The whole point of this movie is to make people laugh and have a good time watching it.
The movie starts like the trailer, showing how kick - ass decides to be a superhero, but as soon as he meets hit girl and Big Daddy, who were already super heroes before him,
the whole point of the movie entirely changes to satisfy the revenge plot between Big Daddy and the main bad guy.
The whole point of the movie was to create a John Wayne - like would - be hero who would actually be the sidekick to his Asian buddy.
In Rocky Balboa, that was pretty much
the whole point of the movie — reestablishing their connection, and in Rocky V, Balboa's greatest mistake was taking that fatherly role right in front of his son.
«The beast doesn't have to transform into a prince to be loved,» del Toro has said, «because
the whole point of the movie is that love is not transformation but understanding.»
That's one of
the whole points of the movie.
io9 spoke with director Dan Trachtenberg, who explained why the ending was
the whole point of the movie.
Not exact matches
Here was Alyssa Rosenberg at the Washington Post claiming that the
whole point of Wonder Woman is that she's a role model for prepubescent girls, a kind
of «Fearless Girl» avant la statue: «[T] he
movie... argues that it's... little girls all over the world who stand to gain if they can grow up free
of the distorting influence
of misogyny,» Rosenberg wrote, with a schoolmarm's didacticism.
There's a way things should be done, a way a family should be raised, there's the moral fiber
of a family, and these considerations are on the table
of a loving couple who nonetheless disagree about the answers to these thoughts and battle the
whole movie for their own
point of view, and battle each in their own way.
The
whole tale is basically a flashback told from a
point at the end
of the
movie, so we know that Mike survives everything, hence there is no real tension or engagement.
The
whole movie becomes such a pileup
of detritus, whether it's cop cars or plot
points, that even something as important as rationale becomes an afterthought.
The
whole point of teen angst
movies is to mature and discover yourself, but this
movie is not as interesting or funny as others in this genre
The dragon that as been the
whole point of the book and the
movies is literally killed before the title
of the
movie hits the screen.
This
whole approach earns some minor
points for trying to avoid a total repetition
of the original
movie, but these changes to the titular character kind
of miss the
point entirely.
They miss the
whole point of Adam Sandler
Movies.
While I understand that is kind
of the
whole point to
Movie 43 — I sensed a mocking, if not altogether disdainful view towards not just Hollywood (hence Dennis Quaid's role in this film) but the entire human race given the level
of gruesomeness — there simply must have been at least a baker's dozen different and far better ways to shape this rebellious beast.
As this hilarious teaser for the teaser trailer
points out, the people behind Reynolds» previous onscreen incarnations in X-Men Origins: Wolverine effectively ruined him by taking away the character's defining potty mouth (not to mention the
whole thing being one
of the worst superhero
movies ever made).
Sometimes you can cut one scene and the scene plays out great, when you see that scene on its own, but when you see the scene strung together with the
whole movie suddenly the scene feels ultra long or feels incomplete or you feel like you don't want that emotional payoff at that
point of the film.
The
whole experience isn't quite as good as actually sitting down and watching a
movie with Wright — whose clear enthusiasm for film and gabbing about it is pretty much unquestionable at this
point — but it does make for a pretty good excuse to bust out one
of our best comedies since 2000 and give it another watch.
I guess the «should have more substance» comment could be directed toward the
movie as a
whole, as important plot
points feel glossed over in favor
of the sexier material.
Yet it's not hard to see his
point in the
movie's blowout party scene, where he's forced to contend with a
whole battery
of stars behaving badly, from an unconvincingly sleazy Michael Cera to a dangerously clumsy Paul Rudd.
Sure, it has the
whole sports
movie vibe for the build - up
point of the film: there's a big game to be won, the main character struggles to work as a team, the coach character is distant and fatherly.
Shakespeare himself remains a rather minor character, which is further evidence that Emmerich and Orloff see the
whole Oxfordian Theory as a mere jumping - off
point for a great story, rather than the crux
of their
movie.
It has a few too many montages
of women behaving badly to pop songs (at one
point, I thought the
whole movie might just become that) but Kunis really anchors the piece nicely.
At this
point Disney has more live - action fairy tales in various stages
of development than we can count, but the
movie that kicked off that
whole craze to begin with was 2010's Alice in Wonderland.
It can eventually get predictable, but the predictability isn't the
point — the exercise in craft that The Conjuring is allows us to appreciate the establishment
of brilliant mood and tension, which is the
whole point of haunted - house
movies in the first place.
This might be the nadir
of the
movie, and perhaps
of cinema as a
whole, as «men dressed as women» has been strip - mined by comedies to the
point where it is laboriously trite and exceedingly unfunny.
Of course that's the
whole point as the
movie isn't about just two poor Indian boys dealing with American culture shock.
The actor, known for playing villains in films including Octopussy and Beverly Hills Cop, is releasing two books on Amazon: Bad Guy, a journal
of his time on a Hollywood
movie «where the conditions were so appalling, and the directing so absurd, the
whole cast was in a state
of semi-shock», and Richard II In New York, which records one
of his career high
points directing the Shakespeare play in 1994.
That's the
whole point of our writing service: teaching you how to write an outstanding
movie review.
- Engaging Audiences: Denis Dyack Deconstructs The Industry»... this «wide - ranging interview» with Silicon Knights» Dyack (Eternal Darkness, Too Human) includes a
whole bunch
of interesting
points, and we split two
of them out into individual news stories - Dyack: Game Industry Should Shun
Movie Biz «Free Agency»», and Dyack: Will Wii Hold Public's Attention In Long - Term?.»
More children born, more adults living longer, more cars on the road, more factories making this and that, more books and
movies and plays and musuem shows, newer computers and snazzier iPods, and «new and improved» everthing under the sun, year by year, faster and faster, always wanting to live «better» than the previous generation, always wanting «new and improved gadgets and cars and airplanes, and quicker getaway vacations, and more and more consumerism and materialism and ownership and «I want mine» and if we keep at this kind
of «civilization» we are going to get slaughtered at some
point when the
whole thing collapses.