Sentences with phrase «whole painting structure»

Not exact matches

While claiming that the whole of creation has as its very structure the Sabbath principle, Barth qualifies this statement by suggesting that creation (through its culmination in the Sabbath rest) paints also to redemptive history (to covenant) and to the final consummation of the same.

Of course time exists very clearly in painting, although in the opposite way to music or film; it's telescoped into the structure of the work, and expands into its constituent elements only after the whole has been experienced.

These paintings allude to parts of a whole, focusing on an indiscriminate component of a random structure, whose proportions are amplified by the black lines and enriched by the textured white ground.

This exhibition has been conceived as a process lasting six months, a symphony structured in three movements and an epilogue, each deriving from the study of a single key work that defines the whole movement: Echo VIII, a sculpture by Louise Bourgeois (First Movement); Fuji, an abstract painting by Gerhard Richter (Second Movement); and Silent Score, a performance by Pierre Huyghe (Third Movement).

This permitted the whole painting as object to lend itself to the propensity in perception to see the total configuration of an object as an immaterial image of form, while precisely locating colour in an unfluctuating relationship within the overall structure of the form.

Over the past 30 years James Hugonin has become known for his unusually deliberate and determined way of making paintings: completing on average just one painting a year and always following a structure of small marks of colour across an underlying grid, each mark shifting slightly from its neighbour and building to a rhythmic whole.

My ideas about how to build the painting structure and how the 3D prototypes will integrate into the whole have grown enormously since my first paintings with embedded 3D forms.

Through connected artists such as Yves Klein — who also became a member of French art movement Nouveau Réalisme — Jean Tinguely, and Lucio Fontana, ZERO would re-define painting, explore the monochrome, and serial structures, and produce artworks made from flames and smoke, filling whole galleries with their environmental works, they would turn to the deserts and skies as viable sites for art.

Usually, the whole intricate structure is painted matt black, but sometimes it can be all white, or all gold.

Even the floaty disconnected drawing doesn't interfere with the whole structure of the work and I'm not sure that it's not properly resolved (its impressive to do a complex painting like this which has some fairly uniform flattish areas that aren't «dead»).

Colour structures the painting, creating space and movement; providing the means of getting through and understanding the whole thing.