Sentences with phrase «whole space of the painting»

I got a similar experience with Anne's recent paintings where the whole space of the painting seemed to recede almost infinitely, without losing contact with the surface.

Not exact matches

The attractive space also includes a dash painted to match the seat stitching, available keyless entry and standard push - button start, and the ability to call up a whole bunch of vehicle info (such as pitch and roll) on the display screen.

Lesley Heller Workspace, New York, NY Claxons (four - person exhibition, curated by Walter Robinson), Haunch of Venison, New York, NY Grey Area, New York, NY The Queen's Feathers (one - person exhibition), John Tevis Gallery, Paris France 2011 Peacocks and Bottles (one - person exhibition) Organized by Nana Kipiani in conjunction with Artisterium, National Gallery of Georgia, Tbilisi, Georgia Forever and Never, One More Time (two - person exhibition), Season, Seattle, WA Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan Gallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brooklyn, NY

While each adjustment is undertaken to orchestrate and tighten the relation of each pictorial unit to every other pictorial unit, to secure formally the integrity of each painting as a whole, the overall effect of the process is also to enliven the space, to acknowledge its flatness while simultaneously allowing it visually to twist and warp and bend, to project and recede, to be positive and negative — and thus to explore and personalize what's become natural to pictorial space since Cezanne and Cubism radicalized it more than a century ago.

The whole gallery will be turned into a unified space through the application of an internal skin of paint and carpet.

The text celebrated a new kind of artwork untethered from the traditional frameworks of painting and sculpture, focusing instead on an investigation of «real space,» or three dimensions, using commercial materials and an emphasis on whole, unified shapes.

«By the early 1980s, Brodsky's approach involved an exploration of flattened pictorial space built up from layers of pigment that create an overall surface pattern of light and shade, the whole animated by energetic ribbons of color that dance across the canvas as a record of the artist's spontaneous gesture, attesting to his engagement with the process of painting itself,» wrote Chalif.

Unframed paintings, reliefs, collages, sculptures and mobiles were placed at different heights so that the space of the whole studio was animated.

Today, through my anamorphic works I redesign the volumes of any kind of surface involved, thus causing with my paintings a temporary interruption of normality by altering the perception of familiar contexts, and so raising a different understanding of spaces and, consequently, of reality as a whole.»

In a text titled, «Post-War Reflection,» Kusama writes, «My Works are usually painted flat on undivided space so that each microscopic mass is followed by another and its surface has a concrete appearance when looked upon as a whole showing a group of remarkably vast masses.

As with all of Förg's work and installations, the individual works are regarded as part of a whole, merging photography with wall paintings and sculpture to activate a space with specificity to site.

This whole group of perspectival, deep space paintings demonstrated Young's independence within the current geometric mode.

I hope that by summoning the trope of the dance - floor, the entire installation functions as an interactive canvas that shapes how the body navigates each painting and the space as a whole.

Satoshi Ohno has often transformed the whole exhibition spaces with installations, including large paintings of several meters wide, sand drawings on the floor, or wall paintings.

In recent years Sugito has become increasingly interested in architectural spaces and creates «the whole exhibitions as he makes drawings of spaces» (Koichi Wada, «Making Exhibitions According to Space and Painting Are the Evidence of Life», Bijutsu Techo, July 2015).

Brock manipulates the painting plane into a tattered, torn, collaged surface, creating a micro / macro effect which simultaneously shows the viewer pixels and constellations, torn pieces of a whole and endless fields of open space.

Floating in a space in front of it we see a transparent geometrical figure, or cluster of figures, that alternates between being flat and being three dimensional, the whole painting also seeming to undulate gently.

AG What's interesting to see in your paintings is that each square has its own idea of space, but they're also working with each other within the whole composition of the canvas.

Colour structures the painting, creating space and movement; providing the means of getting through and understanding the whole thing.

Each artist takes an entire wall of the two room space for their painting, apart from Tim Staple, who resurfaces the whole floor with a bold geometry of diagonal angular shapes.

I wonder if you could find a fancy looking radiator cover (like Shelley at House of Smiths used http://www.thehouseofsmiths.com/2011/12/diy-magnetic-organizational-board-from.html) and paint it white to fill in the whole mantel space?

I think that the lamp from Pottery Barn REALLY complements your space and it will look lovely... as for me I need to paint a small bedroom / library and I'm uncertain if I should paint only one accent wall or the whole space; either in a soft blue (to go with a pair on antique figurines in the room) or a tone of green (that will match a bird painting)... decisions, decisions, decisions.

I'll paint a wall, or a piece of furniture to give the space a whole new look, and this works inside and out.

Painting is one of the most inexpensive ways to give your space a whole new look.