Sentences with phrase «whole scene like»

Or, you know, like, hold him — put him on your shoulders and let's do the whole scene like that.

To his credit, he never specifically recreates whole scenes like he lifted from The Wrath of Khan in Into Darkness, but the parallels are so clear and blatant that it is both impossible not to notice and impossible not to be taken out of the spell by the predictability of it all.

Not exact matches

«If you wanted to be in Texas, a city like Austin, that has Whole Foods, a thriving tech and arts scene and a creative environment, would seem a better fit,» said Jeff Shulman, a professor of marketing at the University of Washington in Seattle.

I like that, I like that whole scene and what's taking place right now — the way it's emerging, the way it's developing.

This year is a bit different, maybe because I am getting older or something - BUT the whole night scene: dancing, singing and putting my hands around strangers as we swag back and forth singing Auld Lang Sync just doesn't sound like my kind of thing, instead this year I am keeping things a bit low key and having a nice fancy dinner with friends, followed by great conversation and wine, of course - as we countdown with Ryan Seacrest and Carson Daly on TV.

New to the whole scene but vary interested in the whole scene I feel like this type of way of life suites me lol

Hey I'm Derrick I work ALOT lol so really don't have time for the whole dating scene so here goes I'm looking to meet a girl with a good head on her shoulders cute funny a little bit country and not afraid to get dirty I like to go fishing riding shooting boating hobbies are working on cars or...

I used to be big into the whole car scene but not that big anymore.I like to chill with my close friends

I like to have fun and I have a great sense of humor, I am not into that whole bar scene.

When trying to fit in yet another after work event is akin to torture and you're over the whole «pick someone up at the bar» scene, dating sites like EastMeetEast make things so much easier.

The scene is over quickly and the theme does not pop back up again, but it's flourishes and details like that that make Bardem's performance, and Skyfall as a whole, an unexpected pleasure to watch.

Really enjoyed this movie especially all the cast like Will Smith and Margot Robbie were best performance in whole movie there were some scenes are messy u didn't mind it all

But these scenes, like the whole picture, are filmed with a certain inspiration.

Like the whole scene with Susan where Leah breaks a lamp's light bulb and threatens to electrocute her with it.

Streep's early scenes play like a bit of warm - up for both the character and the star, the nasty shtick beginning to take hold in loud, scurrilous moments that build until we reach the big dinner scene, a sort of decrepit centerpiece for the whole picture during which Violet insults every damn person at the table and especially aims to tear each of her daughters apart.

Not terribly scene - specific, the whole thing is like an entire Boy Scout troupe telling you about their jamboree at the same time.

Her Norah seems like a woman deeply out of sorts — her whole life is a kind of crime scene.

A number of Kelly's scenes play out like stand - alone sketches — some quite funny; not all of them essential — rather than parts of a whole.

I feel like it had great potential to either be a hilarious comedy or a touching drama, but instead, it feels like two different movies awkwardly sewn together, instead of a seamless, singular whole; the comedic elements undermine the dramatic scenes, and vice versa.

No more than ten minutes later there was a scene lasting five whole minutes (it felt like hours) wherein the walking fat joke of a character (who nevertheless becomes a full - fledged lifeguard because he has «determination») gets his erect penis and testicles stuck in between the panels of a wooden beach chair and a hot female lifeguard and Dwayne Johnson proceed to try and coach him through the situation while a beach worth of spectators look on and take video with their phones.

The disc is packed with extras, including some deleted scenes that add very little, a blooper reel and a featurette detailing how Wonder Woman fits in with Batman and Superman as a DC flagship character that are all fairly throwaway, but there are a few neat production featurettes that detail how director Patty Jenkins approached making what could have been a potential disaster given the negativity towards the DCEU's previous movies, and also interesting effects details about the lighting, costumes and the chosen colour palette that may not sound like much but actually prove to be quite enlightening about the whole filming process.

Yes there's nudity — and more than that, several violent scenes — but the whole tone seems like a 1980s affair, with a standard Russian cartoonish accent from Lawrence, many twists that are confusingly predictable (you'll NEVER guess who the mole is!)

Picking up where the post-credits scene from this summer's Ant - Man left off, the trailer shows Cap and Falcon trying to figure out what to do with a problem like Bucky, with the formerly brainwashed former sidekick currently being pursued by the authorities for that whole «tried to take over America with flying death fortresses» thing from The Winter Soldier.

Sometimes you can cut one scene and the scene plays out great, when you see that scene on its own, but when you see the scene strung together with the whole movie suddenly the scene feels ultra long or feels incomplete or you feel like you don't want that emotional payoff at that point of the film.

But when Friedkin revs up the action, as in the celebrated chase scene, the film feels like it's been moving at that speed the whole time.

(This whole scene plays like an undigested gimmick from the book.)

Yet whereas the movie is most impressive during its final scene, its random conclusion leaves us feeling like there's a whole half of the film missing.

While the premise of this movie is the same as the original and some scenes are recreated like the «Knife to a gunfight scene,» this version as a whole stands on its own.

Instead of each scene being its own whole that's also part of something larger, the entirety of The Wind Rises is treated with a combination of Miyazaki's humanism and the cold, existential fatalism of a director like Kubrick.

Each scene in Kiki's Delivery Service or My Neighbor Totoro is like its own little short film, and they all cumulate towards a whole.

Thankfully, the whole game isn't like, as there are instances of quick - time events that gives the game a change of pace, thanks to interesting cut - scenes, but they're not really all that important, as the game actually gives you ample enough time to mash the required A button.

Luhrmann takes great care with the rhythms of individual scenes, yet the film as a whole plays like a long trudge through a familiar story.

21 Jump Street also made fun of the actors looking nothing like high schoolers, but its best jokes concerned exposing how socially out - of - date they were; a scene where Schmidt calls Molly (Brie Larson) and she is mildly nonplussed to be actually called on a phone instead of texted is one of the smartest and subtlest jokes in the whole film.

Scenes replay wholesale, and new characters, like Eric Byer (Edward Norton) and Mark Turso (Stacy Keach) of the shadowy National Research Assay, have whole conversations iterating information about Bourne's destructive adventures in New York City in darkened dens, claustrophobic conference rooms, and technologically advanced control rooms.

The Apostles has some suspect writing at times and the story makes some logical leaps where it feels like whole cut - scenes are missing, but we get the same great gameplay mechanics of the base game while throwing in a structured three - arc setup that introduces some interesting characters.

Giallo - like in its plot convolutions as well as its stark, shadowy visual style, this rare foray into strict horror by dark crime thriller master J. Lee Thompson is perhaps best known for its infamous shish - kebab murder scene, but the underappreciated slasher film has much more to offer, with a whole slew of show - stopping death set pieces and a stellar supporting cast, including Glenn Ford as Virginia's doctor.

This opening scenes quickly establish the tone of the film as a whole — mixing sadness and comedy to approximate something like life itself.

Showing up at the scene of the plane crash, Perkins immediately concludes that the whole town is trapped (it's like he read the Wiki page).

Like the humor, the pace is gentle, but the film as a whole is well - divided between present - day antics, an extended (and somewhat wondrous) time travel sequence, and then the bulk of the action in colonial times, with a dextrous action scene that resolves the differences between the turkeys and their would - be human overlords.

Like the behind - the - scenes featurette for The Force Awakens, this includes a whole bunch of new footage and looks at various characters / aliens / scenes we haven't seen anything about yet.

Marshaling a whole mishmash of horror flick elements like black crows, foggy nights, bathroom scenes and creepy sounds, the script seems bent on using every ingredient ever invented for the genre.

Again, these scenes are done well, but they stick out like a sore thumb when you look at this movie as a whole.

It's scenes like the baseline test — the interviewer is primarily in the overheads; the whole idea is that he's on top of you, oppressive and claustrophobic.

The close - ups of Robbie's face in the skating scenes (accomplished with occasionally sketchy face - replacement CGI) say it all: there are fleeting moments of victory that feel like everything, and then a whole lot of garbage surrounding it.

The conversations between the two characters that make up most of the early scenes of the movie are a delight, and I almost wished that the whole film would just be the two of them talking — like an undead My Dinner with Andre.

Overall, with the exception of some memorable scenes that showcase Kutcher's knack at sinking into the role of Jobs, this biopic just ends up feeling like a missed opportunity that could've been a whole lot better given the right filmmakers.

I like taking out words, phrases, sometimes whole sentences or scenes that don't add to the story.

But then, the iPad came onto the scene and and the whole market dynamics went through a sea change.The Kindles and the Nooks were reduced to being budget e-readers themselves in spite of them being feature rich and a notch higher than the built to a price e-readers, something that spoke of trouble for the Kobos and the likes.

Then there are the «extreme groomers,» who turn their own pets into elaborate creations like zombies, flowers or even whole jungle scenes, transformations that can take months as hair grows, paint is applied, fur is braided or extended, and shapes are sculpted.

Just like Le Select, Nikki Beach draws a steady local crowd — many of them come for lunch on Sundays, when the whole place becomes quite the scene.