Sentences with phrase «whole film around»

Macdonald reframed the whole film around the allegations.
As a full - fledged, major motion picture release, the bar is raised much higher, as they have to not only set the whole film around one central location, but also make all of the motivations and actions plausible.
Suffice to say that, despite being comprised of variations on things we've been experiencing directly (in «Star Wars» films) and indirectly (in «Star Wars» - inspired entertainment) since 1977, «The Last Jedi» still manages to maneuver in unexpected ways, starting with the decision to build a whole film around a retreat where the goal is not to win but to avoid being wiped out.

Not exact matches

Yet the characters spend the whole of the film on or around the strip, an entire universe contained in cruises and drag races and cherry Cokes at Mel's Drive - In.
Now having an F1 car demo in the middle of the night when no one is around might seem like a strange way to promote an event, but it now makes sense - the whole thing was being filmed for a video.
Since returning from my mini vacation, I've been focused on several time - intensive projects at work including coordinating pre-screening events of a film called «Forks Over Knives» with Whole Foods Market all around the country.
Dad Rodney decided to push his daughter on her ride - upon in circles around the house while filming the whole thing.
Dave Asprey: I'm in the middle of filming a documentary called Moldy and I've flown around the country and I've interviewed experts on bio-toxins and also a whole bunch of people who like me were diagnosed with chronic fatigue syndrome, fibromyalgia, Lyme disease, toxic mold exposure, all these things and one of the things that all them have in common is low mitochondrial function.
The whole film consists of the heroes running around African desert whilst being shot at by various people really, there is a silly plot about trying to find a buried American civil war ironclad warship and also a plot about stopping most of the African water supply getting poisoned.
The cameras were always too zoomed in on the robots, which made you start to forget who was who and with this film you can now see the whole fight from a distance and the camera isn't bouncing around, it stays steady.
The whole film is ridiculous and is almost soft silly MTV porn, the werewolf characters all walk around topless and in shorts all the time which is kinda odd.
The whole film is built around and reflects his character: quiet, obsessive, and troubled.
We can't tell you a whole lot about the film other then what we hear from the official Facebook that a big announcement will be made around valentine days, so keep checking Dark Universe for further updates on the film.
Much of the film revolves around Jack's misadventures aboard said train, where he encounters a whole host of quirky characters (including a mysterious figure named Mark, played by Dean Stockwell).
Christoph Waltz — whom the whole film seems to have been built around — is excellent and he plays a charming character much like his stint in Inglourious Basterds but without the slightly negative Nazi connotations.
It may be fair to say that some movies made with the plot revolving around Christmas are far better than others, but on the whole Four Christmases could be quite a fun movie for the most part, although, as already mentioned, the film perhaps takes a turn towards more serious issues as it progresses.
Although we were hardly experts in the mumblecore movement *, what we'd seen of it had not been hugely inspiring, and Humpday single - handedly changed that: the film was so funny, endearing, and brilliantly - constructed, it single - handedly turned us around on the whole sub-genre.
High - concept in the basest definition of the term, the film would fall apart with a sigh if it weren't held together, however tenuously, by jump - cuts, zooms, slo - mo — the whole kitchen sink of obfuscating choices courtesy an artist trying way too hard to be au courant by imitating a style of film that hasn't been fresh since around the time that Tarantino hit the scene.
Hong Sang - soo, whose recent film «On the Beach at Night Alone» finds an actress wandering around a seaside town thinking about her relationship with a married man, is not too different from his thematic concerns in «Claire's Camera,» This is a multi-lingual project that clocks in at sixty - nine mostly magical minutes, the whole episode graced with performances by Ms. Huppert in the title role and Kim Min - hee, who worked with the director in three of his films, in the role of youthful Manhee.
This whole film revolves around the original narrative of Zuckerman going back to school to catch up with people and it's pointless.
Their whole world revolves around their human, and this film nails that idea perfectly.
By the time the jaw - droppingly engrossing police - station climax rolls around, Point Blank has certainly established itself as one of the most entertaining and potent actioners of this new century - with the film ultimately faring a whole lot better than the majority of Hollywood's similarly - themed output.
Though infused with a number of thrillerish elements, the film is ultimately a character study revolving around Mortensen's Nikolai Luzhin - which, thanks primarily to Mortensen's astounding work, ensures that the whole thing is always quite interesting (if not quite consistently compelling).
In this version, however, Mel Brooks adds his own personal touch, parodying traditional adventure films, romance films, and the whole idea of men running around the woods in tights Read the rest of this entry»
By splitting the last book into two films, the closing chapter in this story doesn't have a whole lot to do except mope around and get Katniss into the Capital to dispense some justice.
Not only have they been acting for decades already but this year they have whole films built around them; these aren't girlfriends propping up the male character, but leads in their own right.
As Jones puts it in PNC, film criticism at its best is not only about film but about «the whole wide world around it.»
In four of my five selections below, moreover, the actor is operating at a rather higher level than the film around him — and yet it's here where I think some of the whole year's most adventurous work in the category is to be found.
That's a pretty fair description and reason enough to call this one of the most thought - provoking films to come around in a long time, but in fact not one of those labels paints the whole picture.
The film, which is transparent and covers the entire screen, has microscopic scores in it that carry the light waves, evenly spreading the light around and illuminating the whole surface.
Because it's not optimal to look at a book with the area around the letters shining brightly directly into your eyes, the Kindle crew here has turned the whole show on its head, shining light from the side of the screen across it, down toward the display through a reflecting film layer just 0.5 mm thin.
We searched for Emma, the famously friendly moray eel but she wasn't around and we spent around 15 minutes on the huge, soft coral covered bommie that National Geographic once spent a whole week filming.
He was filming the whole time, as well as when he was later traveling between his home in London, New York, and his family's home in La Paella, Colombia, and the resulting 80 minutes of footage — showing behind - the - scenes banter at the Zwirner show, work at the residency, the artist goofing around — seems to be at least a distant relative of Sigmar Polke's extraordinary travelogue videos now on view in his survey at Tate Modern, or even, in its multichannel spread, to Dieter Roth's filmic account of the last year of his life.
Raymond Pettibon's films Sir Drone and The Whole World is Watching: Weatherman»69 about the paradoxes of American punk will be screened at Garage Auditorium throughout the exhibition, while the open - air cinema on Garage Square will show a Russian premiere of Turn It Around: The Story of East Bay Punk by Corbett Redford, exploring the 30 - year evolution of punk rock in California.
«The whole film is shaped by a series of long tracking shots that take us slowly around three buildings: the interior of an apartment owned by the artist Mainie Jellett, a gallery space at IMMA, and the department of physics at Trinity College.
ULTIMATE REALITY - Executive Producer credit in the film, and a whole scene designed around your business.
According to researchers, if all the plastic made in the last few decades were cling film, there would be enough to put a layer around the whole Earth.
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