Sentences with phrase «whole point of the movie»

The whole point of this movie is to make people laugh and have a good time watching it.

The movie starts like the trailer, showing how kick - ass decides to be a superhero, but as soon as he meets hit girl and Big Daddy, who were already super heroes before him, the whole point of the movie entirely changes to satisfy the revenge plot between Big Daddy and the main bad guy.

The whole point of the movie was to create a John Wayne - like would - be hero who would actually be the sidekick to his Asian buddy.

In Rocky Balboa, that was pretty much the whole point of the movie — reestablishing their connection, and in Rocky V, Balboa's greatest mistake was taking that fatherly role right in front of his son.

«The beast doesn't have to transform into a prince to be loved,» del Toro has said, «because the whole point of the movie is that love is not transformation but understanding.»

That's one of the whole points of the movie.

io9 spoke with director Dan Trachtenberg, who explained why the ending was the whole point of the movie.

Not exact matches

Here was Alyssa Rosenberg at the Washington Post claiming that the whole point of Wonder Woman is that she's a role model for prepubescent girls, a kind of «Fearless Girl» avant la statue: «[T] he movie... argues that it's... little girls all over the world who stand to gain if they can grow up free of the distorting influence of misogyny,» Rosenberg wrote, with a schoolmarm's didacticism.

There's a way things should be done, a way a family should be raised, there's the moral fiber of a family, and these considerations are on the table of a loving couple who nonetheless disagree about the answers to these thoughts and battle the whole movie for their own point of view, and battle each in their own way.

The whole tale is basically a flashback told from a point at the end of the movie, so we know that Mike survives everything, hence there is no real tension or engagement.

The whole movie becomes such a pileup of detritus, whether it's cop cars or plot points, that even something as important as rationale becomes an afterthought.

The whole point of teen angst movies is to mature and discover yourself, but this movie is not as interesting or funny as others in this genre

The dragon that as been the whole point of the book and the movies is literally killed before the title of the movie hits the screen.

This whole approach earns some minor points for trying to avoid a total repetition of the original movie, but these changes to the titular character kind of miss the point entirely.

They miss the whole point of Adam Sandler Movies.

While I understand that is kind of the whole point to Movie 43 — I sensed a mocking, if not altogether disdainful view towards not just Hollywood (hence Dennis Quaid's role in this film) but the entire human race given the level of gruesomeness — there simply must have been at least a baker's dozen different and far better ways to shape this rebellious beast.

As this hilarious teaser for the teaser trailer points out, the people behind Reynolds» previous onscreen incarnations in X-Men Origins: Wolverine effectively ruined him by taking away the character's defining potty mouth (not to mention the whole thing being one of the worst superhero movies ever made).

Sometimes you can cut one scene and the scene plays out great, when you see that scene on its own, but when you see the scene strung together with the whole movie suddenly the scene feels ultra long or feels incomplete or you feel like you don't want that emotional payoff at that point of the film.

The whole experience isn't quite as good as actually sitting down and watching a movie with Wright — whose clear enthusiasm for film and gabbing about it is pretty much unquestionable at this point — but it does make for a pretty good excuse to bust out one of our best comedies since 2000 and give it another watch.

I guess the «should have more substance» comment could be directed toward the movie as a whole, as important plot points feel glossed over in favor of the sexier material.

Yet it's not hard to see his point in the movie's blowout party scene, where he's forced to contend with a whole battery of stars behaving badly, from an unconvincingly sleazy Michael Cera to a dangerously clumsy Paul Rudd.

Sure, it has the whole sports movie vibe for the build - up point of the film: there's a big game to be won, the main character struggles to work as a team, the coach character is distant and fatherly.

Shakespeare himself remains a rather minor character, which is further evidence that Emmerich and Orloff see the whole Oxfordian Theory as a mere jumping - off point for a great story, rather than the crux of their movie.

It has a few too many montages of women behaving badly to pop songs (at one point, I thought the whole movie might just become that) but Kunis really anchors the piece nicely.

At this point Disney has more live - action fairy tales in various stages of development than we can count, but the movie that kicked off that whole craze to begin with was 2010's Alice in Wonderland.

It can eventually get predictable, but the predictability isn't the point — the exercise in craft that The Conjuring is allows us to appreciate the establishment of brilliant mood and tension, which is the whole point of haunted - house movies in the first place.

This might be the nadir of the movie, and perhaps of cinema as a whole, as «men dressed as women» has been strip - mined by comedies to the point where it is laboriously trite and exceedingly unfunny.

Of course that's the whole point as the movie isn't about just two poor Indian boys dealing with American culture shock.

The actor, known for playing villains in films including Octopussy and Beverly Hills Cop, is releasing two books on Amazon: Bad Guy, a journal of his time on a Hollywood movie «where the conditions were so appalling, and the directing so absurd, the whole cast was in a state of semi-shock», and Richard II In New York, which records one of his career high points directing the Shakespeare play in 1994.

That's the whole point of our writing service: teaching you how to write an outstanding movie review.

- Engaging Audiences: Denis Dyack Deconstructs The Industry»... this «wide - ranging interview» with Silicon Knights» Dyack (Eternal Darkness, Too Human) includes a whole bunch of interesting points, and we split two of them out into individual news stories - Dyack: Game Industry Should Shun Movie Biz «Free Agency»», and Dyack: Will Wii Hold Public's Attention In Long - Term?.»

More children born, more adults living longer, more cars on the road, more factories making this and that, more books and movies and plays and musuem shows, newer computers and snazzier iPods, and «new and improved» everthing under the sun, year by year, faster and faster, always wanting to live «better» than the previous generation, always wanting «new and improved gadgets and cars and airplanes, and quicker getaway vacations, and more and more consumerism and materialism and ownership and «I want mine» and if we keep at this kind of «civilization» we are going to get slaughtered at some point when the whole thing collapses.