been experienceof the work, and expands into its constituent elements only after the whole has been experienced.

Seen as a whole, his practice raises fundamental and evergreen questions about the value of images and art, the nature and possibilities of painting and film, the intertwined relation of our subjectivity to cultural identity, and the ways we address what we experience in life in parallel to the mediated world of images.

Being followed by a whole film crew made the experience full on and exhausting at times but I always kept in mind that this was not at all about me but about getting a message out there to budding health workers that our occupations are exciting, challenging, rewarding and most of all, heaps of fun.