Sentences with phrase «whole plot point»

Not exact matches

If we start this season with those two in our starting 11 it will be a clear sign from this organization that nothing has changed and that we will never get it right until both Kroenke and Wenger are gone... neither one of these players should still be with our club at this point because they represent the settling half - measures that have plagued this team for a number of years... this is what I call the «no man's land» of the soccer world, where teams don't have enough talented young players, unlike a Monaco or Dortmund, because they have lost the plot from an organizational standpoint... they are so reliant on one individual to run the whole operation that their once relevant scouting department has become so antiquated that it can no longer find those hidden gems it once had... furthermore, when you leave all decision - making to a manager who despises any dissenting opinions, your management team becomes little more than a stagnant group of «yes men» and no new ideas emerge... so instead of developing a team with the qualities necessary to excel in a particular system, you continually make half - brain purchases year after year to stifle dissent from the ticket - buying public, then try desperately to finagle together a lineup regardless of what would make positional sense... have you ever heard of a team who plays players out of position so often... of course not because that manager would likely be fired and never work for a team of any consequence ever again

Stop here for a second and reflect on that, because it's a MAJOR plot point in this whole thing — one that might ultimately do more to break up the Belichick - Brady - Kraft triumvirate than anything else.

It's sort of a smorgasbord of 90s indie cinema plot points, but the go - for - broke attitude leaves the whole film a stale, mediocre mess.

The whole movie becomes such a pileup of detritus, whether it's cop cars or plot points, that even something as important as rationale becomes an afterthought.

The whole story is made up of numerous connecting smaller plots that each involve their own characters and view - points.

The movie starts like the trailer, showing how kick - ass decides to be a superhero, but as soon as he meets hit girl and Big Daddy, who were already super heroes before him, the whole point of the movie entirely changes to satisfy the revenge plot between Big Daddy and the main bad guy.

The story campaign does a good job of wrapping up all of its major plot points (while leaving the door slightly open for future adventures), but we already know that this is far from the end of the line for StarCraft as a whole, especially since Blizzard likely has plans to support Legacy of the Void for the foreseeable future.

Even if the plot points are predictable, The script as a whole does a great job of telling the story.

What makes Stung so much fun is that it takes itself seriously enough for the plot, characters and theme to work, but it never pushes itself too far to the point where the whole thing feels silly.

The plot is bogged down by inevitable revelations and throwaway characters, and even director Roger Donaldson seems exasperated keeping track of the whole thing (There's a scene in which a villain is revealed by name, and Donaldson stages it with Devereaux holding up a photo of two suspects so that the accuser can point out which one isn't the red herring).

For such a short trailer, it packed a lot in and didn't bullet point the whole plot.

I guess the «should have more substance» comment could be directed toward the movie as a whole, as important plot points feel glossed over in favor of the sexier material.

In that sense, A Simple Plan is as traditional a morality play as a thriller can get, but Raimi has never been a director unwilling to splash about in the shallows; instead, the inevitability of the plot is his point — even the simplest of decisions carry whole worlds of consequence — and Raimi injects each emotional beat with unspeakable tragedy.

I guess my point with Frozen River is if you are going to go misery bleak, then I need more than a clever device to propel character motivations forward in that bleakness, it needs to be the bleakness I know from experience, the ennui of life, and to do that you need to go whole hog and dispense with plot altogether.

This will undoubtedly vary from the accounts of uppity film critics who will discount the basic plot and obvious laughs (which is the whole point).

The non-linear plot - which essentially revolves around a skateboarding teen who may or may not be involved in a murder - has been padded out with slow motion and instances of repetition, and while there is admittedly something initially mesmerizing about the whole thing, there does reach a point at which the viewer begins to long for something more concrete.

Released: February 17 Cast: Dane DeHaan, Jason Isaacs, Mia Goth, Celia Imrie Director: Gore Verbinski (The Ring) Why it's great: Detractors of A Cure for Wellness, a pulpy horror - mystery about a water - based therapy center with diabolical intentions, may point to the overly familiar plot (which feels a whole lot like Shutter Island) or the almost mercilessly overlong middle.

But we really do not need a remake of American Werewolf, and the fact that Landis thinks «little happens» in the original film makes me nervous that he's adding a whole bunch of new, unnecessary plot points to his remake.

The story feels like a whole lot of half - hearted attempts at an interesting idea, and this is where I can only assume (since this is from the director that brought us the awesome La Haine) that all the clever plot points were blunted in an attempt to make the film a little more mainstream.

For information about these resources and an index for the whole collection please visit http://www.mrbartonmaths.com/CIMT.htm Keywords: Linear, Equation, Axes, Gradient, Intercept, Positive, Negative, Zero, Infinite, Axis, Plot, Co-ordinate, Point, y = mx + c, Solve, Simultaneous, Equation, Cross, Parallel, Perpendicular, Context, Straight Line, Horizontal, Vertical, Graphical Solution, Common Functions, Scatter Diagram, Correlation, Relationship, Data, Application, Graph, Quadratic, Curve, Intersection, Root.

That's my favorite part of the whole process, coming up with a good plot with lots of twisty plot points.

While very light on plot, the whole point of KSP is to get a spacecraft into space with as few casualties as possible (all of your failed attempts not withstanding.)

I will avoid spoilers, but the last section not only ruins the entire plot, it drastically changes the whole tone of the game up to that point.

The story was terrible but what I made it fun was the cheesy cut scenes that drove the whole comical point of how terrible the plot is, my main gripe was that there were not enough of them.

On the whole, all the staples are here — you still dive into cover and take pot - shots at enemies using weapons like the Lancer, shotgun and much else and you're constantly being funnelled from one challenging skirmish to the next with plot - points, set - pieces and the occasional vehicle sequence in between.

The plot in The Fractured but Whole is fantastic and thoroughly entertaining from start to finish, bringing in even more references from the TV show while keeping it fresh by introducing new plot points based on the many adventures and antics of the kid's superhero personas, unexpected and surprising scenarios that'll have you choking with laughter, and non-stop jokes that'll assault your brain.

With every new release he has woven a more and more complex tapestry of narrative convenience and plot points reverse engineered to help him arrive at twists that give the appearance of clever forethought but amount to little more than a dismissive, unfocused scripting effort from a freshman writer unwilling to learn the lessons that the directors and writers he's spent his whole life idolizing learned long ago.

As a whole, point and click adventures are well known for their charming characters, improbable yet plausible plot lines and more puzzles than you could throw a rubber chicken with a pulley at.

When this isn't happening, you might stumble upon a text - box that pauses the game (and thankfully the timer) so you can get more plot points that my brain processed as gibberish because it had broken my flow of not - giving - a-shit running from guards while cackling the whole time.

At this point, like all good detective stories, a whole new sub plot bubbles up.

The whole point of climate models is that while simple ones, like the one I plot, seem to work but ignore a lot of stuff that ought to be important, complicated ones that try to take the important stuff into account don't work at all.