Sentences with phrase «whole film idea»

«What started this whole film idea for me was noticing how much my wife loves to blog and use Instagram.

Not exact matches

What he means is, Pixar's ballyhooed Braintrust idea meetings boast a mixture of champion storytellers like John Lasseter, the director of the first two Toy Story films — and a whole bunch of employees unafraid to challenge him, even though he's the John Lasseter.

I loved filming the lookbook but still need to grasp the whole idea of talking whilst showing the pieces as I couldn't stop laughing at the sound of my voice, weird I know!!

Time travel has always been a thing of science fiction but the rules for time travel in this film, as well as from the book, seem very reasonable and the whole idea of killing something off that shouldn't be, will kill everything.

The first two films are a tough act to follow, and here, the laughs are spread out too far, the story feels forced upon its characters, and the whole gimmick of twisting the conventions of fairy tales is starting to show a lack of new, worthwhile ideas.

In the end, this is again a very good horror comedy which needs to focus less on the main characters (lets face it, they are cliches and the interest of this whole movie is to the idea behind it) and more on the variety of monsters that were created for this film.

Similarly, the idea of a potential rebirth sees Noxon leave the almost documentary - like reality of the rest of the film behind for a moment, but this major tonal shift would've felt more organic and tethered to Ellen's whole journey if it had been more clearly foreshadowed.

Take «The Poseidon Adventure» and simply place the whole idea underground in a tunnel and you have the film «Daylight».

The idea of spiritual meaning expressed in style is deftly encapsulated in the first shot of «First Reformed,» a neat synecdoche for the whole film.

When films tend to recycle ideas under different titles, the genre as a whole suffers, and we have several films in the last few years that show the decline of great horror.

I got ta be honest I loved the giant spider sequence in this film, I think its safe to say this whole idea is probably a popular phobia for many folk and its really creepy.

From that, the rest of the film follows, for there is no broadly, easily villainous type present in the film at all, whether student, faculty, administrator, or even parent; thus the focus more clearly and cleanly zeroes in on the central idea at hand: that the two are their own worst enemies, and they need to get over themselves to be awakened to what's truly worthwhile in their lives and in life as a whole.

Naturally, the film removes the basic idea that made it work, adds a whole bunch of superfluous special effects and puts everything on the shoulders of star Hugh Jackman in hopes that he can pull out a winner.

However as a whole, this is a satisfying, and truly unique viewing experience, and we get to see a director who is at ease with such grand ideas of storytelling, and in the end, we get an experience like no other, and for true film lovers, we couldn't ask for any more.

The whole point to a film obtaining cult status is that it had no idea it would.

Understanding the jaw - dropping effort that went into this movie, it's tempting to wish that Kobiela, Welchman, and their army of animators had come to the same conclusion that old Albinus reached before he scrapped the whole idea: A film made in this way, he reckoned, «would bore most people to death and be a general disappointment.»

, the whole idea that it was this film that was supposed to usher in a multi-movie franchise... eh.

He has emphasised his debt to the Japanese maestro Akira Kurosawa with this whole idea, and while the quest in the story, to find a missing guard dog called Spots, recalls some of that director's samurai films, the setting is very specifically indebted to Dodes» ka - den, his multi-strand 1970 drama about people subsisting atop a rubbish heap.

Ideas pile atop more ideas, until the whole thing collapses in on itself, the film's centerpiece basically John Malkovich singing his own name to another John Malkovich over and over, attempting to seduce the actor into liking himIdeas pile atop more ideas, until the whole thing collapses in on itself, the film's centerpiece basically John Malkovich singing his own name to another John Malkovich over and over, attempting to seduce the actor into liking himideas, until the whole thing collapses in on itself, the film's centerpiece basically John Malkovich singing his own name to another John Malkovich over and over, attempting to seduce the actor into liking himself.

The last lines of the film (badly overwritten — the whole thing needed another pass through a typewriter) convey the idea that the survivors will never be emotionally well again.

In my humble opinion, I believe that both films are, as a whole, greater than the sum of their parts, primarily entertaining because of the choice key bits of hilarity and satire that, when strung along successfully, manage to make them very funny to quote from, despite the fact that they aren't really brilliant ideas in and of themselves.

The opening shots imply that the floridly romantic «style» is not necessarily that of the film as a whole, but an idea of the kind of visual representation a group of isolated, intelligent, impressionable, hormonal young women might make.

The film itself becomes overly episodic to the point its meanderings and side chapters begin to define the whole with a lack of ideas and focus.

Pacino overacting is always more fun than Pacino underacting, but he's playing an idea instead of a person here, and the film on a whole plays like some laughless comedic spin on Synecdoche, New York, complete with some stage / life blurring and Dianne Wiest.

Another film about atonement, its very existence and execution betray the idea that the past must be dealt with, the better to face the future; you compare the whole of it to the five minutes Tommy Lee Jones commands the screen at the end of No Country For Old Men, or how no more than sketches animated in Marjane Satrapi's Persepolis convey the painful humanity of time's labour's lost, and you realize there's no one authentic chord in The Kite Runner.

The whole film feels ethereal and dreamlike, which given the idea came to Mitchell in a recurring childhood nightmare, is to be expected.

In fact, it's the Friday Night Lights alum's character who concocts the whole idea for the game night in the film.

Their whole world revolves around their human, and this film nails that idea perfectly.

It's lies lifeless, as the film has already squeezed whatever juice the fruit of ideas were once held at the time of the project's inception, until there's nothing of the fruit left but the hands that once held it, torn apart and bloodied by the constant gnashing together to get that one last drop to provide the sustenance to bring the whole thing to a merciful end.

They have virtually no idea where to put the camera, shooting the whole film more like a promotional video from a frat party.

I love that whole idea of a stripped - back, economical, non-intellectual cinema, but I also love Fellini's films.

One, as you point out, Genevieve, is food; the whole film unlocked itself for me when I noticed how Anderson uses food as a way to embody all kinds of ideas.

In this version, however, Mel Brooks adds his own personal touch, parodying traditional adventure films, romance films, and the whole idea of men running around the woods in tights Read the rest of this entry»

Shuri lights up the whole film, and while Black Panther is a contained story that has sh*t - all else to do with the rest of the MCU, the idea of Shuri showing up Tony Stark in Avengers: Infinity War is delightful to contemplate.

It's a whole bunch of half - baked ideas happening in the film, but that's kind of the fun of it.

Since the idea of a doll possessed by a serial killer is already fairly meta in the horror film canon, though, the whole approach comes across as masturbatory and just a wee bit sociopathic.

Had the rest of the film had more dance numbers, this might be forgivable, but perhaps the whole thing was doomed to be half - ingenious ideas from one of the great visual filmmakers of our time.

«Vampire in Brooklyn» (1995) The idea of Wes Craven directing Eddie Murphy in a horror comedy would seem to be a win - win scenario, a film that couldn't possibly fail at the box office, but for some reason, audiences were lukewarm to «Vampire in Brooklyn,» and critics didn't seem to care a whole lot for it, either.

I always liked the idea of exploring a sister relationship... I've had an incredibly fascinating and rich love / hate relationship with my sisters my whole life and I thought it would be rich territory for a film.

Actually, that comic that the film is loosely based on sort of gave the filmmakers the whole idea.

The story feels like a whole lot of half - hearted attempts at an interesting idea, and this is where I can only assume (since this is from the director that brought us the awesome La Haine) that all the clever plot points were blunted in an attempt to make the film a little more mainstream.

It's a film with ideas, some of which are interesting, though the whole of them fails to add up to something either entertaining or remarkable.

Sotor, speaking in a separate interview about their next film's goal, was clearly on the same wavelength as his friend and collaborator: «The whole idea is just to humanize them.»

The whole idea of a student film festival emerged from the desire of the head of our IT department to have students create more videos.

And just like those first dialog films of the late 20's and early 30's, not every video game is going to have great or even good dialog; the whole idea of writing for games is too new.