Sentences with phrase «whole scenes from the film»

While it might be a chore to extract whole scenes from the film due to the fact that most are very funny, many of the characters and sub-stories are superfluous, and could have easily been worked into a future Apatow comedy if need be.

Not exact matches

His fateful encounter with Voldemort and his snake, witnessed from behind a frosted glass door, is perhaps the best scene in the whole film.

But the horrible filming of the dance scene, the movement from 1st to 3rd person camera often and irritatingly, just failed on a whole for me.

Not long after our intrepid heroes» arrival in Hollywood, there's a big showdown including most of the characters from the film, and this single scene probably packs in as much madcap insanity as the whole running time of Meet the Feebles.

While the main event of the film certainly did happen, as well as some of the scenes (some of them, excerpted from the documentary, are shown during the end credits), the film as a whole does tend to traverse familiar territory as far as feel - good sports films go, especially with the final game where all of the loose ends comfortably fall into place.

That's our convoluted way of saying that The A.V. Club looked both high and low for the best scenes of 2015, culling from a whole spectrum of films — some likely to appear on this week's best - movies - of - the - year list, others unlikely to appear on any such list, and at least one certain to get called out in our public shaming of the year's worst movies.

Often during the calendar - straddling list - making frenzy of «top ten season» a scene or a line of dialogue or even a whole film will refuse to dislodge itself from any internal conversation you may have with oneself about the year.

That's why, every year, The A.V. Club finds room not just to count down our favorite whole films but also to highlight the strongest standout, stand - alone scenes — some of them pulled from those aforementioned best movies of the year (which we'll unveil later this month), others most definitely not.

Catching on that traditional animated movies» days may be numbered and cashing in on the public's fascination with the CG process the whole scene looks positively crowded this year: 2004 sees the release of four entirely digital films - Shrek 2 and Shark Tale from DreamWorks, The Polar Express from Warner Bros., and of course The Incredibles.

The disc presents scene - specific commentary by film professor and Melville expert Ginette Vincendeau, who talks over three extended sequences from film in what is more audio essay than commentary, offering an overview of the film in the context of Melville's career and discussing the major themes and stylistic qualities of the film as a whole.

This is the same big action scene teased in the first photo from the film, though now that we have a full trailer there's obviously a whole bunch of thrilling action to see.

The scene in Age of Innocence, with Michelle on the dock looking out at the water while Day Lewis watches her from afar is my favourite in the whole film, such gorgeous cinematography.

It's not necessarily an economical film, as there are whole scenes which have nothing to do with the main story, such as the meeting between McDormand and Steve Park, the lonely friend from the past that tries to have an affair with her.

Oscar - winner Octavia Spencer («The Help») is a throwaway casting choice as Amity Johanna (who has more of a role in the novels), and Oscar - nominated Naomi Watts has barely ten lines in the whole film (though she is gifted with the closing scene of the film — a scene that was drastically changed from the book).

On second thought, the single best film from the Bromance Era, for both dick jokes and genuine pathos, is 2007's Superbad, which brings us back to Seth Rogen, as actor, coscreenwriter (alongside Evan Goldberg), and thus coarchitect of the «Jonah Hill can't stop drawing dicks» scene, which nowadays has a whole lot to answer for.

It also helps that each story stage is based on a segment on the film and builds on them, adding more sections and areas not seen in the movie to lengthen the whole experience, and includes scenes straight from the motion picture.