Sentences with phrase «whole idea of the movie»

Drew explained that, «The core to the whole idea of the movie was to cast somebody that you haven't seen do this very much.»

The whole idea of the movie is «Get out!»

Not exact matches

Coconut flour egg, bacon & cheese muffins Popcorn (popped in coconut oil and topped with melted butter)-- we make popcorn for the movie theater, too Coconut flour blueberry muffins Grass - fed cheese Homemade corn tortilla chips Soaked and dried nuts Homemade sprouted flour crackers Whole, raw milk (in a sippy cup; sometimes I even bring two)-- it's impossible to get ANY kind of milk on most airplanes these days; many airlines only have non-dairy creamer available Scrambled eggs — I put them in a Thermos container Bananas, oranges, apples, grapes — organic if possible Homemade shortbread cookies — it's a great idea to pack a few cookies for those extra-tough times while traveling Raisins — organic if possible Grass - fed whole milk yogurt mixed with a little fruit - sweetened jam or honey — I put it in a Thermos Homemade soaked granola -LSBWhole, raw milk (in a sippy cup; sometimes I even bring two)-- it's impossible to get ANY kind of milk on most airplanes these days; many airlines only have non-dairy creamer available Scrambled eggs — I put them in a Thermos container Bananas, oranges, apples, grapes — organic if possible Homemade shortbread cookies — it's a great idea to pack a few cookies for those extra-tough times while traveling Raisins — organic if possible Grass - fed whole milk yogurt mixed with a little fruit - sweetened jam or honey — I put it in a Thermos Homemade soaked granola -LSBwhole milk yogurt mixed with a little fruit - sweetened jam or honey — I put it in a Thermos Homemade soaked granola -LSB-...]

In the end, this is again a very good horror comedy which needs to focus less on the main characters (lets face it, they are cliches and the interest of this whole movie is to the idea behind it) and more on the variety of monsters that were created for this film.

this movie should be watch as (Annie Hall 2), Allen ended the earlier by describing relationships «They're totally irrational and crazy and absurd», and after many years he completed his idea and made it crystal clear, and now I can see the whole artistic work of Woody Allen as a masterpiece.

The whole forceful, multilayered idea that this movie is not only about the best time in one's life, but also of the times, has a way of sabotaging it, for no matter how well Brewer is able to reimagine Ren's gymnast - on - a-rampage booty - shaking in an abandoned warehouse, or resurrect familiar streamers and confetti for one last swinging barnburner, he can't fully convince you that he's crafted something for the current youth of America.

Understanding the jaw - dropping effort that went into this movie, it's tempting to wish that Kobiela, Welchman, and their army of animators had come to the same conclusion that old Albinus reached before he scrapped the whole idea: A film made in this way, he reckoned, «would bore most people to death and be a general disappointment.»

But the movie as a whole is a bit threadbare, running out of ideas not long after it cuts its two adult stars loose.

Many of our greatest action movies are about ordinary characters doing extraordinary things, but off - beat casting choices can add a whole other meta - dimension to this idea, showing us actors we'd previously not thought of as action heroes stepping up to play big parts.

The whole Slender Man idea has already worked its way into pop culture and reality, so of course they've decided to make a movie about it.

For sheer novelty value the movie gets high marks, but it's tight plotting and generous exploiting of the whole idea of backwards storytelling (check out just how Natalie got those scars) and Leonard's own «condition» of short - term memory loss (Can't remember if you're chasing someone or being chased)?

Rules Don't Apply is an odd beast of a movie filled with great moments and fine ideas, but ultimately fails to come together as a whole, biting off more than it can chew.

The movie is a series of wasted ideas and surprisingly uninteresting dialogue strung together but never making a cohesive whole.

The movie feels like the result of a series of what - ifs slapped together without any thought of trying to craft the resulting ideas into a cohesive whole.

There isn't a whole lot of screen time devoted to the clever twist that Efron's fratboy is Rogen's idealized, younger self, and in turn that Efron is grappling with the idea that he'll soon leave the childish antics of the fraternity behind, settling into a role of adult mediocrity, but it's there and adds a lovely, melancholy undercurrent to the movie that makes the entire experience much richer.

If these become any more prevalent, it will take to a whole new level the idea that movies are a form of «escapism.»

After they watch the movie, I invite families to get curious about the idea that emotions are «energy in motion» in our bodies, and I encourage them to notice what that energy feels like in their body (a pounding head, racing heart, a warm wave of water washing over their whole body, butterflies in the tummy, etc.).